Sledmere, Adrian (2018) Amy Winehouse: Back to Black and the Gothic. Journal of the International Association for the Study of Popular Music, 8 (1). pp. 117-135. ISSN 2079-3871
Type of Research: | Article |
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Creators: | Sledmere, Adrian |
Description: | This article considers Amy Winehouse through the lens of the Female Gothic. With a specific focus on her song “Back to Black” (2007) and its accompanying video, an attempt is made to Gothicize the artist: to delineate an identity forged out of a variety of personalities and metaphors drawn from the Gothic. The various themes and tropes which emerge from this genre speak to a sense of continuity in terms of the structural constraints and anxieties that women face in society. To deploy the Gothic in relation to Amy Winehouse aims to give voice to gender related issues of power and autonomy. As part of the discussion I will foreground the significance of place in relation to both her narrative and music, by embracing a psychogeographic approach. This is to exploit a natural connection between Psychogeography and the Gothic by considering the possibility of darker currents and resonances via a relationship with the uncanny which they both share. |
Official Website: | http://iaspmjournal.net/index.php/IASPM_Journal/issue/view/64 |
Keywords/subjects not otherwise listed: | Amy Winehouse, Psychogeography, Gothic, Romanticism, the uncanny, Female Gothic |
Publisher/Broadcaster/Company: | International Association for the Study of Popular Music |
Your affiliations with UAL: | Colleges > London College of Communication |
Date: | 1 August 2018 |
Date Deposited: | 25 Feb 2019 10:34 |
Last Modified: | 01 Apr 2020 20:46 |
Item ID: | 13983 |
URI: | https://ualresearchonline.arts.ac.uk/id/eprint/13983 |
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