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Thomas, Jennet (2016) Animal Condensed>Animal Expanded #1. [Art/Design Item]
![[img]](https://ualresearchonline.arts.ac.uk/14609/2.haslightboxThumbnailVersion/Animal%20Condensed_Animal%20Expanded%20copy%202.jpg)
![[img]](https://ualresearchonline.arts.ac.uk/14609/3.haslightboxThumbnailVersion/animal%201%20still%206.jpg)
![[img]](https://ualresearchonline.arts.ac.uk/14609/4.haslightboxThumbnailVersion/animal%20still%204.jpg)
| Type of Research: | Art/Design Item | ||||||
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| Creators: | Thomas, Jennet | ||||||
| Description: | Video installation with sculptural and design elements. This work also functions as a stand-alone single screen video work, that is sometimes accompanied by live performance. This work is the first of a loosely-connected trilogy of short video/installations exploring troubling relationships between humans, animals and Artificial Intelligence. Somewhere between virtual and actual, through the collision of meanings and anti-meanings, a visionary fever dream produces an encounter between two post-anthropological agents. In an attempt to reconcile themselves with some unspecified trauma of mass biotechnoviolation, they quiz one another on the origins and ontologies of their species. |
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| Keywords/subjects not otherwise listed: | Installation Art | ||||||
| Your affiliations with UAL: | Colleges > Camberwell College of Arts Colleges > London College of Communication Colleges > Wimbledon College of Arts Research Projects > Subjectivity and Feminisms Research Projects > British Artists’ Film and Video Study Collection |
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| Date: | September 2016 | ||||||
| Funders: | Arts Council England | ||||||
| Related Websites: | http://block336.com/exhibitions/unspeakable-freedom-tastes-like-chicken-jennet-thomas/, http://www.kffk.de/2018-spotlight/, https://2017.emaf.de/en/Register.html#, https://www.tintypegallery.com/exhibitions/animal-condensedanimal-expanded-2/, https://vimeo.com/270162375 | ||||||
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| Related Exhibitions: | Acts-Reacts festival, Animal Condensed>Animal Expanded #1Performance/video, Wimbledon Space, London, March 2017, Solid State Cinema, Glasgow, The Futurological Congress, 2018, Peninsula Arts Plymouth Animal Condensed>>Animal Expanded #1&2 as part of Plymouth Contemporary Showcase, March 2-29th, The Holden Gallery, Manchester, showing ‘Animal Condensed>Animal Expanded#1&2’ as part of INTERRUPTIONS, January, 2019 | ||||||
| Related Publications: | Art Review Magazine 2018 September issue review by JJ Charlsworth on ANIMAL CONDENSED>ANIMAL EXPANDED#1 and 2, Art Monthly July-August 2018 issue, review by Maria Walsh on ANIMAL CONDENSED>ANIMAL EXPANDED#1 and 2, After Nyne September 2016 Essay by Tom Groves ‘The world is completely alive or the world is completely dead’ | ||||||
| Locations / Venues: | Location From Date To Date Block 336, London 23 September 2016 21 October 2016 European Media Arts Festival, Osnabruek, Germany 29 April 2017 2017 Shoreditch Town Hall, London 5 November 2016 The Bluecoat, Liverpool 10 November 2016 Karst, Plymouth 15 July 2017 2 September 2017 Antimatter Media Art Festival, Victoria, Canada 19 October 2017 Chicago Underground Film Festival, Chicago, USA May 2017 Poppositions, Brussels 18 April 2018 22 April 2018 KURZFILMFESTIVAL KOLN 12, Cologne, Germany 15 November 2018 Tintype Gallery, London 13 June 2019 14 July 2019 |
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| Material/Media: | HD video, materials variable but can include: straw, pvc black and white strip curtains, black and white floor tiles, cast human bones decorated with paint and tape. | ||||||
| Measurements or Duration of item: | Digital video, colour, looped, 7m 15s. dimensions of installation variable | ||||||
| Date Deposited: | 04 Jul 2019 13:20 | ||||||
| Last Modified: | 09 Nov 2023 04:47 | ||||||
| Item ID: | 14609 | ||||||
| URI: | https://ualresearchonline.arts.ac.uk/id/eprint/14609 |
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