Evans, Mary (2018) 11th Mercosul Visual Arts Biennial. [Show/Exhibition]
Type of Research: | Show/Exhibition | ||||
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Creators: | Evans, Mary | ||||
Description: | With the title The Atlantic Triangle, the 11th Mercosul Visual Arts Biennial intents to shed light onto the triangle that, for over 500 years, connects the destinies of America, Africa, and Europe. Bringing together 70 artists and artist collectives – as well as punctual actions performed in Quilombocommunities located in the cities of Porto Alegre and Pelotas –, the exhibition occurs from April 6 to June 3, 2018, in the spaces of the Museu de Arte do Rio Grande do Sul [Rio Grande do Sul Art Museum], Memorial do Rio Grande do Sul [Rio Grande do Sul Memorial], Praça da Alfândega [“Customs” Public Square], and Igreja Nossa Senhora das Dores [Our Lady of Sorrows Church], all within the historic district of Porto Alegre. Based on the historic references postulated during the exhibition’s production, the project features works and artists from the three continents that compose the Atlantic Triangle. Making these artists the protagonists of an exploration of cultural relations and the interdependency within such a triangulation, the exhibition seeks, among other issues, to analyze what are the innovative forces that mobilize the interaction between America, Africa, and Europe. Highlighting African and African-Brazilian art – both present in large quantities – the Atlantic Triangle is interested in the contact points that propitiate the encounter between the indigenous, European, and African cultures that form a new American amalgamation. |
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Your affiliations with UAL: | Colleges > Chelsea College of Arts | ||||
Date: | April 2018 | ||||
Related Websites: | http://www.fundacaobienal.art.br/biennials/11%C2%AA-Mercosur-Biennial | ||||
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Locations / Venues: | Location From Date To Date 11 Bienal do Mercosul, Porto Alegre, Brazil 6 April 2018 3 June 2018 |
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Date Deposited: | 26 Jul 2019 12:19 | ||||
Last Modified: | 26 Jul 2019 12:19 | ||||
Item ID: | 14744 | ||||
URI: | https://ualresearchonline.arts.ac.uk/id/eprint/14744 |
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