Cyborgs Without Organs

An assessment of the potential in contemporary 'glitch art' to recuperate and build on cyberfeminist legacies under conditions of advanced capitalism. Incorporating a critique of Legacy Russel's 'Glitch Feminism', this article draws on biopolitical theory to examine historical leftist conflict between technoaccelerationism and technosceptic accounts of difference, asking whether and how artist-led ‘glitch’ practices in the present might offer new modes of resistance to gendered and racialised forms of control over life.