Parry, Owen G. (2022) Performance Haiku. [Performance]
![[img]](https://ualresearchonline.arts.ac.uk/17961/1.haslightboxThumbnailVersion/final%20-%20%40emwajones-9.jpg)
| Type of Research: | Performance | ||||||
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| Creators: | Parry, Owen G. | ||||||
| Description: | A performance exploring the theatrical body as site of a decadent existentialism; as one caught in the act of appearing and disappearing; of truth and of lies. Both a vacant magic act and a ritualistic exorcism, the performance folds personal narrative with anecdotes from seminal figures of the post-apocalyptic queer occult including Genesis Breyer P-orridge, David Hoyle and 19th century Japanese poet Kobayashi Issa. |
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| Additional Information (Publicly available): | a salon-style collaboration between Rich Mix and Staging Decadence featuring performances by Lucy McCormick, Darkwah, Owen Parry and Nando Messias, talks by Giulia Palladini, Ben Walters, and Adam Alston, and the delectable sonorities and emceeing prowess of Sadie Sinner. |
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| Keywords/subjects not otherwise listed: | Performance, Haiku, Decadence | ||||||
| Your affiliations with UAL: | Colleges > Central Saint Martins | ||||||
| Date: | 21 January 2022 | ||||||
| Related Websites: | https://richmix.org.uk/events/staging-decadence/, https://www.stagingdecadence.com/print-events | ||||||
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| Related Exhibitions: | Staging Decadence Salon | ||||||
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| Date Deposited: | 29 Mar 2022 13:03 | ||||||
| Last Modified: | 29 Mar 2022 13:53 | ||||||
| Item ID: | 17961 | ||||||
| URI: | https://ualresearchonline.arts.ac.uk/id/eprint/17961 |
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