Dearly Beloved: Transitory Relations and the Queering of 'Women's Work' in David Medalla's A Stitch in Time (1967-72)

Boyce, Sonia (2019) Dearly Beloved: Transitory Relations and the Queering of 'Women's Work' in David Medalla's A Stitch in Time (1967-72). In: Conceptualism – Intersectional Readings, International Framings: Situating ‘Black Artists & Modernism’ in Europe. Van Abbe Museum, pp. 282-299. ISBN 9789490757199

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Dearly Beloved: Transitory Relations and the Queering of 'Women's Work' in David Medalla's A Stitch in Tim ... (225kB)

Type of Research:	Book Section
Creators:	Boyce, Sonia
Description:	In this essay, Sonia Boyce offers a close reading of David Medalla's participatory artwork A Stitch in Time (1967-72). Recounting its genesis, Boyce analyses the work's relational nature wherein viewers are invited to stitch messages onto a long stretch of cloth. Boyce considers this agains the emergent fields of participatory and dematerialised practice of the late 1960a and early 1970s.
Other Contributors:	Role Name Editor Aikens, N Editor Lok, S Editor Orlando, S
Official Website:	https://vanabbemuseum.nl/en/research/resources/articles/conceptualism-intersectional-readings-international-framings/
Publisher/Broadcaster/Company:	Van Abbe Museum
Your affiliations with UAL:	Colleges > Chelsea College of Arts Research Centres/Networks > Transnational Art Identity and Nation (TrAIN)
Date:	December 2019
Funders:	Mondrian Fund, AHRC (Black Artists & Modernism project)
Related Websites:	https://www.arts.ac.uk/research/current-research-and-projects/art-and-design-history-and-theory/black-artists-and-modernism-bam
Related Websites:	Publisher
Date Deposited:	10 Aug 2022 14:29
Last Modified:	10 Aug 2022 14:29
Item ID:	18683
URI:	https://ualresearchonline.arts.ac.uk/id/eprint/18683

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