Torres, Lara (2016) Unmaking. [Art/Design Item]
Type of Research: | Art/Design Item | ||||||||||||
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Creators: | Torres, Lara | ||||||||||||
Description: | Unmaking an essay-film created by Lara Torres in 2016 was part of an iterative exhibition over the course of three years in London, Vienna, Warsaw, Kalmar and Rimini as part of Transfashional, on the initiative of Austrian Cultural Forum in Warsaw and University of Applied Arts in Vienna. The same project was shown in a variety of spaces across Europe, each instalment proposed a different response, submitted here as a multi-component output consisting of an essay film, 8 exhibitions and a book chapter. The project’s methodology represents a significant departure for fashion practices, moving away from imperatives of productivity using film and reflection as the basis for the study. The work examines the potential for filmmaking to form an explicit method of recording and transferring fashion knowledge, and the usefulness of film analysis for fashion practitioner research is explored using this methodology. Reflective practice is used as a way to explore how the fashion object can create transferrable fashion knowledge related to making. Torres adopted the role of the reflective practitioner, keeping video journals and mood boards throughout the project reflecting on progress, process and theory. The research borrows methods of analysis from film studies such as David Montero’s Thinking Images: The essay film as a Dialogic Form in European Cinema (2012) establishing film as a thinking medium and Mieke Bal’s notion of Thinking in Film, the politics of video installation according to Eija-Liisa-Ahtila (2013). The work deconstructs fashion via an interdisciplinary approach that uniquely asserts filmic montage as a fashion criticality, generates critical understanding, and stimulates questioning within the audience. Unmaking was further disseminated at The End of Fashion conference held in Massey University, New Zealand and at the Royal College of Art ‘Dialogues and Explorations 2018’ Knowledge Production Through Practice – Deconstruction as Method at Royal College of Arts. |
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Your affiliations with UAL: | Colleges > London College of Fashion | ||||||||||||
Date: | 7 October 2016 | ||||||||||||
Related Websites: | https://transfashional.com/exhibitions/, https://www.stateoffashion.org/en/past-editions/stof18/exhibition-searching-new-luxury/, https://www.studiostefaniamiscetti.com/catalogues/she-devil-catalogue/ | ||||||||||||
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Related Exhibitions: | SHE DEVIL XI. WE WILL SURVIVE Video Exhibition March 7th, 2019 to April 18th, 2019 | ||||||||||||
Related Publications: | Catalogue Transfashional: post/interdisciplinary lexicon, Catalogue Transfashional Experimental Fashion in the context of Contemporary Art 2017, Catalogue Exhibition 'The end of fashion', Book Chapter 'The body as factory' in Crafting Anatomies, Online Catalogue of the Exhibition 'State of Fashion' 2018, She Devil, published by Cura Book, Rome 2019 | ||||||||||||
Locations / Venues: | Location From Date To Date City Museum of Rimini Modern Hall, Italy 27 October 2019 6 January 2020 Kalmar Konstmuseum, Sweden 18 May 2018 30 September 2018 State of Fashion - searching for the new luxury Melkfabriek in Arnhem, Netherlands 1 June 2018 22 July 2018 MuseumsQuartier Vienna
frei_raum Q21, Austria 7 December 2017 17 December 2017 Ujazdowski Castle - Centre for Contemporary Art, Warsaw 19 May 2017 4 July 2017 Austrian Cultural Forum, London 2 February 2017 4 April 2017 End of Fashion Exhibition/Conference Wellington, New Zealand 8 December 2016 9 December 2016 Lisbon Fashion Week, Lisbon, Portugal 7 October 2016 9 October 2016 |
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Material/Media: | Video | ||||||||||||
Measurements or Duration of item: | 10:06 | ||||||||||||
Date Deposited: | 01 Sep 2022 14:02 | ||||||||||||
Last Modified: | 01 Sep 2022 14:02 | ||||||||||||
Item ID: | 18808 | ||||||||||||
URI: | https://ualresearchonline.arts.ac.uk/id/eprint/18808 |
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