The Real and the Record

'Negative Publicity [Redacted]': in the group show 'The Real and the Record' in the Photobiennale 2021, Thessalonki, Greece.

The exhibition takes as a point of departure the concept of the Real in today’s sociopolitical climate. In the current era of post-truth, fake news, and polarizing 24-hour media cycles, defined by information overload, how can one distinguish what is realfrom what is not?

The title of the exhibition is inspired by the Iraqi-born film director and writer Hassan Blasim’s short story “The Reality and the Record”, in which an Iraqi asylum seeker recounts his traumatic experiences of war to an immigration officer in Sweden. As the title implies, the allegorical story examines the continuum between lived experiences and the manner in which they can be reported, interpreted, and ultimately recorded on their path to becoming official narratives. Using the notions of the “Real ”and the“Record” as bookends, the exhibition underscores the broad spectrum and fluidity between these two pilars. Approached from a multitude of perspectives, the Real is explored through the investigation of images, archival records and documents; official narratives and counter-narratives; biased language and propaganda; simulation, mimicry and digital technologies; and the veracity and performativity of photography.

Four overarching themes serve as guiding principles to demonstrate the complexity of the the Real as well as its mutating nature: The Real As Truth, the quest for being in accord with fact or reality; The Real as Visible / Invisible, the portrayal of subject matters that are typically underrepresented or altogether absent as an act of making invisible histories visible; Between Fact and Fiction the construction of a reality that is not only accessible through records, documents, and statistics, but equally through experience, recollection, and interpretation; and The Extended Reality, the role of technology in the construction of a new condition that simulates and often substitutes that which is real.

These four thematic threads serve as invisible categories to guide the narrative of the exhibition. The categories are weaved together to create an intricate tapestry of the Real in today’s hyper-connected global community. In order to get to the core of distinguishing reality, one must break through the information clutter and visual noise that surrounds us. At a time when political and media rhetoric is filled with irrational claims, when power is abused in the hands of those who hold it, and when knowledge is being seen less as a means of understanding and more as an interference that can be disregarded if it stands in the way of wishful thinking, we need to unveil and infiltrate the Real.

• https://www.photobiennale-greece.gr/en/?...