Minkin, Louisa and Summers, Francis (2023) Yes We Cannibal: Capitol Offense. [Art/Design Item]
YWC Capitol Offense invite | YWC Capitol Offense | Conflictual Circulation |
Conflictual Circulation 1 | Conflictual Circulation 2 |
Type of Research: | Art/Design Item |
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Creators: | Minkin, Louisa and Summers, Francis |
Description: | Conflictual Circulation in Yes We Cannibal: Capitol Offense LMFS is the name of the collaboration between Louisa Minkin and Francis Summers. We have been making banners sometimes since 2012. Recurring themes include: agitation, solidified memory, forgetting, allusions, technologies, image-text relations, poetic dispersal and concretion, social art-work as patchwork archaeology of failed forms, the lumpen-vectoral… Some methods: Historical research, sudden leaps, churned seas of associations. The thud of the rock from our ancestors hitting the back of our heads, smelling the chilled sweat of the sublime as it slumbers in a cardboard box at the amazon depot [thanks Tyler Coburn] We think about chalk on the fence, the impermanence of the public sphere… |
Additional Information (Publicly available): | Yes We Cannibal: Capitol Offense Exhibition Dates: February 11 to March 5 Good Children Gallery is excited to present Capitol Offense, an exhibition curated by Yes We Cannibal. The exhibition will be on view February 11th - March 5th, 2023. Please join us on Saturday, February 11 from 6-9pm for the opening of Capitol Offense. Yes We Cannibal was founded in March 2020, but it's opening was staggered over the course of a year due to COVID. On the second anniversary of our first gallery show, Capitol Offense arrays a selection of artists who have previously exhibited at, or otherwise collaborated with, YWC, providing a wider aperture for what happens at YWC, why, and to what effect(s). Some of the works in Capitol Offense return from earlier gallery shows, some are new works from previously exhibiting artists, some are new collaborations, and some artists now cross genres, such as in the case of Ryan C Clarke who moves from critical sound collage to sculpture. YWC is both an embedded and profoundly local site as well as a node in an international community of artists and thinkers. Each of these works is a provocation; each unfolds on a different stratum of social experience. Exhibited media include photography, sculpture, 2d works, mixed-media, video, and more, foregrounding the wide berth of practices, communities and curatorial tracks that intersect at YWC and suggesting how they have or may still cross-pollinate. This body of works has been curated to activate a space where psychic and psychological curiosity towards encounter is heightened. Its title plays gently with associations between punitive strictures against taboo or social heresy, and more overtly with the relationship between Louisiana’s capitol city, Baton Rouge, and New Orleans, a long and complicated set of episodes and predispositions. The exhibit includes video work by Steven L. Anderson (Atlanta) and LMFS (London, UK), photography by Lily Brooks, Cedric Dent Jr, Osha Blue Eye, and Jonathan Peterson, Sculpture from RC Clarke, Mat Keel, Ellen Khansefid and Marisa Marofske (Los Angeles), and Erin Woodbrey (Massachusetts), drawing, collage and painting by Erik Fields, eternity, and Chihiro Ito (Brooklyn / Tokyo), as well as mixed-media work by Liz Lessner and Thomas Stanley aka Bushmeat Sound (Washington DC), documentation of bio-sculptures by Cesar Lois (Sao Paolo, BR; Escondido, CA) and sound sculpture by Erin Demastes. The exhibition also presents uncanny documentation of Yes We Cannibal’s broader activities, featuring an interactive archive that will include a listening station, posters, photos, clippings, articles, ephemera, as well some artifacts for purchase. Yes We Cannibal's monthly hip hop showcase, Sole Lab Sundays will be relocated to Good Children for its February installment on February 26th at 4pm, as will micro-rave Future Ex-Youth, on February 17th at 11pm, which will immediately follow a performance by rarely seen Baton Rouge art punk project Fake Last Name with special guest Secret Cowboy interpreting the gestural score to composer Simon Berz’s Tectonic as performed at YWC in December 2022, at 8 pm. Further information on gallery hours, events and openings is available at instagram.com/yeswecannibal. |
Keywords/subjects not otherwise listed: | Griefplay, Gaming, Internet cultures |
Your affiliations with UAL: | Colleges > Central Saint Martins |
Date: | 3 February 2023 |
Related Websites: | https://yeswecannibal.org/, http://www.goodchildrengallery.com/index.html, http://www.louisaminkin.com/LMFS.html, http://www.lmfs.co.uk/ |
Related Websites: | |
Related Exhibitions: | OVERPR!NT AG!TATE ACT!VATE, FILM NIGHT SCARY MOVIES., Annihilation Event, One and One and One, Part I, Preliminary Notes for Moving Between Desert and Occupation, Atomic Pictures Le Shakirail 72 Rue Riquet 75018 Paris |
Related Publications: | How to accommodate grief in your life. Philosophy of Photography Volume 7 Numbers 1 & 2 © 2016 Intellect Ltd Article. doi: 10.1386/pop.7.1-2.83_1, A is for Front Line. Parking Lot #2 |
Locations / Venues: | Location From Date To Date Yes We Cannibal, Capitol Offense, Good Children Gallery, New Orleans, USA 11 February 2023 5 March 2023 |
Material/Media: | Digital Video, sound |
Measurements or Duration of item: | 2 videos: 6:40 & 5:10 |
Date Deposited: | 16 Feb 2023 10:12 |
Last Modified: | 16 Feb 2023 10:12 |
Item ID: | 19592 |
URI: | https://ualresearchonline.arts.ac.uk/id/eprint/19592 |
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