Kuc, Kamila (2021) What We Shared. [Art/Design Item]
Type of Research: | Art/Design Item |
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Creators: | Kuc, Kamila |
Description: | Seven inhabitants of Abkhazia, a de facto state on the Black Sea, unfurl a web of stories about loss and displacement through the re-imaginings of dreams and memories of the 1992-93 war with Georgia. To question the unstable distinction between fact and fiction, these re-imaginings are interwoven with auto-fictional narration and archival materials that have been processed through an AI technology. The Black Sea permeating the film’s world acts as a metaphor of both an idyllic holiday destination of utopian happiness; as well as a perilous force, a place of conspiracy and death. What We Shared employs emotive soundscape and imagery to produce a sensory reflection on artistic practice as a powerful binding force and an act of resistance to dominant power structures. ‘By recreating personal stories though testimony, poetry and archival material, the artist and performers explore deep traumas that no single place or language can contain. Abkhazia, the disputed state on the Black Sea – once an opulent Soviet holiday resort with a multi-ethnic population – became a symbolic ghost town following the 1992-93 war with Georgia. Here, fragmented memories and dreams destroyed by violence and exile are exhumed through interpretive re-enactment and haunting sound.’ Helen de Witt, BFI London Film Festival (2021) |
Keywords/subjects not otherwise listed: | war, trauma, psychotherapy, social choreography, artificial intelligence, body, authoritarianism |
Your affiliations with UAL: | Colleges > London College of Communication |
Date: | 1 June 2021 |
Funders: | Arts Council England, NJL Foundation London, Coventry University, Sklad Cultural Centre Sukhum Abkhazia |
Related Websites: | https://whatweshared.com/, https://www.kamilakuc.com/wws, https://darkspringstudio.com/ |
Related Websites: | |
Related Exhibitions: | 65th BFI London Film Festival, World Premiere, 45th Göteborg Film Festival, Göteborg, Sweden, International Premiere, 60th Ann Arbor Film Festival, Ann Arbor, Michigan, USA, North American Premiere, BGS London Georgian Film Festival, Prismatic Ground, Maysles Documentary Centre, New York City, Mimesis Documentary Festival, Boulder, Colorado, Whitechapel Gallery, London, The Pushkin House, London, ArtKino, Rijeka, Croatia, SKLAD, Sukhum/i, Abkhazia, Abkhaz Premiere, The New School, School of Media Studies, NYC. Co-sponsored by The Harriman Institute, Columbia University, 6th Biennale of the Moving Image, Buenos Aires, Argentina, Fisura International Festival of Film and Video Art, Mexico City, Mexico, The 18th East Silver Market, Ji.hlava International Documentary Film Festival, in collaboration with Institute of Documentary Film, Prague, Czech Republic, Visions du Réel Industry, Nyon, Switzerland, April, 2022, Goethe Institute, Tbilisi, Georgia, The 5th BEAST International Film Festival, Territories section, OKNE, Porto, Portugal, Visible Evidence: Images of History conference, Faculty of Social Sciences University of Gdansk, Poland |
Related Publications: | Dara Waldron, 'Other Realities', Visible Evidence website (forthcoming, April 2023), Thomas de Waal, ‘On Memory, Loss and Mental Divisions: Reflections on Abkhazia, 1992-2022’, at www.abkhazia.co.uk, 14 August 2022., Emily Maskell, ‘What We Shared’ review in The Calvert Journal, no.22, November 2021., What We Shared reviewed in Ben Nicholson's 'The best of Experimenta at BFI London Film Festival 2021', Sight & Sound, October 2021, Michael J.Kasey, ‘Mimesis Documentary Film Festival 2022’ Review, MJC, 1 August 2022., In conversation with Thomas de Waal, after the screening of What We Shared at the Pushkin House, 16 June 2022., Interview about What We Shared with Jennifer Howard for the 60th Ann Arbor Film Festival., What We Shared named among ‘the finest examples of UK filmmaking’, Festival Scope Selects., What We Shared featured in Helen de Witt’s ‘Urgent upheavals: artist films that call for new understandings of complex times’, What To Watch at the LFF, BFI Website, What We Shared reviewed in Michael J. Kasey, ‘Like life, only more so’, Boulder Weekly, 28 July 2022., Dan Schindel, ‘Prismatic Ground Tries to Change the Conversation on Experimental Documentary’, Hyperallergic, 3 May 2022, What We Shared on Red Carpet News TV, 4 November 2021. |
Locations / Venues: | Location From Date To Date 65th BFI London Film Festival, World Premiere 14 October 2021 45th Göteborg Film Festival, Göteborg, Sweden, International Premiere 29 January 2022 31 January 2022 60th Ann Arbor Film Festival, Ann Arbor, Michigan, USA, North American Premiere 27 March 2022 BGS London Georgian Film Festival 3 October 2022 Prismatic Ground, Maysles Documentary Centre, New York City 5 May 2022 Mimesis Documentary Festival, Boulder, Colorado 5 August 2022 Whitechapel Gallery, London 9 June 2022 The Pushkin House, London 16 June 2022 ArtKino, Rijeka, Croatia 5 July 2022 SKLAD, Sukhum/i, Abkhazia, Abkhaz Premiere 26 January 2022 The New School, School of Media Studies, NYC. Co-sponsored by The Harriman Institute, Columbia University 3 May 2022 6th Biennale of the Moving Image, Buenos Aires, Argentina 10 November 2022 20 November 2022 Fisura International Festival of Film and Video Art, Mexico City, Mexico The 18th East Silver Market, Ji.hlava International Documentary Film Festival, in collaboration with Institute of Documentary Film, Prague, Czech Republic 26 October 2021 31 October 2021 Visions du Réel Industry, Nyon, Switzerland April 2022 Goethe Institute, Tbilisi, Georgia The 5th BEAST International Film Festival, Territories section, OKNE, Porto, Portugal 22 September 2022 Visible Evidence: Images of History conference, Faculty of Social Sciences University of Gdansk, Poland 12 August 2022 |
Material/Media: | Feature film |
Measurements or Duration of item: | 69 mins |
Date Deposited: | 13 Mar 2023 14:31 |
Last Modified: | 13 Mar 2023 14:31 |
Item ID: | 19761 |
URI: | https://ualresearchonline.arts.ac.uk/id/eprint/19761 |
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