Lewis, Mark (2009) Afterword. Afterall, 22. pp. 115-120. ISSN 1465-4253
Type of Research: | Article |
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Creators: | Lewis, Mark |
Official Website: | http://www.afterall.org/journal/issue.22/afterword.22 |
Additional Information (Publicly available): | Mark Lewis Research Interests Uses film as gallery installation medium to reflect and form critique of dominant cultural forms as they are reflected in cinema. Exhibited internationally in galleries and film festivals Current Research The work, mainly using film as a gallery installation medium, reflects and forms a critique of dominant cultural forms as they are represented in cinema. The installations, like 'Peeping Tom' and 'Upside Down Touch of Evil' make direct reference to existing works in the cannon and 'The Pitch' reflects on the way the process of cinema production marginalises fundamental aspects of the culture by examining particularly the 'role' of the film extra. The work has received wide exhibition in galleries and film festivals, received critical review and won awards. |
Keywords/subjects not otherwise listed: | RPE |
Publisher/Broadcaster/Company: | The University of Chicago Press |
Your affiliations with UAL: | Colleges > Central Saint Martins |
Date: | 2009 |
Related Websites: | http://www.marklewisstudio.com |
Related Websites: | |
Date Deposited: | 18 May 2010 09:09 |
Last Modified: | 04 Sep 2015 21:00 |
Item ID: | 2047 |
URI: | https://ualresearchonline.arts.ac.uk/id/eprint/2047 |
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