Falling for everything

Falling for everything considers the way structure is generated both as a way of pausing time, and creating a sense of stability that reduces anxieties around transience. It contrasts the relentless visual expansion, and then the disappearance, of a diagram outlining medical research trial protocols with the sound of someone with a life-threatening illness talking about their new sense of temporality. The movement of the image is both relentlessly progressive and curiously static, allowing space for the viewer to listen to another person’s experience.