Chicau, Joana and Renick, Bell (2022) Choreographies of the Circle & Other Geometries.
Type of Research: | Other | ||||||
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Creators: | Chicau, Joana and Renick, Bell | ||||||
Description: | Choreographies of the Circle & Other Geometries, in Critical Coding Cookbook: Intersectional Feminist Approaches to Teaching and Learning. In the context of modern computer programming, the origin tale of code often begins with the Difference Engine and the Analytical Engine invented by Charles Babbage in 19th century Europe. This beginning, buoyed by the industrial revolution and militarization, fostered an embedded set of values into computation aligned with an ideology of standardization, optimization, and flawlessness. “Good” code is efficient code that operates on a scarcity mindset, limited by hardware and energy resources. And yet, there are histories to math, engineering, and computing that are less prominently recognized because they do not neatly fit into the narratives of capitalist production. Ada Lovelace and her contribution to the development of modern computing has only recently been more broadly recognized. Textile production, which led to the invention of the Jacquard Loom, was a great inspiration to Charles Babbage’s research. Gendered and racialized preconceptions greatly impact what is validated as technical and creative work. We believe that it is time to confront how computational history has been retrofitted to tell a single narrative by recentering marginalized ways of knowing. For example, one may trace back to poe divination to gain a new perspective on the boolean variables. Quipu may be seen as one of the oldest examples of data storage. Fractals, which are often reduced to mathematical formulas in computer science classrooms can be traced back to multiple beginnings throughout ancient history such as traditional African architecture. The Critical Coding Cookbook perceives history as a messy entanglement rather than a linear graph. There is a growing awareness towards reclaiming ancestral knowledge and a movement to decolonize computation. Through centering marginalized bodies and identities, we aim to build a collection of alternative histories, narratives, and approaches to computation. This volume of material can serve as an open-source educational resource across a spectrum of learning communities. |
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Your affiliations with UAL: | Research Centres/Networks > Institute for Creative Computing | ||||||
Date: | 2022 | ||||||
Related Websites: | https://criticalcode.recipes, https://criticalcode.recipes/contributions/choreographies-of-the-circle-other-geometries | ||||||
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Material/Media: | Online Publication | ||||||
Date Deposited: | 13 Dec 2023 15:40 | ||||||
Last Modified: | 13 Dec 2023 15:41 | ||||||
Item ID: | 20947 | ||||||
URI: | https://ualresearchonline.arts.ac.uk/id/eprint/20947 |
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