Batten, Jonathan. P and Smith, Tim (2018) Saccades predict and synchronize to visual rhythms irrespective of musical beats. Visual Cognition, 26 (9). pp. 695-718. ISSN 1464-0716
| Type of Research: | Article | 
|---|---|
| Creators: | Batten, Jonathan. P and Smith, Tim | 
| Description: | Music has been shown to entrain movement. One of the body’s most frequent movements, saccades, are arguably subject to a timer that may also be susceptible to musical entrainment. We developed a continuous and highly-controlled visual search task and varied the timing of the search target presentation, it was either gaze-contingent, tap-contingent, or visually-timed. We found: (1) explicit control of saccadic timing is limited to gross duration variations and imprecisely synchronized; (2) saccadic timing does not implicitly entrain to musical beats, even when closely aligned in phase; (3) eye movements predict visual onsets produced by motor-movements (finger-taps) and externally-timed sequences, beginning fixation prior to visual onset; (4) eye movement timing can be rhythmic, synchronizing to both motor-produced and externally timed visual sequences; each unaffected by musical beats. These results provide evidence that saccadic timing is sensitive to the temporal demands of visual tasks and impervious to influence from musical beats. | 
| Official Website: | https://doi.org/10.1080/13506285.2018.1544181 | 
| Keywords/subjects not otherwise listed: | Experimental and Cognitive Psychology, Arts and Humanities (miscellaneous), Cognitive Neuroscience | 
| Publisher/Broadcaster/Company: | Informa UK Limited | 
| Your affiliations with UAL: | Research Centres/Networks > Institute for Creative Computing | 
| Date: | 4 December 2018 | 
| Funders: | ESRC, Wellcome Trust; FundRef: | 
| Digital Object Identifier: | 10.1080/13506285.2018.1544181 | 
| Projects or Series: | ES/J500021/1 | 
| SWORD Depositor: | Users 9703 not found. | 
| Date Deposited: | 14 Jan 2019 13:19 | 
| Last Modified: | 14 Feb 2024 16:40 | 
| Item ID: | 21142 | 
| URI: | https://ualresearchonline.arts.ac.uk/id/eprint/21142 | 
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