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Goh, Annie (2024) Beyond Her Noise: Feminisms and the Sonic. In: Women in Revolt: Radical Acts and Contemporary Resonances, 22-23 March 2024, Tate Modern.
| Type of Research: | Conference, Symposium or Workshop Item |
|---|---|
| Creators: | Goh, Annie |
| Description: | With some notable exceptions, research at the intersection of sound arts and feminist (and other allied) politics did not commence until well into the new millennium. Taking the work of the Creative Research into Sound Arts (CRiSAP) group as its starting point, this panel maps some of this more recent practical, curatorial, historical, and theoretical work, with questions that include: what is the role of grassroots, DIY technology infrastructures? In writing feminist (sound) art histories, how is the interview itself a sonic artefact? What does silencing sound like? |
| Official Website: | https://www.tate.org.uk/whats-on/tate-britain/women-in-revolt/women-in-revolt-radical-acts-contemporary-resonances |
| Your affiliations with UAL: | Colleges > London College of Communication Research Centres/Networks > Creative Research into Sound Arts Practice (CRiSAP) |
| Date: | 22 March 2024 |
| Related Websites: | |
| Event Location: | Tate Modern |
| Date Deposited: | 16 Jul 2024 15:29 |
| Last Modified: | 16 Jul 2024 15:29 |
| Item ID: | 22230 |
| URI: | https://ualresearchonline.arts.ac.uk/id/eprint/22230 |
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