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Wyeld, Mike (2024) Climate Crimes. [Art/Design Item]
![[img]](https://ualresearchonline.arts.ac.uk/22709/1.haslightboxThumbnailVersion/Climate%20Crimes%20at%20Victoria%20and%20Albert%20Museum.png) Climate Crimes Full Dome Installation at the Victoria and Albert M ... |
![[img]](https://ualresearchonline.arts.ac.uk/22709/2.haslightboxThumbnailVersion/Climate%20Crimes%20at%20Victoria%20and%20Albert%20Museum%202.png) Climate Crimes Full Dome Installation at the Victoria and Albert M ... |
| Type of Research: | Art/Design Item |
|---|---|
| Creators: | Wyeld, Mike |
| Description: | Climate Crimes is a large-scale immersive Full Dome video installation that explores the complex relationship between air pollution and the migration of refugees. It illustrates how atmospheric particles originating in the wealthy nations of the global north – Europe, USA, China, and others impact the global south, contributing to desertification and migration. Directed by Adrian Lahoud with Sound Design by Mike Wyeld. The research builds on an event that took place during the 2009 UN climate change conference, where Sudanese diplomat Lumumba Di-Aping argued that industrialisation in these regions in the global north was contributing to 'climate genocide' in Africa. |
| Keywords/subjects not otherwise listed: | Climate Change, Migration |
| Your affiliations with UAL: | Colleges > London College of Communication |
| Date: | 12 May 2024 |
| Funders: | Victoria and Albert Museum, London |
| Related Websites: | https://www.vam.ac.uk/articles/project-focus-adrian-lahoud-climate-crimes?srsltid=AfmBOooLt6xcdAzqUYA5Xlu4YtGCv5wV7qAQKnt2mGrE23teZ0CNeVuG |
| Related Websites: | |
| Locations / Venues: | Location From Date To Date Victoria and Albert Museum, London, Cromwell Rd, London SW7 2RL 12 May 2018 4 November 2018 |
| Material/Media: | Full Dome Video, Multichannel spatial audio |
| Measurements or Duration of item: | 14 minutes, loop |
| Date Deposited: | 11 Oct 2024 11:38 |
| Last Modified: | 11 Oct 2024 11:38 |
| Item ID: | 22709 |
| URI: | https://ualresearchonline.arts.ac.uk/id/eprint/22709 |
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