Re-Post

‘The city itself is the anonymous and multiple author of the images they collect and exhibit as artworks’ - Nicolas Bourriaud

Re-Post presents a series of paintings by Tom Cardwell which document and respond to found ‘compositions’ from the streets of Helsinki. Multiple authors use fly-posters, stickers and graffiti to create these ad hoc tableaux. Spaces in the city become informal message boards, where various agendas are promoted, and discourses negotiated. Often, these take place on the housings for electrical junction boxes, municipal signs or building hoardings.

Such examples, often organised within small, regularly shaped areas, relate visually to the canvas painting formats that delineate compositions, and balance the dynamic, even chaotic, styles at play within formal edges.

An initial ‘posting’ (either a small graffito, a sticker or fly-poster) begins the use of a particular site which others then add to. The nature of the postings can be diverse, from the political or religious to the profane or absurd. Thus, these sites are examples of discourses created by multiple authors across various platforms within the urban space.

Aby Warburg’s Mnemosyne Atlas (1927-1929) was an unfinished series of interconnected image maps that attempted to show how symbols and images from antiquity re-emerge in later contexts. In a related way, the public space of the street proclaims through the haphazard juxtaposition of diverse images and texts the complex and shifting narratives of contemporary life. In both spheres, the role of the larger artwork as a vessel to collect and contain a multitude of individual images is paramount.

These paintings invite deeper consideration of these apparent ephemera and connections with the enduring themes and motifs of art history.

The artworks were made during Cardwell’s Kone Fellowship in the Arts, Helsinki Collegium for Advanced Studies 2022-23.

The exhibition is supported by Helsinki Collegium for Advanced Studies, University of Helsinnki, and the Kone Foundation.

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