Clark, Edmund and Dani, Endri (2024) VIRIN: 825567-O-DWI94-718.jpg — Edmund Clark. In: FILL #03, 10 December 2024, Flowers Gallery, London.
Type of Research: | Conference, Symposium or Workshop Item |
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Creators: | Clark, Edmund and Dani, Endri |
Description: | According to the dictionary of the Albanian language: The cause of something; the source of birth, the beginning of the development of something. According to the dictionary of the English language: ‘to put a substance into an empty space’ The project FILL was conceived by visual artist Endri Dani in collaboration with MAD Cen-ter/POLIS University in Tirana. FILL consists of organizing a series of exhibitions, where a single image will be contained in the space of a gallery. This image will also be the subject of a public conversation that will accompany each edition of this project. The formula of the FILL project seeks to demystify the overproduction of digital culture and challenge the cur-rent economy of images in the contemporary world, where quantity corrupts critical thinking by manipulating the frequency of sources and maximizing ambiguity about what a raw mate-rial or the roots of a problem might be. FILL attempts to create areas of resistance against the delirium of the rational mindset to which we are entrusting the fragility of our emotional sphere. In this, the third iteration, Edmund Clark discusses the image VIRIN: 825567-O-DWI94-718.jpg from the U.S. Department of Defense photo gallery |
Official Website: | https://www.edmundclark.com/fill-03-a-public-conversation-at-flowers-gallery/ |
Keywords/subjects not otherwise listed: | visual culture, images, hyperaesthesia, cyber, war, military industrial complex, conflict |
Your affiliations with UAL: | Colleges > London College of Communication |
Date: | 10 December 2024 |
Related Websites: | https://vimeo.com/1040112058 |
Related Websites: | |
Event Location: | Flowers Gallery, London |
Date Deposited: | 29 May 2025 15:54 |
Last Modified: | 29 May 2025 15:54 |
Item ID: | 24104 |
URI: | https://ualresearchonline.arts.ac.uk/id/eprint/24104 |
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