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UAL Research Online

Utopia Ltd.

Kollectiv, Galia and Kollectiv, Pil (2011) Utopia Ltd. [Show/Exhibition]

Type of Research: Show/Exhibition
Creators: Kollectiv, Galia and Kollectiv, Pil
Description:

Utopia Ltd. explores the relationship between utopian ideas and commodification, bringing together artwork by Blaise Drummond, Brendan Earley, Pil and Galia Kollectiv, David Mabb, Lizi Sanchez and Mary-Ruth Walsh. The seven artists' work opens up a debate on the utopian within painting, sculpture, architecture, design and video.The works in Utopia Ltd. represent modernist architecture and design in its various mutations within a spectacularised, commodified 20th century consumer society. In these works, the utopian dream seems to burst through again and again, despite rather than because of the permutations of commodity culture. By picturing the past, present and possible future, the works destabilize fixed linear time. By rescuing, reclaiming and re-picturing, Utopia Ltd. suggests that utopian ideas persist in contemporary art, making a provocative demand on the viewer's capacity to produce utopian dreams of their own. The exhibition's title Utopia Ltd. is a satirical echo of an operetta by Gilbert and Sullivan, Utopia (Limited) or, The Flowers of Progress (1893), in which a utopian colony is turned into a joint stock company.

Official Website: http://www.wexfordartscentre.ie/events.html?id=27&va=1
Additional Information (Publicly available):

Group exhibition curated by David Mabb and Mary Ruth Walsh. Artists: Blaise Drummond, Brendan Earley, Pil & Galia Kollectiv, David Mabb, Lizi Sánchez, Mary Ruth Walsh

Keywords/subjects not otherwise listed: Utopia, Pil and Galia Kollectiv, Wexford, Drogheda
Your affiliations with UAL: Colleges > Chelsea College of Arts
Date: 2011
Locations / Venues:
Location
From Date
To Date
Wexford Arts Centre, Ireland
12 February 2011
11 March 2011
Highlanes Gallery, Ireland
29 April 2011
3 August 2011
Date Deposited: 01 Aug 2025 15:30
Last Modified: 01 Aug 2025 15:30
Item ID: 24477
URI: https://ualresearchonline.arts.ac.uk/id/eprint/24477

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