Hague, Ian (2017) Uncertainty, Live from London: Harnessing Uncertainty, Location, and Game-Like Structures in Teaching. In: Provocative Pedagogies: Performative Teaching and Learning in the Arts., 14 October 2017, Lincoln University.
| Type of Research: | Conference, Symposium or Workshop Item | 
|---|---|
| Creators: | Hague, Ian | 
| Description: | In 2017, first year Information and Interface Design students at London College of Communication (University of the Arts, London) undertook a ten-week series of sessions that asked them to leave the classroom and engage actively with the world around them to develop their understanding of Contextual and Theoretical Studies (CTS). Conventionally a classroom-based course, CTS can be difficult to enliven for students, particularly in the first year, but here the tutor challenged students to step outside their comfort zone and visit a wide range of cultural and commercial locations to build a lively and creative approach to theory and analysis. Students were asked to analyse themselves and the spaces around them to situate their practice within a wider world of Information and Interface Design. Moreover, elements of controlled uncertainty and game-like structures were built into the course in such a way that neither student nor tutor was completely “in charge” and situations developed from discussion and creative thinking on both sides, rather than being delivered mono-directionally. In this twenty-minute talk, I will outline how the course worked, and show how its systems can be used in a wide range of teaching contexts to spark discussion and debate. I will also discuss the strengths and weaknesses of the approach, and explore future directions for development. | 
| Keywords/subjects not otherwise listed: | games | 
| Your affiliations with UAL: | Colleges > London College of Communication | 
| Date: | 14 October 2017 | 
| Event Location: | Lincoln University | 
| Date Deposited: | 05 Sep 2025 17:03 | 
| Last Modified: | 05 Sep 2025 17:03 | 
| Item ID: | 24677 | 
| URI: | https://ualresearchonline.arts.ac.uk/id/eprint/24677 | 
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