Creamer, Anne-Marie (2017) Anne-Marie Creamer. In: Future 100. Aesthetica Magazine Ltd, York, UK, pp. 132-133.
Anne-Marie Creamer (Download) (197kB)
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| Type of Research: | Book Section | ||||
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| Creators: | Creamer, Anne-Marie | ||||
| Description: | Aesthetica Art Prize: Published by Aesthetica Magazine Ltd, 2017. Published in association with Aesthetica Magazine The 2017 Aesthetica Art Prize Anthology showcases 100 international artists selected based on skill, originality, and technical ability. Key Highlights: Global Talent: Features 100 emerging and established artists, including 16 shortlisted exhibition finalists and 84 showcased on monitors. Core Themes: Explores modern socio-political anxieties, including digital alienation, shifting national identity (e.g., South Sudan's civil war), political upheaval (Brexit/Trump), and the loss of privacy through big data. Diverse Media: Encompasses painting, drawing, photography, sculpture, digital media, and video installation art. Anthology Content: Includes artist statements, a feature on 2016 winner Rachel Ara, and critical essays on photography, technology, and artistic inspiration. Career Impact: Celebrates 10 years of advancing artist trajectories, with past finalists securing commissions from Channel 4 and exhibiting at major global galleries. I Anne-Marie Creamer was selected as one of the 100 international artists featured in the Aesthetica Artists' Profiles 2017. My featured work, 'Treatment for Six Characters', embodies the exhibition and wider research symposium themeless of; Entanglement of Narrative and Place: The core of my practice explores how storytelling, memories, and histories intersect with specific physical locations. Multidisciplinary and Theatrical Forms: My work utilises a wide variety of mediums—frequently combining film, animation, drawing, and writing—to generate staging that acts as a form of "theatrical" narrative. Ethical Custodianship: My concepts focus heavily on voices, marginalized or forgotten entities, and social spaces that are at risk of disappearing, acting as a form of "spectral conjuring" to prompt critical reflection. As a featured practitioner in the 2017 cohort, my work contributes directly to the anthology’s overarching goal of highlighting how contemporary artists respond to a shifting understanding of reality, identity, and place in the 21st century. My distinct profile and conceptual artist statement are preserved within the pages of the publication to showcase the global dialogue and diverse media of the exhibition. |
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| Official Website: | https://aestheticamagazine.com | ||||
| Publisher/Broadcaster/Company: | Aesthetica Magazine Ltd | ||||
| Your affiliations with UAL: | Colleges > Central Saint Martins | ||||
| Date: | 2017 | ||||
| Funders: | Aesthica Magazine, Hiscox, York St John University, Arts Council England, York Museums Trust, Spectrum, Winsor and Newton, Prestel, The Hepworth Wakefield, Glasgow School of Art, Ikon Gallery, Royal College of Art, Victoria and Albert Museum | ||||
| Related Websites: | https://aestheticamagazine.com/artprize/symposium-2017/, https://aestheticamagazine.com/category/digital/page/234/, https://amcreamer.net/treatment-for-six-characters, https://aestheticamagazine.com/artprize/artists-profiles-2017/, https://aestheticamagazine.com/profile/anne-marie-creamer/, https://aestheticamagazine.com/artprize/symposium-2017/ | ||||
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| Date Deposited: | 20 Jul 2026 11:24 | ||||
| Last Modified: | 20 Jul 2026 11:24 | ||||
| Item ID: | 27363 | ||||
| URI: | https://ualresearchonline.arts.ac.uk/id/eprint/27363 | ||||
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