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Finch, Mick (2010) Fragments, openness and contradiction in painting and photography. In: Research Symposium 1: Fragments, Openness and Contradiction in Painting and Photography, 27th Nov 2010, Red Lion Square Lecture Theatre, Central Saint Martins College of Art and Design Southampton Row, London, WC1B 4AP. (Unpublished)
| Type of Research: | Conference, Symposium or Workshop Item |
|---|---|
| Creators: | Finch, Mick |
| Description: | Mick finch organised this symposium and gave the keynote speech. The restitution of the tableau form (to which the art of the 1960s and 1970s, it will be recalled, was largely opposed) has the primary aim of restoring the distance to the object-image necessary for the confrontational experience, but implies no nostalgia for painting and no specifically “reactionary” impulse. The frontality of the picture hung on or affixed to the wall and its autonomy as an object are not sufficient as finalities. It is not a matter of elevating the photographic image to the place and rank of painting. It is about using the tableau form to reactivate a thinking based on fragments, openness and contradiction, not the utopia of a comprehensive systematic order. Jean-François Chevrier. |
| Official Website: | http://tableauproject.blogspot.com/2010/10/tableau-project-schedule.html |
| Keywords/subjects not otherwise listed: | paint club, symposium, painting, photography |
| Your affiliations with UAL: | Colleges > Central Saint Martins |
| Date: | 27 November 2010 |
| Event Location: | Red Lion Square Lecture Theatre, Central Saint Martins College of Art and Design Southampton Row, London, WC1B 4AP |
| Projects or Series: | Research Outputs Review (April 2010 - April 2011) |
| Date Deposited: | 22 Feb 2012 13:27 |
| Last Modified: | 01 Dec 2023 15:16 |
| Item ID: | 3149 |
| URI: | https://ualresearchonline.arts.ac.uk/id/eprint/3149 |
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