Mapping nought to sixty

The ICA’s six-month season Nought to Sixty was a large and ambitious programme that presented 60 emerging artists based in Britain and Ireland in week-long exhibitions, events and openings.

This catalogue represents the documentation, essays and discussions of Nought to Sixty, beginning with an introduction by Melissa Gronlund. With a full-colour section of all artists’ projects, the Nought to Sixty catalogue comprises of texts about each artist’s practice, extracts of the season’s salon discussions, and essays that address the networks that form and contribute to an emerging visual art scene.

The catalogue also contains a large directory of artist-run spaces and organisations in Britain and Ireland, written by each organisation in question.

Includes work by the following artists: Nina Beier and Marie Lund, Juliette Blightman, Brown Mountain College, Andrea Büttner, Aileen Campbell, Duncan Campbell, Nina Canell and Robin Watkins, Jeffrey Charles Henry Peacock, Kim Coleman and Jenny Hogarth with Boyle Family, Stephen Connolly, Mike Cooter, Matthew Darbyshire, Sean Edwards, ELECTRA, Redmond Entwistle, Ruth Ewan, Freee, Maria Fusco, Babak Ghazi, Guestroom, Seamus Harahan, Hardcore Is More Than Music, Emma Hart and Benedict Drew, Alexander Heim , Iain Hetherington, Will Holder, Andrew Hunt, The Hut Project, Fiona Jardine, Jesse Jones, Junior Aspirin Records, Anja Kirschner and David Panos, Thomas Kratz, Torsten Lauschmann, Lorna Macintyre, Alastair MacKinven, Ursula Mayer, Matthew Noel-Tod, Open Music Archive, David Osbaldeston, Garrett Phelan, Gail Pickering, Sarah Pierce, Clunie Reid, Hannah Rickards, James Richards, Ben Rivers, Giles Round, Alun Rowlands, Stephen Sutcliffe, Support Structure,Tris Vonna-Michell, Mark Aerial Waller, Andy Wake.

Biography

Melissa Gronlund is an editor of Afterall and a writer based in London. Focusing on artists' film and specifically on female filmmaking of the past 15 years, she teaches on the MRes: Moving Image course at Central Saint Martins and on artists' film at the Ruskin School of Drawing & Fine Art, University of Oxford, where she is a visiting lecturer. She is also interested in the overlap between text and image in contemporary art.

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