Tan, Erika (2012) Sensing Obscurity (Parts I, II, III). [Show/Exhibition]
Sensing Obscurity I: The Manor Ho ...  | Sensing Obscurity II: The Chines ...  | Sensing Obscurity III: “After” C ...  | 
| Type of Research: | Show/Exhibition | 
|---|---|
| Creators: | Tan, Erika | 
| Description: | What happens to symbols of cultural dominance when the world-order shifts? Set in Saltram House, an English country house (now National Trust property), the film takes place ‘some point in the not so distant future’, at a moment in time when China’s ascendance as a global power has given rise to an opportunity to re-visit history differently. Using a mixture of documentary and narrative film tropes, the cut and paste aesthetics of hip hop and chinoiserie; the history of Saltram House as we know it, under-goes a slippery transition in an attempt to remain relevant and shore-up its status as cultural capital. Sensing Obscurity I: The Manor House; English Literature; artefacts and the performativity of objects; contrapuntal readings; and looking inwards backwards. Sensing Obscurity II: Chinese Chippendale Sensing Obscurity III: After Chinoiserie  | 
        
| Your affiliations with UAL: | Colleges > Central Saint Martins | 
| Date: | April 2012 | 
| Funders: | Arts Council England, National Trust, Plymouth Arts Centre, Plymouth City Museum and Art Gallery | 
| Related Websites: | http://www.sinopticon.org/plymouth-college-of-art-erika-tan-sensing-obscurity/ | 
| Related Websites: | |
| Locations / Venues: | Location From Date To Date Plymouth College of Art Gallery 27 April 2012 7 July 2012 Gillman Barracks, Singapore 14 September 2012 30 November 2012  | 
        
| Material/Media: | Video | 
| Measurements or Duration of item: | Part I: 28.31min; Part II: 1.30min; Part III: 5.30min | 
| Date Deposited: | 25 Mar 2013 17:24 | 
| Last Modified: | 25 Mar 2013 17:24 | 
| Item ID: | 5664 | 
| URI: | https://ualresearchonline.arts.ac.uk/id/eprint/5664 | 
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