Tan, Erika (2012) Sensing Obscurity (Parts I, II, III). [Show/Exhibition]
Sensing Obscurity I: The Manor Ho ... | Sensing Obscurity II: The Chines ... | Sensing Obscurity III: “After” C ... |
Type of Research: | Show/Exhibition |
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Creators: | Tan, Erika |
Description: | What happens to symbols of cultural dominance when the world-order shifts? Set in Saltram House, an English country house (now National Trust property), the film takes place ‘some point in the not so distant future’, at a moment in time when China’s ascendance as a global power has given rise to an opportunity to re-visit history differently. Using a mixture of documentary and narrative film tropes, the cut and paste aesthetics of hip hop and chinoiserie; the history of Saltram House as we know it, under-goes a slippery transition in an attempt to remain relevant and shore-up its status as cultural capital. Sensing Obscurity I: The Manor House; English Literature; artefacts and the performativity of objects; contrapuntal readings; and looking inwards backwards. Sensing Obscurity II: Chinese Chippendale Sensing Obscurity III: After Chinoiserie |
Your affiliations with UAL: | Colleges > Central Saint Martins |
Date: | April 2012 |
Funders: | Arts Council England, National Trust, Plymouth Arts Centre, Plymouth City Museum and Art Gallery |
Related Websites: | http://www.sinopticon.org/plymouth-college-of-art-erika-tan-sensing-obscurity/ |
Related Websites: | |
Locations / Venues: | Location From Date To Date Plymouth College of Art Gallery 27 April 2012 7 July 2012 Gillman Barracks, Singapore 14 September 2012 30 November 2012 |
Material/Media: | Video |
Measurements or Duration of item: | Part I: 28.31min; Part II: 1.30min; Part III: 5.30min |
Date Deposited: | 25 Mar 2013 17:24 |
Last Modified: | 25 Mar 2013 17:24 |
Item ID: | 5664 |
URI: | https://ualresearchonline.arts.ac.uk/id/eprint/5664 |
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