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Lewis, Mark (2009) Mark Lewis: Cold Morning. [Show/Exhibition]
![[img]](https://ualresearchonline.arts.ac.uk/5935/1.haslightboxThumbnailVersion/Cold_Morn_ing_Still_5.jpg)
| Type of Research: | Show/Exhibition | ||||
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| Creators: | Lewis, Mark | ||||
| Description: | Lewis’s exhibition on view at the Canada Pavilion, titled “Cold Morning”, features several new films, including works that examine and foreground the legacy of rear projection. Pioneered in the early 1920s, Lewis considers rear projection to be one of Hollywood’s most stunning visual inventions. Playing between illusion and visible montage, it is a part of a larger fascination with the history and techniques of film that have conceptually informed the artist’s work throughout his 15-year career. By presenting rear-projection’s potential of containing two or more distinct places and durations within a given filmic image from the vantage point of digital cinema, Lewis’ project for the Canada Pavilion aptly reflects on the current critical juncture within contemporary filmmaking involving advancing technologies simultaneously eclipsing this modernist form of montage while re-inventing the archive of analog cinema. Cold Morning (2009) The Fight (2008) TD centre, 54th floor (2009) |
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| Additional Information (Publicly available): | Mark Lewis: Research Interests Uses film as gallery installation medium to reflect and form critique of dominant cultural forms as they are reflected in cinema. Exhibited internationally in galleries and film festivals The work, mainly using film as a gallery installation medium, reflects and forms a critique of dominant cultural forms as they are represented in cinema. The installations, like 'Peeping Tom' and 'Upside Down Touch of Evil' make direct reference to existing works in the cannon and 'The Pitch' reflects on the way the process of cinema production marginalises fundamental aspects of the culture by examining particularly the 'role' of the film extra. The work has received wide exhibition in galleries and film festivals, received critical review and won awards. |
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| Your affiliations with UAL: | Colleges > Central Saint Martins | ||||
| Date: | 2009 | ||||
| Related Websites: | http://www.marklewisstudio.com, http://www.marklewisstudio.com/films2/Nathan_phillips_Sq.htm, http://www.marklewisstudio.com/films2/Cold_Morning.htm, http://www.marklewisstudio.com/films2/The_Fight.htm, http://www.marklewisstudio.com/films2/TD_Centre.htm, http://www.designboom.com/weblog/cat/10/view/7047/mark-lewis-canadian-pavilion-at-venice-art-biennale-09.html, http://www.marklewisstudio.com/stills/N_P_S.htm | ||||
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| Related Publications: | Mark Lewis : cold morning / Barbara Fischer, commissioner (Toronto: Justina M. Barnicke Gallery ; Vancouver: Vancouver Art Gallery, 2009). ISBN: 9780772760746 | ||||
| Locations / Venues: | Location From Date To Date Canada Pavilion, 53rd International Art Exhibition – La Biennale di Venezia, Italy 7 June 2009 22 November 2009 |
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| Date Deposited: | 27 Sep 2013 08:56 | ||||
| Last Modified: | 03 Apr 2014 11:34 | ||||
| Item ID: | 5935 | ||||
| URI: | https://ualresearchonline.arts.ac.uk/id/eprint/5935 |
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