Tsutsumi, Maiko and Richmond, Karen (2011) Thingness. [Show/Exhibition]
Type of Research: | Show/Exhibition | ||||||||||||
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Creators: | Tsutsumi, Maiko and Richmond, Karen | ||||||||||||
Description: | What role does ‘the materiality of things’ play in our relationship to the objects we create and consume? There is a renewed interest in what the act of making does to humans and our understanding of the object. Makers and designers are at a point of reflection: re-evaluating our sensitivities to objects and materials. The exhibition and accompanying symposium reflect on how objects come to be and how the making of an object affords it ‘a voice’. Selected works by five artists and designers explore people’s relationship with objects through materiality and the making process. Building on Camberwell College’s reputation for ‘making’, the exhibition proposes to create a dialogue around notions of ‘the maker’, ‘the making process’ and ‘the material’. The symposium will facilitate an exchange of ideas between designers, theoreticians, makers of objects, curators, art and design historians, anthropologists, educationalists and material scientists around the theme of ‘Thingness’. Co-curated by Karen Richmond and Maiko Tsutsumi. |
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Other Corporate or Group Contributors: |
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Keywords/subjects not otherwise listed: | materiality | ||||||||||||
Your affiliations with UAL: | Colleges > Camberwell College of Arts | ||||||||||||
Date: | 10 May 2011 | ||||||||||||
Related Websites: | http://thingnessofthings.wordpress.com | ||||||||||||
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Related Exhibitions: | Thingness: The Collection | ||||||||||||
Related Publications: | Thingness | ||||||||||||
Projects or Series: | Thingness | ||||||||||||
Locations / Venues: | Location From Date To Date Camberwell Space,
Camberwell College of Arts
Peckham Road,
London 10 May 2011 10 June 2011 |
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Material/Media: | Exhibition and symposium | ||||||||||||
Date Deposited: | 21 Jul 2014 09:42 | ||||||||||||
Last Modified: | 09 Nov 2023 04:46 | ||||||||||||
Item ID: | 6164 | ||||||||||||
URI: | https://ualresearchonline.arts.ac.uk/id/eprint/6164 |
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