Chesher, Andrew and Ryan, David (2010) Knots and Fields: Darmstadt and the Legacies of Modernism (A Documentary). [Art/Design Item]
Type of Research: | Art/Design Item | ||||||||||||||
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Creators: | Chesher, Andrew and Ryan, David | ||||||||||||||
Description: | Filmed in London, Paris and Darmstadt, Knots and Fields is a feature length documentary looking back on the history of the ‘Darmstadt School’. It examines the development of avant-garde experiments that took place in the context of Darmstadt's famous New Music Courses during the 50s and 60s, and asks what significance that legacy has for contemporary composers. The film includes interviews with Pierre Boulez, Helmut Lachenmann, David Behrman, and Brain Ferneyhough, as well as music by György Kurtág and Karlheinz Stockhausen among others. |
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Additional Information (Publicly available): | Extracts from this documentary are available to view at: https://knotsandfields.wordpress.com |
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Keywords/subjects not otherwise listed: | Documentary, Modernism, Darmstadt, Serialism, | ||||||||||||||
Your affiliations with UAL: | Colleges > Chelsea College of Arts | ||||||||||||||
Date: | 15 February 2010 | ||||||||||||||
Funders: | Goethe Institute London, Chelsea College of Art and Design, Anglia Ruskin University | ||||||||||||||
Related Websites: | https://knotsandfields.wordpress.com | ||||||||||||||
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Locations / Venues: | Location From Date To Date BFI South Bank, London. 5 October 2013 6 October 2013 Stephen Lawrence Gallery, University of Greenwich, London 11 October 2011 11 October 2011 The Issue Project Room, New York, USA 20 June 2011 20 June 2011 Internationales Musikinstitut Darmstadts, Germany 12 July 2010 12 July 2010 Kettle's Yard Gallery, Cambridge, UK 15 February 2010 15 February 2010 |
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Material/Media: | Digital Video/Documentary | ||||||||||||||
Measurements or Duration of item: | 75 minutes | ||||||||||||||
Date Deposited: | 15 Jul 2014 11:33 | ||||||||||||||
Last Modified: | 23 Feb 2022 09:36 | ||||||||||||||
Item ID: | 7222 | ||||||||||||||
URI: | https://ualresearchonline.arts.ac.uk/id/eprint/7222 |
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