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Wynne, John (2011) Andromache.
![[img]](https://ualresearchonline.arts.ac.uk/7229/1.haslightboxThumbnailVersion/1_Andromache_poster.jpg) Poster for Andromache (Download) 
| ![[img]](https://ualresearchonline.arts.ac.uk/7229/2.haslightboxThumbnailVersion/2_Andromache01.jpg) Arsinee Khanjian as Andromache (D ...
| ![[img]](https://ualresearchonline.arts.ac.uk/7229/4.haslightboxThumbnailVersion/4_Andromache03.jpg) Arsinee Khanjian and Ryan Hollyma ...
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![[img]](https://ualresearchonline.arts.ac.uk/7229/5.haslightboxThumbnailVersion/Andromache02a.jpg) Steven McCarthy and Christine Hor ...
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| Type of Research: | Other | ||||||||
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| Creators: | Wynne, John | ||||||||
| Description: | Sole responsibility for the sound design and composition for a contemporary adaptation of Racine's play Andromache by Necessary Angel theatre company in Toronto under director Graham McLaren. Wynne designed a bespoke 16.4 channel sound system for the production. He was nominated for a Dora Mavor Moore Award for Outstanding Sound Design and Composition and Christine Horne was nominated for Outstanding Performance by a Female in a Principal Role. |
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| Keywords/subjects not otherwise listed: | Voice, composition and text | ||||||||
| Your affiliations with UAL: | Colleges > London College of Communication Research Centres/Networks > Creative Research into Sound Arts Practice (CRiSAP) |
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| Date: | 6 June 2011 | ||||||||
| Funders: | Necessary Angel, Outboard Electronics | ||||||||
| Related Websites: | http://tapa.ca/files/2012_NOMINEES.pdf, http://www.outboard.co.uk/pages/newsarchive/TiMax2%20SoundHub%20helps%20sculpt%20Andromache%20soundscape.htm, http://www.sensitivebrigade.com/Andromache.htm | ||||||||
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| Projects or Series: | Research Outputs Review (April 2010 - April 2011) | ||||||||
| Locations / Venues: | Location From Date To Date The Theatre Centre, Toronto 10 June 2011 19 June 2011 |
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| Date Deposited: | 15 Jul 2014 11:44 | ||||||||
| Last Modified: | 19 Sep 2024 11:30 | ||||||||
| Item ID: | 7229 | ||||||||
| URI: | https://ualresearchonline.arts.ac.uk/id/eprint/7229 | ||||||||
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