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R.W. Fassbinder – Martha 1974

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Peebles, Elizabeth and Eisenmann, Markus, Secondeditions (2012) R.W. Fassbinder – Martha 1974. [Art/Design Item]

Still from video (Loop 1) (Downlo ...	Still from video (Loop 2) (Downlo ...	Still from video (Loop 3) (Downlo ...
Still from video (Loop 4) (Downlo ...	Still from video (Loop 5) (Downlo ...	Still from video (Loop 6) (Downlo ...

Type of Research:	Art/Design Item
Creators:	Peebles, Elizabeth and Eisenmann, Markus
Group or Collective Creators:	Secondeditions
Description:	A clip from R.W.Fassbinder’s film Martha (1974) has been reworked and sequenced to be screened in a rotation of six cycles. Layers of colour, geometric shapes, text and video have been added in postproduction. The superimposed material conceals the identity of the film’s protagonists and puts forward comments, distractions and validations on the work’s form and content. The loops are shown on opposite facing monitors in an alternating pattern causing the viewer unwittingly to re-enact the choreography of the scene.
Your affiliations with UAL:	Colleges > Chelsea College of Arts
Date:	December 2012
Related Websites:	http://www.chelseaspace.org/archive/sturtevant-info.html, http://thisistomorrow.info/articles/sturtevant-and-secondeditions-second-reflection-symmetrical-contents
Related Websites:	http://www.chelseaspace.org/archive/stur... http://thisistomorrow.info/articles/stur...
Related Exhibitions:	second reflection \| symmetrical contents, Chelsea Space, London (22 January 2013)
Related Publications:	second reflection \| symmetrical contents, Chelsea Space, London (22 January 2013)
Locations / Venues:	Location From Date To Date second reflection \| symmetrical contents, Chelsea Space, London 22 January 2013 9 March 2013
Material/Media:	2-channel video installation, 4:3 (2 Sony CRT monitors on plinths), 4-channel sound
Measurements or Duration of item:	single loop 1’15”, durational screening of 6 sequential loops
Date Deposited:	04 Sep 2014 15:40
Last Modified:	04 Sep 2015 21:43
Item ID:	7232
URI:	https://ualresearchonline.arts.ac.uk/id/eprint/7232

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