'The Irresistible Ascendancy of Slovenian Situationism'

The latest in a series of international Class Wargames exhibitions, the Class Wargames show at Aksioma Project Space, Ljubljana, included seven prints from my Xenon-Eye series. As a Class Wargames co-founder, I documented most of the group’s events since 2007 with an hybrid camera constructed by myself, combining a hacked digital scanner (to become a photographic plate) and a Victorian camera. Xenon-Eye’s lack of empathy, its predilection for representing humans as unnatural grotesques, can be understood as a parodic visual aesthetic for neoliberalism.

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