Daniel Senise, 2892: entre o ser e o nada, o espectador / Daniel Senise, 2892: Between Being and Nothingness, The Spectator

Este ensaio investiga e especula sobre alguns contextos possíveis da instalação 2892 de Daniel Senise. Ele investiga a relação entre 2892 e certas pinturas do artista através de uma breve historiografia de sua trajetória, e especula sobre aspectos ontológicos ao qual conceitos oriundos de 2892 podem se referir. Ele termina por discutir 2892 como um possível início da preocupação do artista com a arquitetura e sua simbologia.

This essay investigates a work by the artist Daniel Senise entitled 2892, which at first appears to be atypical within the oeuvre. It traces the production of compositional characteristics as well as the repetition of themes and figures within other more overtly painterly works produced at the moment of conception of 2892 arguing that there is a contextual coherence within the group as a whole. Whilst almost two decades separate the conception of 2892 and its first public showing, the essay then speculates on some interesting co-relations that exist between the site in which it was shown and the trajectory that the other painterly work concurrently took.

English version pp.127-131

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