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Talbot, Emma (2015) The unscripted image. Journal of Contemporary Painting, 1 (1). pp. 91-106. ISSN 2052-6695
The unscripted image. (878kB) |
| Type of Research: | Article |
|---|---|
| Creators: | Talbot, Emma |
| Description: | This article examines realism in the films of Ken Loach and Mike Leigh, comparing and relating the two director's distinct processes to the procedure of making a painting that represents everyday life. In particular, the article positions painting from found photographs as akin to making a film based on a very tight script and predetermined narrative (Loach). Leigh's mode of arriving at narrative, subject and meaning through devising is compared to painting from memory and experience without a constraint on outcome. The article references Ricoeur's proposals that narrative structures impose linear histories and Carel Weight's narrative paintings. |
| Official Website: | http://www.ingentaconnect.com/content/intellect/jcp/2015/00000001/00000001 |
| Additional Information (Publicly available): | Volume 1, Issue 1 of the Journal of Contemporary Painting is a free issue. |
| Publisher/Broadcaster/Company: | Intellect |
| Your affiliations with UAL: | Colleges > Central Saint Martins |
| Date: | 1 April 2015 |
| Digital Object Identifier: | 10.1386/jcp.1.1.91_1 |
| Date Deposited: | 12 Aug 2016 15:59 |
| Last Modified: | 28 Apr 2017 05:46 |
| Item ID: | 8893 |
| URI: | https://ualresearchonline.arts.ac.uk/id/eprint/8893 |
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