Cusack, Peter (2016) Field Recording as Sonic Journalism. In: Hearing Landscape Critically, 21-22 April 2016, Faculty of Music, University of Oxford.
Type of Research: | Conference, Symposium or Workshop Item |
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Creators: | Cusack, Peter |
Description: | What is sonic-journalism? In radio news, current affairs and sound documentary, as on TV despite the significance of images, the dominance of speech – spoken reportage, interviews, commentary, discussion – is unquestioned. Sonic–journalism is based on the idea that all sound, including non–speech, gives information about places and events and that listening provides valuable insights different from, but complimentary to, visual images and language. This does not exclude speech but re–addresses the balance towards the relevance of other sounds. In practice field recordings become the means to achieve this. Recordings can, of course, be used in many ways. In my view sonic–journalism occurs when field recordings are allowed adequate space and time to be heard in their own right. |
Official Website: | https://hearinglandscapecritically.net/2016/04/19/meeting-in-oxford-april-21-22-2016/ |
Keywords/subjects not otherwise listed: | Sonic culture Sound environment, Sonic knowledge and pedagogies |
Your affiliations with UAL: | Colleges > London College of Communication Research Centres/Networks > Creative Research into Sound Arts Practice (CRiSAP) |
Date: | 22 April 2016 |
Event Location: | Faculty of Music, University of Oxford |
Date Deposited: | 15 Jun 2016 11:20 |
Last Modified: | 23 Sep 2024 10:25 |
Item ID: | 9451 |
URI: | https://ualresearchonline.arts.ac.uk/id/eprint/9451 |
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