We use cookies on this website, you can read about them here. To use the website as intended please... ACCEPT COOKIES
UAL Research Online
Deposit Your Research

Advanced search | Saved searches

Items where Author is "Asbury:Michael::"

[up] Up a level
Group by: Date | Creators | Type of Research | No Grouping
Jump to: A
Number of items: 146.

A

  • file
Asbury, Michael (2023) Today is Always Yesterday: Contemporary Brazilian Art. Reaktion Books. ISBN 9781789148008

  • file
Asbury, Michael (2023) Floriano Romano: A Pele do Mundo. Futuros Arte e Tecnologia / Refresco produções, Rio de Janeiro. ISBN 978-65-982255-0-6

  • file
Asbury, Michael (2023) Pedrosa em Londres. In: Mario Pedrosa: Revolução Sensível. SESC / Perseu Abramo, São Paulo, pp. 217-232. ISBN 978-85-9493-251-8

  • file
Asbury, Michael (2022) Marcelo Silveira: Ata. Nara Roesler Books. ISBN 978-65-996226-8-7

  • file
Asbury, Michael (2022) Between Incomprehension and Forgetfulness: The 4th Bienal de São Paulo. In: Bienal de Sao Paulo since 1951. Fundacao Bienal de Sao Paulo, pp. 85-95.

  • file
Asbury, Michael (2021) Guy Brett – presence, absence. Concinnitas, 22 (42). pp. 412-415. ISSN 1981-9897

  • file
Asbury, Michael and Tawadros, Gilane (2021) Michael Asbury and Gilane Tawadros in conversation: Remembering Guy Brett through inIVA and the British Art Scene. Concinnitas, 22 (42). pp. 323-336. ISSN 1981-9897

  • file
Asbury, Michael (2021) Beyond Brazil: remembering Guy Brett through his own eyes. Arte e Ensaios, 27 (41). pp. 350-408. ISSN 2448-3338

  • file
Asbury, Michael (2021) Anna Maria Maiolino: Entrevidas, Vida Afora. In: Senzamargine: Passages in Italian Art at the turn of the Millenium. Marsilio Editori / Fondazione Maxxi, Venice / Rome, Italy, pp. 184-199. ISBN 978-88-297-0982-3

  • file
Asbury, Michael (2021) Form and Sensibility: Discursive Discrepancies in Concrete and Neoconcrete Art. In: Form and Feeling: The making of concretism in Brazil. Bronx Museum / Fordham Press, pp. 35-58. ISBN 9780823289110

Asbury, Michael (2020) Entre o ‘eu’ e o ‘universo’: Entrevidas de Anna Maria Maiolino. In: Jornada Internacional de Filosofia, Arte e Estetica, Unicamp, Campinas, 15 December 2020, Campinas (Online). Item not available online.

  • file
Asbury, Michael (2020) E Possivel se pensar numa arte contemporânea brasileira? In: Guest Lecture, 13 March 2020, Escola de Artes Visuais do Parque Lage, Rio de Janeiro.

  • file
  • file
Asbury, Michael (2020) E Agora José? Sergio Camargo e os circuitos internacionais de arte nos anos 1960. In: Encontros Fundamentais: IAC 20 Anos. Ubu, Sao Paulo, pp. 156-203. ISBN 978-85-7126-059-7

  • file
Asbury, Michael (2019) Anna Maria Maiolino: Articulations and Translations of and in Anthropophagy. In: Anna Maria Maiolino: Making Love Revolutionary. Whitechapel Gallery, London, pp. 35-39. ISBN 978-0-85488-279-3

  • file
  • file
Asbury, Michael (2019) Anna Maria Maiolino: Articulations and Translations of and in Anthropophagy. In: Anna Maria Maiolino: O Amor se Faz Revolucionario. PAC and Silvana Editoriale, Milan, pp. 87-91. Item availability restricted.

  • file
  • file
Asbury, Michael (2019) Cinthia Marcelle, Order and Process. In: Cinthia Marcelle: The Family in Disorder, Truth or Dare. Modern Art Oxford, Oxford, pp. 116-126. ISBN 978-9996404-3-9

  • file
Asbury, Michael (2018) Alfredo Volpi: at the crossroads of modernity. In: Alfredo Volpi - Frieze Masters Spotlight exhibition catalogue. AD Gallery, London, pp. 9-17.

Asbury, Michael (2018) Cruz Credo: anachronism and antagonism in the art of Antonio Dias. Paulo Darze Gallery, Salvador, Bahia, Brazil. Item not available online.

  • file
Asbury, Michael (2018) The Art of Diplomacy: Brazilian Modernism Painted for War. The Embassy of Brazil in London, London, pp. 35-41. ISBN 978-5272-1858-1

  • file
Asbury, Michael (2017) Rodrigo Andrade: um olhar em retrospecto [Rodrigo Andrade: a retrospective view]. In: Rodrigo Andrade: pintura e materia (1983-2014). Pinacoteca do Estado de Sao Paulo, Sao Paulo, pp. 25-35. ISBN 978-85-8256-094-5

Asbury, Michael (2017) Bilateral Teman de Helio Oiticica. In: Ars Symposium on Helio Oiticica, 26 October 2017, Universidade de São Paulo, Brazil. Item not available online.

  • file
Asbury, Michael (2017) Deu Bode no MAM: on the rise of politically motivated moralistic censorship in Brazil. In: Jornada de Pesquisa, 4 October 2017, UNESP, São Paulo.

Asbury, Michael (2017) The Global Within: A comparison on the reception of LGBT themed exhibitions in the UK and Brazil. In: Transnational Cities: Tokyo and London, 29-30 September 2017, Tate Britain, London. Item not available online.

Asbury, Michael (2017) Art History as Translation: towards a historiographical critique. In: International Conference of Research in Education, 19-21 July 2017, Escola Superior de Educacao, Instituto Politecnico do Porto. Item not available online.

Asbury, Michael (2017) Purity is a Myth: the monochrome in contemporary art. [Show/Exhibition] Item not available online.

  • file
  • file
Asbury, Michael (2017) Historiografias do Contemporâneo. Revista Modos, 1 (2).

  • file
Asbury, Michael (2017) Some notes on the contamination and quarantine of Brazilian art. In: Art/Histories in Transcultural Dynamics: Perspectives on Narratives and Frameworks in the 20th and 21st Century. Wilhelm Fink GmbH & Co. Verlags-KG. ISBN 978-3-7705-5939-8

  • file
Asbury, Michael (2017) Historiographies of the Contemporary: Modes of Translating in and from Conceptual Art. In: New Worlds: Frontiers, Inclusion, Utopias. Comitê Brasileiro de História da Arte (CBHA); Comité International de l’Histoire de l’Art and Vasto, Sao Paulo, pp. 188-201. ISBN ISBN: 978-85-93921-00-1

Asbury, Michael (2016) Between art criticism and art history. In: III Colloquium of Art Criticism and Art History, November 2016, National Museum, Brasilia. Item not available online.

Asbury, Michael (2016) Brasilia: anachronisms of utopia. In: 49th AICA Congress, 12 October 2016, Museo Nacional de Bellas Artes, Havana, Cuba. Item not available online.

Asbury, Michael (2016) Historiographies of the contemporary: Notes on translation. In: Genealogias Possiveis: arquivo, exibição e circulação, September 2016, Instituto das Artes, Campinas, UNICAMP. Item not available online.

  • file
Asbury, Michael (2016) Contaminação e Quarentena: Curadoria para inglês ver. VIS: Revista do Programa de Pós-graduação em Arte da UnB, 15 (2). pp. 254-266. ISSN 1518-5494

Asbury, Michael (2016) Volpi: at the crossroads of Brazilian modern art. [Show/Exhibition] Item not available online.

Asbury, Michael (2016) Form and Sensibility: Convergences in the thoughts of Mario Pedrosa and Herbert Read. In: Form and Feeling: The Making of Concretism, 8 February 2016, CUNY Graduate Centre, New York. Item not available online.

Asbury, Michael (2015) Historiographies of the Contemporary. In: Joint Comité International de l'Histoire de l'Art (CIHA) and Comite Brasileiro de Historia da Arte (CBHA) Conference, 27 August 2015, Museu Nacional de Belas Artes, Rio de Janeiro. Item not available online.

Asbury, Michael (2015) Hélio Oiticica: O Q Faço é Música. In: II Seminario Internacional de Historia e Arte, May 2015, Universidade Federal do Paraná, Curitiba. Item not available online.

Asbury, Michael (2015) Notes on Translation. In: Possibilities of Exchange, May 2015, University of Edinburgh. Item not available online.

Asbury, Michael (2015) Her Other Selves: On Anna Maria Maiolino’s art of becoming. Flash Art International (300). ISSN 0394-1493 Item not available online.

  • file
  • file
Asbury, Michael (2015) Modernity in Whose Name? In: Modernidad y vanguardia: rutas de intercambio entre España y Latinoamérica (1920-1970). Museo Reina Sofia, pp. 121-126. ISBN 978-84-8026-515-7

Asbury, Michael (2015) Raul Mourão: Toque Devagar/Handle with Care. In: Raul Mourão Volume I. Automatica, Rio de Janeiro, pp. 240-251. Item not available online.

Asbury, Michael (2014) Process and organicism in post war constructivist art from Brazil. In: Sculpture Creatures, 26 November 2014, Henry Moore Institute, Leeds. Item not available online.

Asbury, Michael (2014) Maria Laet: Pedra Vão. [Show/Exhibition] Item not available online.

Asbury, Michael (2014) Franz Weissmann. In: LASA2014, 21-24 May 2014, Chicago, IL. Item not available online.

Asbury, Michael (2014) Notes on Hybridity from Contemporary to Modern Art. In: Guest Lecture, May 2014, MoMA, New York. Item not available online.

Asbury, Michael (2014) Daniel Senise: Painting and Duchamp. In: Guest Lecture, March 2014, Museu de Arte do Rio de Janeiro. Item not available online.

Asbury, Michael (2014) Hélio Oiticica and the notion of Creleisure. In: The Ludic Museum, 31 January–1 February 2014, Tate Liverpool. Item not available online.

Asbury, Michael (2014) 21 Forma de Amnesia. In: Milton Machado: Cabeça. Editora Luneta, Rio de Janeiro, pp. 134-139. Item not available online.

Asbury, Michael (2014) Abstract Impulses. In: Impulse, Reason, Sense, Conflict: Abstract Art from the Ella Fontanals-Cisneiros Collection. Cisneros Fontanals Art Foundation (CIFO), Miami, Florida, US. Item not available online.

Asbury, Michael (2014) Iberê Camargo: O Carretel Meu Personagem. In: 100 Anos de Iberê. Cosac & Naify and Fundação Iberê Camargo, pp. 253-275. Item not available online.

Asbury, Michael (2014) Sobre a Mobilidade. In: Milton Machado: Cabeça. Editora Luneta, Rio de Janeiro, pp. 158-159. Item not available online.

Asbury, Michael (2013) Some problems with the notion of hybridity. In: Negotiating Art Historical Narratives and Transcultural Negotiation in the Ambits of Art, December 2013, Freie Universität Berlin, Germany. Item not available online.

Asbury, Michael (2013) Contesting Hybrid Notions within Brazilian Contemporary Art. In: Afternoons at the Institute, 11 November 2013, Concordia University, Montreal, Canada.. Item not available online.

Asbury, Michael (2013) Helio Oiticica and Brazilian Popular Culture. In: Guest Lecture, November 2013, Université du Québec à Montréal (UQÀM), Canada. Item not available online.

Asbury, Michael (2013) Curadoria Para Ingles Ver. In: Seminario Internacional sobre Curadoria, October 2013, Fundação Ibere Camargo, Porto Alegre, Brazil. Item not available online.

Asbury, Michael (2013) Angelo Venosa, Deixo que falem o que quizerem. In: Angelo Venosa: A febre da matéria. Cosac Naify, São Paulo, Brazil, pp. 169-177. Item not available online.

Asbury, Michael (2013) Modernism in Latin America and the great hybrid mix up. In: Encuentros Transatlánticos: discursos vanguardistas en España y Latinoamérica, 11-13 July 2013, Reina Sofia, Madrid, Spain. Item not available online.

Asbury, Michael (2013) The Monochrome as Historical Painting. In: Connecting Art Histories/Grounds for Comparison: Neo-vanguards and Latin American/Latino Art, June 2013, Bogota, Colombia. Item not available online.

Asbury, Michael (2013) 2892 de Daniel Senise: Entre o ser e o nada, o espectador. In: Symposium InED, 10-11 May 2011, Escola Superior de Educação, Politecnico do Porto, Portugal. Item not available online.

Asbury, Michael (2013) Displays of/from the other: a critical perspective on political correctness and the case of Brazilian contemporary art. In: International Conference on Widening Participation, April 2013, Göteborg, Sweden. Item not available online.

Asbury, Michael (2013) Iberê Camargo: o carretel – meu personagem. [Show/Exhibition] Item not available online.

Asbury, Michael (2013) Raymundo Colares: Hybridity is a Myth. In: Global Pop Symposium, 14-15 March 2013, Tate Modern, London. Item not available online.

Asbury, Michael (2013) Iberê Camargo: O Carretel – Meu Personagem. Fundação Iberê Camargo. Item not available online.

  • file
Asbury, Michael (2013) Miguel Palma: man, machine and motion: night, night, Mr Tenjag. In: Miguel Palma, Jaguar Project. University of Warwick, Coventry, UK. ISBN 978-0957040441

Asbury, Michael (2013) Milton Machado: Prize Nominations. In: Imagine Brazil. Astrup Fearnley Musset, Oslo, Norway, pp. 70-72. Item not available online.

Asbury, Michael (2013) Some Notes on Abraham Palatnik’s Kinechromatic Apparatus. In: Abraham Palatnik: a reinvenção da pintura. Centro Cultural Banco do Brasil, pp. 61-77. Item not available online.

Asbury, Michael (2013) Tunga: Tropical Baroque. In: Brasiliana: Installations from 1960 to the Present. Schirn Kunsthalle Frankfurt, Frankfurt, Germany, pp. 130-137. Item not available online.

Asbury, Michael (2012) Maria Nepomuceno: Money for Old Rope. In: Tempo para Respirar. Turner Contemporary, Margate, Kent, UK, pp. 33-44. Item not available online.

Asbury, Michael (2012) Hélio Oiticica and the Hagomoro Noh Theatre play. In: International Meeting, Detours IV – Modus Locandi: Modes of Production / Modes of Exhibition, Reciprocal Influences, 1-3 November 2012, Guimarães, Portugal. Item not available online.

Asbury, Michael (2012) Anna Maria Maiolino: A biblioteca infinita e a fome de ler. In: Projeto Politica das Artes, August 2012, Fundação Joaquim Nabuco, Recife, Brazil. Item not available online.

Asbury, Michael (2012) Contaminações no Modernismo Brasileiro. In: Ciclo de Palestras, August 2012, Museu de Arte do Espirito Santo (MAES), Vitoria, Brazil. Item not available online.

  • file
  • file
Asbury, Michael (2012) Flans, Urnas Quentes and the Radicalism of a Cordial Man. In: Antonio Manuel: I want to Act, not Represent. Americas Society; Associação para o Patronato Contemporâneo, New York; São Paulo, pp. 26-44. ISBN 9781879128408

Asbury, Michael (2012) Concrete-Neo-Concrete: Revisionism and Historiography within the Brazilian Constructivist Avant-Gardes. In: Constructivism and Beyond – Brazilian Art in the 1950s and 1960s, 15 June 2012, Kunsthistorisches Institut, Freie Universität, Berlin. Item not available online.

  • file
Asbury, Michael (2012) When art spoke to power. Art in America.

Asbury, Michael (2012) Hélio Oiticica: what I do is music, América Latina, extranjería y la pertenencia cultural: Artes visuales y música en los años sesenta. In: LASA2012 / Toward a Third Century of Independence in Latin America, 23rd - 26th May 2012, San Francisco, USA. (Unpublished) Item not available online.

Asbury, Michael (2012) Brazilian Contemporary Art as self-consuming. In: History Without Past: Counter-images of Coloniality Spain/Latin America, April 2012, Centro 2 de Mayo, Madrid. Item not available online.

Asbury, Michael (2012) The Uroborus Effect: Brazilian Contemporary Art as Self-Consuming. Third Text, 26 (1). pp. 141-147. ISSN 0952-8822 Item not available online.

Asbury, Michael (2012) Anna Maria Maiolino: Utopias and Subjectivitides. In: Narrativas Ficções Subjetividades. Quartet Editora, pp. 93-111. ISBN 9788578120719 Item not available online.

Asbury, Michael (2012) Daily Heterotopias. In: Shirley Paes Leme. Editora Alfaiatar, São Paulo, pp. 195-203. ISBN 9788562328268 Item not available online.

Asbury, Michael (2012) ‘Viver é muito perigoso’ (To live is a very dangerous thing). In: Shirley Paes Leme. Editora Alfaiatar, São Paulo, pp. 25-45. ISBN 9788562328268 Item not available online.

Asbury, Michael (2011) Science and Sensibility in Brazilian modern art. In: Meeting Margins, December 2011, Tate Modern, London. Item not available online.

Asbury, Michael (2011) Daniel Senise, 2892: entre o ser e o nada, o espectador / Daniel Senise, 2892: Between Being and Nothingness, The Spectator. Porto Arte (31). pp. 31-40. ISSN 0103-7269 Item not available online.

Asbury, Michael (2011) The Colonel and the Hippie: Hard Line and Soft Drugs during the Brazilian Economic Miracle. In: The Politics of Camouflage in Artistic Practices from the 1970s, October 2011, Columbia University, New York. Item not available online.

Asbury, Michael (2011) Dislocations and transitions in the work of Antonio Manuel. In: Antonio Manuel Symposium, October 2011, New York, USA. (Unpublished) Item not available online.

Asbury, Michael (2011) Anna Maria Maiolino: Utopias e Subjetividades. In: ANPAP (Associação Nacional de Pesquisadores de Artes Plasticas), 26 September - 1 October 2011, State University of Rio de Janeiro, Brazil. Item not available online.

Asbury, Michael and Fraser, Valerie and Inigo Clavo, Maria and Whitelegg, Isobel (2011) Meeting margins dossier. Concinnitas, 12(1) (18). pp. 6-65. ISSN 19819897/14152681 Item not available online.

  • file
Asbury, Michael (2011) Modernismo in São Paulo and L’Esprit nouveau in Paris. In: Abstract Space Concrete Media: Avant-gardes beyond Western Modernism, 27-28 May 2011, MUMOK Lounge Akademie der Bildenden Kunste Wien and Museum Moderner Kunst Stiftung, Ludwig Wien, Vienna, Austria.

Asbury, Michael (2011) Miguel Palma’s state of the art. In: Miguel Palma: linha de montagem (assembly line). Loja Gulbenkian / Livraria Almedina, Lisbon, Portugal, pp. 81-96. ISBN 9789726352396 Item not available online.

  • file
  • file
Asbury, Michael (2011) Julio Villani: for a playful domestication of history. Archibooks, Paris, pp. 10-11. ISBN 9782357331235

Asbury, Michael (2011) Antonio Manuel: Occupations / Discoveries. In: (Des)locações: Exílio, Topologia, Deslocalização, (Dis)Locations: Exile, Topology, Relocation. Universidade do Porto. Faculdade de Belas Artes. Gabinete Editorial, Porto, Portugal, pp. 58-68. ISBN 978-972-98517-5-9 Item not available online.

  • file
Asbury, Michael (2011) Antonio Manuel: Ocupações / Descobrimentos. (des)locações / (dis)locations.

Asbury, Michael (2011) Flans and urnas quentes by Antonio Manuel. In: Antonio Manuel: Art Catalogue. Americas Society, New York, USA. Item not available online.

Asbury, Michael (2010) Afro modern: journeys through the black Atlantic. In: Ler a historia social através da arte en Brasil desde o século dezoito á actualidade: Algunhas Reflexions sobre o Atlantico Negro, 15 October 2010, Santiago de Compostela, Spain. (Unpublished) Item not available online.

Asbury, Michael (2010) Shirley Paes Leme: heterotopias cotidianas. Alfaiatar, São Paulo, Brazil. ISBN 9788562328084 Item not available online.

  • file
Asbury, Michael (2010) Barbarella: Cravo e Canela. Ernesto Neto: Intimacy.

Asbury, Michael (2010) Anna Maria Maiolino. [Show/Exhibition] Item not available online.

Asbury, Michael (2010) Antonio Manuel: a instalação como pintura: pintura como instalação (painting and installation in the work of Manuel Antonio). In: The Contemporary Painting and (m) of their fields, 2010, Porto Alegre, Brazil. (Unpublished) Item not available online.

  • file
Asbury, Michael (2010) Anna Maria Maiolino: continuous. [Show/Exhibition]

Asbury, Michael (2010) Antonio Manuel: A Instalação como Pintura – A Pintura como Instalação. In: A Pintura Contemporanea e(m) seus Campos, Ciclo de Palestras, April 2010, Porto Alegre, Brazil. Item not available online.

Asbury, Michael (2010) Anna Maria Maiolino’s Articulations of the Notion of Anthopophagy. In: Sub-Objects and Studiowork: From Eva Hessa to Anna Maria Maiolino, 6 February 2010, University College London. Item not available online.

  • file
Asbury, Michael (2009) Neoconcrete Experience. [Show/Exhibition]

Asbury, Michael (2009) Insertions, Situations and Clandestines: The work of Cildo Meireles, Artur Barrio and Antonio Manuel in the late-1960s and early 1970s. In: Outside the Material World: The exhibition, circulation and insertion of art beyond the market, December 2009, Tate Modern. Item not available online.

Asbury, Michael (2009) Rosángela Rennó: ‘Ring’. [Show/Exhibition] Item not available online.

Asbury, Michael (2009) Brazilian Art and the International Avant-Garde. In: Departmental lecturers at Department of Art History, November 2009, University of North Carolina, Asheville, USA. Item not available online.

  • file
  • file
  • file
  • file
  • file
  • file
  • file
Asbury, Michael (2009) Daily Heterotopias. [Show/Exhibition]

Asbury, Michael (2009) This Same World Over. [Show/Exhibition] Item not available online.

Asbury, Michael (2009) Anna Maria Maiolino: Order and Subjectivity. Pharos Publishers, Nicosia, Cyprus. ISBN 9789963919956 Item not available online.

  • file
Asbury, Michael (2009) From constructivism to pop: Avant-Garde practices in Brazil, Britain and North America between the 1950s and 1960s. In: Crossing Cultures: Conflict, Migration and Convergence: The Proceedings of the 32nd International Congress of the History of Art. The Miegunyah Press, Melbourne, Australia, pp. 743-746. ISBN 9780522855005

  • file
Asbury, Michael (2009) Neoconcrete Experience.

  • file
Asbury, Michael (2008) The Bienal de São Paulo between the National and the International. In: Bienais, Bienais, Bienais... The Biennial see from Outside, 8 November 2008, Bienal de São Paulo Pavilion, Parque Ibirapuera, São Paulo.

Asbury, Michael (2008) A Arte Brasileira no Exterior. In: I Congresso do Brasil na Europa, November 2008, Universidad de Salamanca, Spain. Item not available online.

Asbury, Michael (2008) Cildo Meireles: Occasion. [Show/Exhibition] Item not available online.

Asbury, Michael (2008) Cao Guimarães: Gambiarras. [Show/Exhibition] Item not available online.

Asbury, Michael (2008) Pharos Collection: Tenth Year Anniversary. [Show/Exhibition] Item not available online.

Asbury, Michael (2008) José Patricio. [Show/Exhibition] Item not available online.

Asbury, Michael (2008) Parisienses no Brasil, Brasileiros em Paris: relatos de viagem e modernismos nacionais. Concinnitas (12). pp. 37-47. ISSN 19819897/14152681 Item not available online.

  • file
Asbury, Michael (2008) Anna Maria Maiolino. [Show/Exhibition]

Asbury, Michael (2008) Sutapa Biswas: Birdsong. [Show/Exhibition] Item not available online.

Asbury, Michael (2008) From Constructivism to Pop. In: 32nd International Congress of Art Historians (CIHA), 8 January 2008, University of Melborne, Australia. Item not available online.

  • file
Asbury, Michael (2007) Detanico & Lain. [Show/Exhibition]

Asbury, Michael (2007) Anna Maria Maiolino: Order and Subjectivity. [Show/Exhibition] Item not available online.

Asbury, Michael (2007) The Transnationality of Concrete Art. In: Transnational Correspondance, 14 September 2007, Tate Modern. Item not available online.

Asbury, Michael (2007) Exhibiting Oiticica: an issue of conceptual conservation. In: Hélio Oiticica, June 2007, Tate Modern, London. Item not available online.

Asbury, Michael (2007) Angela Detanico, Rafael Lain. Pharos Publishing, Cyprus. ISBN 9789963919932 Item not available online.

Asbury, Michael (2006) Detanico & Lain: After Utopia. [Show/Exhibition] Item not available online.

Asbury, Michael (2006) Art in Brazil from the 1950s to the 1960s. In: Espaço Aberto/Espaço Fechado: sites for sculpture in modern Brazil, March 2006, Henry Moore Institute, Leeds. Item not available online.

Asbury, Michael (2006) Antonio Manuel. Pharos Publishing, Cyprus. ISBN 9789963919901 Item not available online.

Asbury, Michael (2006) Antonio Manuel: Occupations/Discoveries. In: Antonio Manuel. Pharos Trust, Nicosia, Cyprus, pp. 20-51. ISBN 9963919901 Item not available online.

Asbury, Michael (2006) The Bienal de São Paulo: Between Nationalism and Internationalism. In: Espaço Aberto/ Espaço Fechado: Sites for Sculpture in Modern Brazil. The Henry Moore Institute, Leeds, pp. 72-83. ISBN 1900081997 Item not available online.

Asbury, Michael (2005) Antonio Manuel. [Show/Exhibition] Item not available online.

  • file
Asbury, Michael (2005) Neoconcretism and minimalism: on Ferreira Gullar’s theory of the non-object. In: Cosmopolitan Modernisms. InIVA / MIT, pp. 168-189. ISBN 9780262633215

Asbury, Michael (2004) From Foreground to Background: the development of cubism and its relation to Latin American artists. In: Nation, Identity and Modernity: Visual Culture of India, Japan and Mexico 1860s-1940s, 24 June 2004, Victoria and Albert Museum, London. Item not available online.

Asbury, Michael and Wegner, Claudia (2004) Artivists. [Show/Exhibition] Item not available online.

Asbury, Michael (2004) A history of “making do”: the dissemination of Brazilian modern and contemporary art. In: Gambiara: New Art from Brazil, March 2004, Firstsite, Minories Art Gallery, Colchester. Item not available online.

Asbury, Michael (2004) Blaise Cendrars and the Brazilian Modernists’ tour of Brazil: from cosmopolitan modernism to national identity. In: Imagined Modernities: Travel, Literature, Illustration and the Nation State in Asia and the Americas 1850-1950, February 2004, Universidade de Coimbra, Portugal. Item not available online.

  • file
Asbury, Michael (2003) Hélio Oiticica: Politics and Ambivalence in 20th Century Brazilian Art. PhD thesis, University of the Arts London.

Asbury, Michael (2003) Tracing Hybrid Strategies in Brazilian Modern Art. In: Critical Perspectives on Contemporary Painting. Tate Gallery Liverpool and University of Liverpool Press, Liverpool, pp. 139-170. ISBN 0853239584 Item not available online.

Asbury, Michael (2002) Sebastião Salgado. [Show/Exhibition] Item not available online.

Asbury, Michael (2002) Is Brazilian Modernism an Alternative Modernism? In: Association of Art Historians (AAH) Annual Conference, April 2002, University of Liverpool. Item not available online.

Asbury, Michael (2001) From Brasilia to Tropicália, Transcultural Architecture in Latin America. In: Transcultural Architecture in Latin America, 9-10 November 2001, Senate House, University of London. Item not available online.

  • file
Asbury, Michael (2001) Experiment: Experiência. In: Experiment: Experiência, 1 October 2001, Modern Art Oxford.

Asbury, Michael (2001) Hybridity and Brazilian Contemporary Art. In: Tate Liverpool Critical Forum, June 2001, Tate Gallery, Liverpool. Item not available online.

Asbury, Michael (2001) Art and Identity in Contemporary Brazil. In: Annual Conference of the Society of Latin American Studies, April 2001, University of Birmingham. Item not available online.

Asbury, Michael (2001) Introduction to ‘Ideals of Modernity. Rio de Janeiro 1950 -1964’. In: Ideals of Modernity. Rio de Janeiro 1950 -1964, April 2001, Tate Modern, London. Item not available online.

Asbury, Michael and Venancio, Paulo (2001) Rio de Janeiro 1950 - 1964. [Show/Exhibition] Item not available online.

Asbury, Michael (2000) Paradox or Paradigm: Hélio Oiticica and the notion of Other Modernities. In: 30th International Congress of Art Historians (CIHA), 3-8 September 2000, London. Item not available online.

Asbury, Michael and Baddeley, Oriana (2000) Other Modernities: Foreign Investment, Milton Machado, Cildo Meireles, Yinka Shonibare. [Show/Exhibition] Item not available online.

This list was generated on Tue Dec 3 09:42:16 2024 GMT.

About    Policies    Accessibility
Privacy & Cookies    Disclaimer