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Items where Author is "Beswick:Katie::"

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Number of items: 53.

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Beswick, Katie (2022) Staging Grenfell: The Ethics of Representing Housing Crises in London. Canadian Theatre Review, 191. pp. 72-76. ISSN 0315-0836

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Beswick, Katie (2022) Jockstrap. Loud and Quiet (154). ISSN 2049-9892

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Beswick, Katie (2022) Council Housing and Representation: Neoliberal Housing and Hip Hop as Love. In: WCCEH Symposium on the Built Environment and Health, 7 July 2022, Wellcome Centre for Cultures and Environments of Health, London.

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Beswick, Katie (2022) High Rise eState of Mind: Love and Honesty in the Midst of London's Neoliberal Housing Crisis. Comparative Drama, 56 (1-2). pp. 129-153. ISSN 1936-1637

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Beswick, Katie (2022) Kojey Radical: Dream Big. DIY Magazine.

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Beswick, Katie and Murray, Conrad (2022) Beats and Elements: A Hip Hop Theatre Trilogy. Methuen Drama, London. ISBN 9781350270596

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Beswick, Katie and Murray, Conrad (2022) Making Hip Hop Theatre: Beatbox and Elements. Methuen Drama, London. ISBN 9781350187917 Item availability restricted.

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Beswick, Katie (2022) London’s Burning: Social housing, performance and the politics of fire in an overheated market. In: Society for Theatre Research Lecture Series, 15 February 2022, Online.

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Beswick, Katie (2022) :3LON. Loud and Quiet, 151. ISSN 2049-9892

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Beswick, Katie and Johnson, Javon (2021) Sounds of The City: Dramaturgy, Space, Identity. Critical Stages, 24. ISSN 2409-7411

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Beswick, Katie (2021) Being Slaggy/Representing Slaggyness: Sex, Class and Embodiment in Britain. In: Working-Class Studies: An Interdisciplinary Conference. Irish Working-Class Studies, 8-12 November 2021, Dublin.

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Beswick, Katie (2021) They Hate Change: born in Tampa, raised on every UK sub-genre imaginable. Loud and Quiet. ISSN 2049-9892

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Beswick, Katie (2021) Rita, Sue and Bob Too. In: Rita, Sue and Bob Too. Modern Classics . Methuen Drama. ISBN 9781350184961

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Beswick, Katie (2021) Greentea Peng: unity in trip-hop. Loud and Quiet. ISSN 2049-9892

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Beswick, Katie (2021) Feeling good: the ecstatic return of Japanese Breakfast. Loud and Quiet, 146. ISSN 2049-9892

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Beswick, Katie (2021) Class, Race and Marginality: Informal Street Performances in the City. In: Oxford Handbook of Politics and Performance. Oxford University Press. ISBN 9780190863456

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Beswick, Katie (2021) Sex, Lies and Difficult Truth in Cash Carraway’s Skint Estate. In: Modern Languages Association Annual Conference, 7-10 January 2021, Online.

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Beswick, Katie (2021) Junglepussy: “We’re all just waiting on the world to change”. Loud and Quiet, 144. ISSN 2049-9892

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Beswick, Katie (2021) Feeling Working Class: Affective Class Identification and its Implications for Overcoming Inequality. Studies in Theatre and Performance, 40 (3). ISSN 1468-2761

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Beswick, Katie (2021) The Performative Violence of the Wedding Dress: Teaching Queer Theory through Object Orientation. Theatre Topics, 30 (2). ISSN 1086-3346

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Beswick, Katie (2020) Tkay Maidza: stay positive. Loud and Quiet, 147. ISSN 2049-9892

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Beswick, Katie (2020) Slaggy Mums: Class, Single Motherhood and Performing Endurance. Key Words: A Journal of Cultural Materialism, 18. pp. 94-113. ISSN 1369-9725

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Beswick, Katie (2020) Capitalist Realism: Glimmers, Working-Class Authenticity and Andrea Dunbar in the 21st Century. International Journal of Media and Cultural Politics, 16 (1). pp. 75-89. ISSN 1740-8296

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Beswick, Katie (2020) Here comes Dai Burger – a fabulous antidote to misery. Loud and Quiet, 140. ISSN 2049-9892

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Beswick, Katie (2020) Housing, Performance and Activism: Thinking with Performance in Times of Crisis. Studies in Theatre and Performance. Studies in Theatre and Performance, 40 (1). pp. 1-7. ISSN 1468-2761

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Beswick, Katie (2020) Jordan McKenzie: Three Works. In: Live Art in the UK: Contemporary Performances of Precarity. Methuen Drama. ISBN 9781474257732

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Beswick, Katie (2020) Wasted: Student Edition. Methuen Drama. ISBN 978-1-3500-9492-5

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Beswick, Katie (2019) JPEGMAFIA – The possibilities are infinite. Loud and Quiet, 138. ISSN 2049-9892

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Beswick, Katie (2019) Slags on Stage: The Toxic Working-Class Female in Contemporary Theatre and Performance. In: Cultures of Toxicity, 8 November 2019, University of Warwick.

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Beswick, Katie (2019) Crumb – Delicate indie-jazz from a band contemplating luck. Loud and Quiet, 134. ISSN 2049-9892

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Beswick, Katie (2019) The horizontal charm of Otha, the Norwegian artist making club music for the introverted. Loud and Quiet, 131. ISSN 2049-9892

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Beswick, Katie (2019) Social Housing in Performance: The English Council Estate on and Off Stage. Methuen Drama Engage . Methuen Drama, London. ISBN 9781474285209

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Beswick, Katie (2018) Sammus – A PhD student and rapper moves beyond her sad songs. Loud and Quiet, 129. ISSN 2049-9892

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Beswick, Katie (2018) Jackie Cohen – surprising music from LA’s most surprised musician. Loud and Quiet, 128. ISSN 2049-9892

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Beswick, Katie (2018) Tirzah: fresh parenthood, lifelong kinship and a new, old-fashioned romance record. Loud and Quiet, 126. ISSN 2049-9892

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Beswick, Katie (2018) Jenny Wilson still wants you to dance to her new album about her own rape. Loud and Quiet, 124. ISSN 2049-9892

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Beswick, Katie (2018) Playing to Type: Industry and Invisible Training in the National Youth Theatre’s ‘Playing Up 2’. Theatre, Dance and Performance Training, 9 (1). pp. 4-18. ISSN 1944-3919

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Beswick, Katie (2018) SHIRT is the “Duchampian” rapper recycling art history to make a new statement. Loud and Quiet, 123. ISSN 2049-9892

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Beswick, Katie (2017) From Colombia to Canada, everything Lido Pimienta does ends up being a political statement. Loud and Quiet, 91. ISSN 2049-9892

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Beswick, Katie (2017) New York made Wiki – now he wants a street named after him. Loud and Quiet, 88. ISSN 2049-9892

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Beswick, Katie (2017) Eyedress – Laconic indie hip-hop from Manila, about Manila and for Manila. Loud and Quiet, 87. ISSN 2049-9892

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Beswick, Katie (2017) Is this love? Performance on the Streets of New York. In: Between Spaces, 29-30 June 2017, University of Chichester.

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Beswick, Katie (2017) LICE – the Bristol band capturing that end-of-uni, making-it-up-as-you-go-along feeling. Loud and Quiet, 86. ISSN 2049-9892

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Beswick, Katie (2017) In Iceland with Reykjavíkurdætur – the country’s first female hip-hop band who are feminists… because all groups should be. Loud and Quiet, 84. ISSN 2049-9892

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Beswick, Katie (2017) Litefeet and the Democratising Potential of Social Media Platforms. In: Performance and Culture: Cities, Embodiments, Technologies, 7-9 March 2017, University of Malta.

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Beswick, Katie (2017) Kadhja Bonet – the Los Angeles artist conjuring that 1940s Disney feeling. Loud and Quiet, 83. ISSN 2049-9892

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Beswick, Katie (2017) Live Art and the Body. In: Franko B. Unbound. ISBN 978-1-906470-15-9

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Beswick, Katie (2016) Joey Purp is the vegan rapper from Chicago setting his sights on a Lil Wayne collaboration. Loud and Quiet, 81. ISSN 2049-9892

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Beswick, Katie (2016) Build A Fortress. Loud and Quiet, 80. ISSN 2049-9892

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Beswick, Katie and Hawkins, Harriet and Kohmaier, Joseph (2016) The road to Epidaurus is like the road to creation: tapping the urban archive. Cultural Geographies, 23 (3). ISSN 1474-4740

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Beswick, Katie (2016) Ten in a Bed: Literacy, Intermediality and the Potentials of Low-Tech. Research in Drama Education: The Journal of Applied Theatre and Performance, 21 (3). pp. 337-348. ISSN 1470-112X

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Beswick, Katie (2016) A Trialectical Cusp: between the real and the represented. Performance Research: A Journal of the Performing Arts, 21 (3). pp. 27-36. ISSN 1469-9990

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Beswick, Katie (2016) The Council Estate as Hood: SPID Theatre Company and Grass-roots Arts Practice as Cultural Politics. In: Performing (for) Survival. Palgrave Macmillan, pp. 163-184. ISBN 978-1-137-45426-3

This list was generated on Thu Nov 21 18:54:07 2024 GMT.

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