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Items where Author is "Beswick:Katie::"
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53
.
Beswick, Katie
(2022)
Staging Grenfell: The Ethics of Representing Housing Crises in London.
Canadian Theatre Review, 191. pp. 72-76. ISSN 0315-0836
Beswick, Katie
(2022)
Jockstrap.
Loud and Quiet (154). ISSN 2049-9892
Beswick, Katie
(2022)
Council Housing and Representation: Neoliberal Housing and Hip Hop as Love.
In: WCCEH Symposium on the Built Environment and Health, 7 July 2022, Wellcome Centre for Cultures and Environments of Health, London.
Beswick, Katie
(2022)
High Rise eState of Mind: Love and Honesty in the Midst of London's Neoliberal Housing Crisis.
Comparative Drama, 56 (1-2). pp. 129-153. ISSN 1936-1637
Beswick, Katie
(2022)
Kojey Radical: Dream Big.
DIY Magazine.
Beswick, Katie
and
Murray, Conrad
(2022)
Beats and Elements: A Hip Hop Theatre Trilogy.
Methuen Drama, London. ISBN 9781350270596
Beswick, Katie
and
Murray, Conrad
(2022)
Making Hip Hop Theatre: Beatbox and Elements.
Methuen Drama, London. ISBN 9781350187917 Item availability restricted.
Beswick, Katie
(2022)
London’s Burning: Social housing, performance and the politics of fire in an overheated market.
In: Society for Theatre Research Lecture Series, 15 February 2022, Online.
Beswick, Katie
(2022)
:3LON.
Loud and Quiet, 151. ISSN 2049-9892
Beswick, Katie
and
Johnson, Javon
(2021)
Sounds of The City: Dramaturgy, Space, Identity.
Critical Stages, 24. ISSN 2409-7411
Beswick, Katie
(2021)
Being Slaggy/Representing Slaggyness: Sex, Class and Embodiment in Britain.
In: Working-Class Studies: An Interdisciplinary Conference. Irish Working-Class Studies, 8-12 November 2021, Dublin.
Beswick, Katie
(2021)
They Hate Change: born in Tampa, raised on every UK sub-genre imaginable.
Loud and Quiet. ISSN 2049-9892
Beswick, Katie
(2021)
Rita, Sue and Bob Too.
In: Rita, Sue and Bob Too. Modern Classics . Methuen Drama. ISBN 9781350184961
Beswick, Katie
(2021)
Greentea Peng: unity in trip-hop.
Loud and Quiet. ISSN 2049-9892
Beswick, Katie
(2021)
Feeling good: the ecstatic return of Japanese Breakfast.
Loud and Quiet, 146. ISSN 2049-9892
Beswick, Katie
(2021)
Class, Race and Marginality: Informal Street Performances in the City.
In: Oxford Handbook of Politics and Performance. Oxford University Press. ISBN 9780190863456
Beswick, Katie
(2021)
Sex, Lies and Difficult Truth in Cash Carraway’s Skint Estate.
In: Modern Languages Association Annual Conference, 7-10 January 2021, Online.
Beswick, Katie
(2021)
Junglepussy: “We’re all just waiting on the world to change”.
Loud and Quiet, 144. ISSN 2049-9892
Beswick, Katie
(2021)
Feeling Working Class: Affective Class Identification and its Implications for Overcoming Inequality.
Studies in Theatre and Performance, 40 (3). ISSN 1468-2761
Beswick, Katie
(2021)
The Performative Violence of the Wedding Dress: Teaching Queer Theory through Object Orientation.
Theatre Topics, 30 (2). ISSN 1086-3346
Beswick, Katie
(2020)
Tkay Maidza: stay positive.
Loud and Quiet, 147. ISSN 2049-9892
Beswick, Katie
(2020)
Slaggy Mums: Class, Single Motherhood and Performing Endurance.
Key Words: A Journal of Cultural Materialism, 18. pp. 94-113. ISSN 1369-9725
Beswick, Katie
(2020)
Capitalist Realism: Glimmers, Working-Class Authenticity and Andrea Dunbar in the 21st Century.
International Journal of Media and Cultural Politics, 16 (1). pp. 75-89. ISSN 1740-8296
Beswick, Katie
(2020)
Here comes Dai Burger – a fabulous antidote to misery.
Loud and Quiet, 140. ISSN 2049-9892
Beswick, Katie
(2020)
Housing, Performance and Activism: Thinking with Performance in Times of Crisis. Studies in Theatre and Performance.
Studies in Theatre and Performance, 40 (1). pp. 1-7. ISSN 1468-2761
Beswick, Katie
(2020)
Jordan McKenzie: Three Works.
In: Live Art in the UK: Contemporary Performances of Precarity. Methuen Drama. ISBN 9781474257732
Beswick, Katie
(2020)
Wasted: Student Edition.
Methuen Drama. ISBN 978-1-3500-9492-5
Beswick, Katie
(2019)
JPEGMAFIA – The possibilities are infinite.
Loud and Quiet, 138. ISSN 2049-9892
Beswick, Katie
(2019)
Slags on Stage: The Toxic Working-Class Female in Contemporary Theatre and Performance.
In: Cultures of Toxicity, 8 November 2019, University of Warwick.
Beswick, Katie
(2019)
Crumb – Delicate indie-jazz from a band contemplating luck.
Loud and Quiet, 134. ISSN 2049-9892
Beswick, Katie
(2019)
The horizontal charm of Otha, the Norwegian artist making club music for the introverted.
Loud and Quiet, 131. ISSN 2049-9892
Beswick, Katie
(2019)
Social Housing in Performance: The English Council Estate on and Off Stage.
Methuen Drama Engage . Methuen Drama, London. ISBN 9781474285209
Beswick, Katie
(2018)
Sammus – A PhD student and rapper moves beyond her sad songs.
Loud and Quiet, 129. ISSN 2049-9892
Beswick, Katie
(2018)
Jackie Cohen – surprising music from LA’s most surprised musician.
Loud and Quiet, 128. ISSN 2049-9892
Beswick, Katie
(2018)
Tirzah: fresh parenthood, lifelong kinship and a new, old-fashioned romance record.
Loud and Quiet, 126. ISSN 2049-9892
Beswick, Katie
(2018)
Jenny Wilson still wants you to dance to her new album about her own rape.
Loud and Quiet, 124. ISSN 2049-9892
Beswick, Katie
(2018)
Playing to Type: Industry and Invisible Training in the National Youth Theatre’s ‘Playing Up 2’.
Theatre, Dance and Performance Training, 9 (1). pp. 4-18. ISSN 1944-3919
Beswick, Katie
(2018)
SHIRT is the “Duchampian” rapper recycling art history to make a new statement.
Loud and Quiet, 123. ISSN 2049-9892
Beswick, Katie
(2017)
From Colombia to Canada, everything Lido Pimienta does ends up being a political statement.
Loud and Quiet, 91. ISSN 2049-9892
Beswick, Katie
(2017)
New York made Wiki – now he wants a street named after him.
Loud and Quiet, 88. ISSN 2049-9892
Beswick, Katie
(2017)
Eyedress – Laconic indie hip-hop from Manila, about Manila and for Manila.
Loud and Quiet, 87. ISSN 2049-9892
Beswick, Katie
(2017)
Is this love? Performance on the Streets of New York.
In: Between Spaces, 29-30 June 2017, University of Chichester.
Beswick, Katie
(2017)
LICE – the Bristol band capturing that end-of-uni, making-it-up-as-you-go-along feeling.
Loud and Quiet, 86. ISSN 2049-9892
Beswick, Katie
(2017)
In Iceland with Reykjavíkurdætur – the country’s first female hip-hop band who are feminists… because all groups should be.
Loud and Quiet, 84. ISSN 2049-9892
Beswick, Katie
(2017)
Litefeet and the Democratising Potential of Social Media Platforms.
In: Performance and Culture: Cities, Embodiments, Technologies, 7-9 March 2017, University of Malta.
Beswick, Katie
(2017)
Kadhja Bonet – the Los Angeles artist conjuring that 1940s Disney feeling.
Loud and Quiet, 83. ISSN 2049-9892
Beswick, Katie
(2017)
Live Art and the Body.
In: Franko B. Unbound. ISBN 978-1-906470-15-9
Beswick, Katie
(2016)
Joey Purp is the vegan rapper from Chicago setting his sights on a Lil Wayne collaboration.
Loud and Quiet, 81. ISSN 2049-9892
Beswick, Katie
(2016)
Build A Fortress.
Loud and Quiet, 80. ISSN 2049-9892
Beswick, Katie
and
Hawkins, Harriet
and
Kohmaier, Joseph
(2016)
The road to Epidaurus is like the road to creation: tapping the urban archive.
Cultural Geographies, 23 (3). ISSN 1474-4740
Beswick, Katie
(2016)
Ten in a Bed: Literacy, Intermediality and the Potentials of Low-Tech.
Research in Drama Education: The Journal of Applied Theatre and Performance, 21 (3). pp. 337-348. ISSN 1470-112X
Beswick, Katie
(2016)
A Trialectical Cusp: between the real and the represented.
Performance Research: A Journal of the Performing Arts, 21 (3). pp. 27-36. ISSN 1469-9990
Beswick, Katie
(2016)
The Council Estate as Hood: SPID Theatre Company and Grass-roots Arts Practice as Cultural Politics.
In: Performing (for) Survival. Palgrave Macmillan, pp. 163-184. ISBN 978-1-137-45426-3
This list was generated on
Thu Oct 10 15:32:15 2024 BST
.