Items where Author is "Finch:Mick::"

Finch, Mick (2024) One-Thing-After-Another. [Art/Design Item]

Finch, Mick (2023) Book of Knowledge. [Art/Design Item]

Finch, Mick (2023) Wipe. [Art/Design Item]

Finch, Mick (2020) Book of Knowledge 150. [Art/Design Item]

Finch, Mick and Motion, Sid (2017) 'Inner Landscapes' (group exhibition, Sid Motion Gallery, London). [Art/Design Item]

Finch, Mick (2011) Abbey fellowship in painting. [Art/Design Item] Item not available online.

Finch, Mick (2011) Engrams Rome 2011. [Art/Design Item]

Finch, Mick (2011) Modes of address. [Art/Design Item] Item not available online.

Finch, Mick (2009) ICFAR Ideas and Aperitifs, Mick Finch. [Art/Design Item]

Sturgis, Daniel and Lisbon, Laura and Finch, Mick (2019) Painting as Remodel. Journal of Contemporary Painting, 5 (1). pp. 3-5. ISSN 2052-6695

Finch, Mick (2017) The Technical Apparatus of the Warburg Haus: possible returns from oblivion. Philosophy of Photography, 8 (1-2). pp. 35-51. ISSN 2040-3682

Finch, Mick and Westwood, Martin (2017) The Warburg Haus: Apparatus, inscription, data, speculation. Philosophy of Photography, 8 (1-2). pp. 3-7. ISSN 2040-3682

Finch, Mick (2017) Dead and Alive: Warburg’s Mnemosyne Atlas. Journal of Visual Art Practice, 15 (2-3). pp. 286-297. ISSN 1470-2029

Finch, Mick (2017) The Technical Apparatus of the Warburg Haus. Journal of Visual Art Practice, 15 (2-3). ISSN 1470-2029

Finch, Mick and Lisbon, Laura and Sturgis, Daniel (2015) Simon Hantaï Editorial. Journal of Contemporary Painting, 1 (2). pp. 195-199. ISSN 2052-6695

Finch, Mick (2015) Simon Hantaï: Round table discussion. Journal of Contemporary Painting, 1 (2). pp. 263-276. ISSN 20526695

Finch, Mick (2015) Éric de Chassey on Simon Hantaï. Journal of Contemporary Painting, 1 (2). pp. 277-299. ISSN 2052-6695

Finch, Mick and Harland, Beth (2015) Editorial. Journal of Contemporary Painting, 1 (1). pp. 5-9. ISSN 2052-6695

Finch, Mick (2013) The 'Tableau Project'. Journal of Visual Art Practice, 12 (1). pp. 2-9. ISSN 17589185

Finch, Mick (2009) Studio notes: Closer Than You Think, Ply- series, Riposte, Sublimey and Nevermind. Journal of Visual Art Practice, 8 (1-2). pp. 83-98. ISSN 1470-2029

von Muller, Johannes and Anderson, Joanne and Finch, Mick (2019) Image Journeys: The Warburg Institute and a British Art History. Dietmar Klinger Verlag, Passau Germany. ISBN 978-3-86328-171-7

Finch, Mick (2022) The Bounded and the Synoptic: The Archive and Photographic Appropriation. In: Painting, Photography, and the Digital: Crossing the Borders of the Mediums. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 1-21. ISBN 978-1-5275-8917-9

Finch, Mick (2019) The Artists as Cultural Migrant: the role of the residency in 'Main Tenant'. In: Main Tenant. Blitz, Valletta, Malta, pp. 10-11. ISBN 978999571439

Finch, Mick and Beyer, Andreas (2018) Foreword to'Metadata'. In: Metadata. Bilderfahrzeuge, London, pp. 9-19. ISBN 978 1 5272 1845 1

Finch, Mick (2018) Recherche: un mode d'emploi. In: Passeur:enseignants & médiateurs. Exposer/Démontrer. Les écarts de la recherche en art. Art, enseignement & médiation, 3 (3). Opemap, Art, enseignement & médiation, Bruxelles, pp. 124-137. ISBN 978-2-9601926-1-2

Finch, Mick (2017) L’Artiste Comme Chercheur. In: La céramique comme expérience. École nationale supérieure d’art de Limoges / Naima, Limoges, pp. 31-51. ISBN ISBN 978-2-37440-041-9

Finch, Mick (2015) Synthetic Composition 1, 1923: Some Possible Constellations. In: Władysław Strzemiński. Readability of Images. Muzeum Sztuki, Lódź, Poland, pp. 145-162. ISBN 978-83-63820-39-8

Finch, Mick (2012) Kilka możliwych konstelacji. In: Wladyslaw Strzeminski: Czytelnosc Obrazow. Muzeum Sztuki.

Finch, Mick (2012) Synthetic Composition 1, 1923: Some Possible Constellations. In: Wladyslaw Strzeminski: Czytelnosc Obrazow. Muzeum Sztuki, Lodz, Poland. ISBN 9788363820053

Finch, Mick (2024) Artist talk. In: Tableaux II: Painting as Stage, 2 May 2024, Cross Lane Projects, 6-8 Vestry St, London, N1 7RE.

Finch, Mick (2022) Thickness/Flatness + Thinness. In: Association for Art History’s 48th Annual Conferenc, 6-8 April 2022, Online.

Finch, Mick (2021) The Bounded and the Synoptic: the archive and photographic appropriation. In: DigitalPaintingPhotography, 21-22 October 2021, University of Derby, Online.

Finch, Mick, Chroniques (2021) Les arts, le vivant et la Ville. Extension du domaine du possible. In: Les arts, le vivant et la Ville. Extension du domaine du possible, 16 January 2021, Online. Item not available online.

Ashley, Ceri and Finch, Mick (2020) Digitization in Social Sciences and Humanities: archival digitization for free public access. Technical, ethical, and legal issues (Virtual Presentation). In: Imagining Futures through Un/Archived Pasts: The Tanzania Workshop, 11 December 2020, Tumaini University Dar es Salaam College, Tanzania.

Finch, Mick and Motion, Sid (2020) Economies of the Artist. In: Economies of the Artist, 8 July 2020, online.

Finch, Mick (2018) Warburg's Trans-disciplinarity: the iconographic and technical apparatuses. In: Itching Powder or “How much harmony?”, 2 - 4 May 2018.

Finch, Mick (2017) A Vision for Europe: British Art and the Mediterranean. In: A Vision for Europe: British Art and the Mediterranean, 22 March 2017, Lethaby Gallery, CSM, London.

Finch, Mick (2017) L'Artiste comme chercher. In: Les arts du feu à l’heure actuelle - rencontres entre la céramique, le verre et les langages numériques - nouveaux lieux d’expérience et de recherche, 3 - 4 January 2017, École nationale supérieure d'art de Limoges.

Finch, Mick (2016) The Technical Apparatus of KBW. In: The Warburg Haus: Apparatus, Inscription, Data, Speculation, 29-30 June 2016, Kulturwissenschaftliche Bibliothek Warburg (KBW), Warburg Haus, Hamburg, Germany.

Finch, Mick and Warboys, Jessica, Paint Club East (2016) Mick Finch in conversation with Jessica Warboys. In: Mick Finch in conversation with Jessica Warboys, 25 June 2016, Norwich Castle Museum & Art Gallery/ British Art Show.

Finch, Mick (2016) Recherche: une Mode d'emploi. In: Exposer / Démontrer – Les écarts de la recherche en art, 23 -24 June 2016, Académie Royale des Beaux-Arts, Brussels, Belgium.

Talbot, Emma and Finch, Mick and Schofield, John (2015) City Lights, Valletta. In: Cultural Mapping: Debating Spaces & Places, 22-23 October 2015, Mediterranean Conference Centre, Valletta, Malta.

Finch, Mick (2015) The Technical Apparatus of the Warburg Haus. In: Headstone to Hard Drive III. Spolia, Relic, Data, 26 June 2015, British School at Rome, via Antonio Gramsci 61, Rome, Italy.

Finch, Mick (2014) Dead and Alive: Warburg’s Mnemosyne Atlas. In: Headstone to Hard Drive, Monument to Folly 1, 25 October 2014, CSM.

Finch, Mick and Sturgis, Daniel (2014) Simon Hantaï: round table discussions. In: Simon Hantaï: round table discussions, 3 June 2014, French Institute London.

Finch, Mick (2011) Tableau. In: Tableau, 28th and 29th October 2011, Starr Auditorium, Tate Modern. (Unpublished) Item not available online.

Finch, Mick (2011) Synthetic Composition 1, 1923: Some Possible Constellations. In: Wladislav Strzeminski: Readability of Images, October 13-14, 2011, Muzeum Sztuki, Lodz, Poland. (Unpublished) Item not available online.

Finch, Mick and McGettigan, Andrew (2011) Art and the practice-based doctorate. In: UK Council for Graduate Education : Practice-Based and Practice-Led Doctorates:Supervision and Success, 2nd June 2011, Bath Spa university. (Unpublished) Item not available online.

Finch, Mick and McGettigan, Andrew (2011) Best practice in recruitment and retention. In: UK Council for Graduate Education : Practice-Based and Practice-Led Doctorates:Supervision and Success, 2nd June 2011, Bath Spa university. (Unpublished) Item not available online.

Finch, Mick (2011) Fragments, openness and contradiction in painting and photography. In: Research Symposium 2: Fragments, Openness and Contradiction in Painting and Photography, 21st May 2011, Central Saint Martins College of Art and Design. (Unpublished) Item not available online.

Finch, Mick (2010) Fragments, openness and contradiction in painting and photography. In: Research Symposium 1, 27 November 2010, Central Saint Martins College of Art and Design. (Unpublished) Item not available online.

Finch, Mick (2010) Fragments, openness and contradiction in painting and photography. In: Research Symposium 1: Fragments, Openness and Contradiction in Painting and Photography, 27th Nov 2010, Red Lion Square Lecture Theatre, Central Saint Martins College of Art and Design Southampton Row, London, WC1B 4AP. (Unpublished) Item not available online.