We use cookies on this website, you can read about them here. To use the website as intended please... ACCEPT COOKIES
UAL Research Online
Deposit Your Research

Advanced search | Saved searches

Items where Author is "Jackson:Joe::"

[up] Up a level
Group by: Date | Creators | Type of Research | No Grouping
Jump to: D | J | P
Number of items: 22.

D

  • file
Dankmer, Julia and Jackson, Joe (2019) The Cup. [Art/Design Item]

J

  • file
Jackson, Joe and Rogers, Holly and McGrath, John (2026) Unfixed Forms: Rethinking Music Video Specificity – Comparing Fahim Alam and Lowkey's ‘Ghosts of Grenfell’ Music Videos. In: Sound on Screen V and MSMI Re/sounding Visions, 15-17 July 2026, Royal Northern College of Music, Manchester.

  • file
Jackson, Joe and Clare, Gummo and Guo, Stephanie and Kherfi, Yasmine and Kolbe, Kristina and Mendes-Browne, Rafael (2026) Race, Cultural Production and Urban Multiculture: Grenfell, Race and Institutional Neglect in Music Video. In: Race and Media Conference 2026, 22-23 April 2026, University of Leeds, England, UK.

  • file
Jackson, Joe (2025) Rolling to “A-Free-Ka”: Seeing and Hearing the Transmedia Screen Worlds of Kahlil Joseph’s “Cheeba”. In: Contemporary African Screen Worlds. Duke University Press. ISBN 978-1-4780-3142-0

  • file
Jackson, Joe and Thomas, Michael and Olayiwola, Elizabeth and Eromosele, Femi (2024) Futures of African Screen Worlds: Theatrical and Digital Screen Worlds. In: ASAUK 2024: Generation and Regeneration, 29-31 August 2024, Oxford Brookes.

  • file
Jackson, Joe (2024) Kahlil Joseph and the Audiovisual Atlantic: Music, Modernity, Transmedia Art. Bloomsbury. ISBN 979-8-7651-0315-9

  • file
Jackson, Joe (2023) Making Engineering Businesses Carbon-Friendly. [Art/Design Item]

  • file
Jackson, Joe (2023) (Re)imagining Maria, (Re)writing Angola’s Revolutionary (His)tories: Sarah Maldoror’s Sambizanga as Afro-Feminist Film Adaptation, or ‘Rebellious Rewriting,’ of The Real Life of Domingos Xavier. In: The History of Sub-Saharan African Literatures on Film. Bloomsbury Academic. ISBN 9781501330834

  • file
Jackson, Joe (2022) Tech Talks: ICE in conversation with Grenfell Next of Kin.

  • file
Jackson, Joe (2022) Respond, Recover, Mitigate, Prepare: The Disaster Risk Management Cycle. [Art/Design Item]

  • file
Jackson, Joe and Sendra, Estrella and Norton, Barley (2022) Special Issue Musicology on Screen: Editorial. Screenworks, 12 (2). ISSN 2514-3123

  • file
Jackson, Joe (2022) Shooting 'Flip' in Bulgaria: examining the Bronze Cannes Lion-winner with Pulse Films producer Neil Andrews. The Location Guide.

  • file
Jackson, Joe (2022) Media Convergence Comes Of Age: Why Have The Boundaries Between Different Types Of Media Become So Blurred? Makers Magazine: Real Insight Into Global Production, 9.

  • file
Jackson, Joe (2022) When Advertising Scores: What Makes An Ad Stand Out From The Crowd During A Major Sporting Event? Makers Magazine: Real Insight Into Global Production, 9.

  • file
Jackson, Joe (2022) Kahlil Joseph, New Media, and the New Black Cinema: A Case for Situating Kahlil Joseph's Audiovisual Work Within the Theoretical Frameworks of African Film. Black Camera, 13 (2). pp. 89-114. ISSN 1947-4237

  • file
Jackson, Joe (2022) Searching for Soul, Reframing the Pursuit of Capital: A Comparison of Kahlil Joseph’s and Derek Pike’s ‘I Need A Dollar’ Music Videos. Music Sound and the Moving Image, 16 (1). pp. 53-77. ISSN 1753-0768

  • file
Jackson, Joe (2022) AFCI and LMGI unite for new location management course. LMGI Compass.

  • file
Jackson, Joe (2021) Arizona - Grand Ambitions. Makers Magazine: Real Insight Into Global Production, 8.

  • file
Jackson, Joe (2021) Canada - Explorers' Paradise. Makers Magazine: Real Insight Into Global Production, 8.

  • file
Jackson, Joe (2020) African Screen Worlds Self-Isolation: An Introduction to Decolonising Netflix, YouTube and Vimeo.

  • file
Jackson, Joe (2019) Music Business in the Digital Age: Grime Music and Lo Fi Aesthetics. In: Music in the Disruptive Era: The Digital, the Internet and Beyond, 14-16 December 2019, Centro Studi Opera Omnia Luigi Boccherini, Lucca, Italy.

P

Palma Stade, Tobi and Jackson, Joe (2026) Power to the Prosumer?: Metaspectatorship in Contemporary Music Video. In: PoP - Power of Prestige 2026: Bureaucracy, Boundaries and Boycotting, 29 June - 1 July 2026, Natadola, Fiji. Item not available online.

This list was generated on Fri Jul 31 19:58:01 2026 BST.

About    Accessibility
Privacy & Cookies    Disclaimer