Items where Author is "Reimers:Anne::"

Reimers, Anne (2024) Foujita, Fashion, and the Aesthetic Codification of the Male Modern Artist. In: Dress and Painting: Clothing and Textiles in Art, 7-8 October 2024, Tower of London.

Reimers, Anne (2024) Siegeszug der jungen Meisterinnen. Frankfurter Allgemeine Zeitung (149). p. 14. Item availability restricted.

Reimers, Anne (2024) "The most burning question for contemporary thinking about art": Art Competitions and the Discourse on Painting in Reproduction in Weimar Germany. In: Historic Avant-Garde Work on Paper. Routledge Research in Art History . Routledge, New York. ISBN 9781032537351 Item availability restricted.

Reimers, Anne (2023) Mit Vielfalt auf Expansionskurs. Frankfurter Allgemeine Zeitung, 222. p. 13.

Reimers, Anne (2023) Sotheby's. In: Bloomsbury Art Markets. Bloomsbury Visual Arts, London.

Reimers, Anne (2022) ‘Women in White’: Tennis Dress in Painting and Fashion Magazines in the 1920s. In: Fashioning the Body for Sport and Leisure: A History of Dress and Textiles, 30 September - 1 October 2022, Art Workers' Guild, London. Item not available online.

Reimers, Anne (2022) The New and The Outmoded: On the Temporal and Sacrificial Nature of Fashion. In: Can Fashion Be Defended? A Symposium in Memory of Djurdja Bartlett, 11 July 2022, London College of Fashion. Item not available online.

Reimers, Anne (2022) Fashion, Photography and Celebrity Culture in two Portraits by Otto Dix. In: Réévaluer la Nouvelle Objectivité et August Sander. Colloque International, 12-13 May 2022, Centre Pompidou, Paris. Item not available online.

Reimers, Anne (2022) “I am in favour of a black-and-white print that does not correspond to the original” (Otto Dix): Weimar Germany’s Print Media Culture and Oil Painting in Reproduction. In: Avant-Garde Art on Paper in Europe, 1905-1950, 23- 25 March 2022, Royal Museums of Fine Arts of Belgium. Item not available online.

Reimers, Anne (2022) Otto Dix and Weimar Media Culture: Time, Fashion and Photography in Portrait Paintings of the Neue Sachlichkeit. German Visual Culture . Peter Lang Academic Publishers, Oxford. ISBN 9781800791237

Reimers, Anne (2018) Against Kunstkonfektion: Art and the Problem of Fashion in 1920s German Arts Criticism. In: Signs and Symbols: Dress at the Intersection between Image and Realia. De Gruyter, Berlin. ISBN 9783110515909

Reimers, Anne (2018) Inscribing Temporality, Containing Fashion: Otto Dix’s Portrait of the Dancer Anita Berber recontextualised. Art History, 41 (4). pp. 680-709. ISSN 1467-8365

Reimers, Anne (2016) Modeallüre oder Zeittendenz? Zeitlichkeit, Modebegriffe und die Grenzen der Kunstgeschichte in der Kunstkritik der Weimarer Republik. In: Lecture Series 'Herausgefordert von der Gegenwart: Fragen der kunstkritischen Praxis gestern und heute', 1 June 2016, Art History Department, University of Bochum, Germany. Item not available online.

Reimers, Anne (2016) Temporality, Style and the Vocabulary of Fashion in 1920s German Arts Criticism. In: Signs and Symbols: Dress at the Intersection Between Image and Realia, 18-21 February 2016, Humboldt University, Berlin, Germany. Item not available online.

Reimers, Anne (2015) On aesthetic pleasure: the problem of 'fashion' in 1920s German art journals. In: Association of Art Historians (AAH) Summer Symposium 2015: Fashion & Art History, 29-30 June 2015, University of York, UK. Item not available online.

Reimers, Anne (2015) Dance, drugs and vampiric people: Anita Berber and Otto Dix, Berlin 1925. In: Disseminating Dress: Britain and the Fashion World, 28-30 May 2015, University of York. Item not available online.

Reimers, Anne (2015) Fashion Icons: Ali MacGraw. Fashion Photography Archive. Item not available online.

Reimers, Anne (2015) Fashion Icons: Brooke Shields. Fashion Photography Archive. Item not available online.

Reimers, Anne (2014) From Fashion Icon to Incarnation of the Abject: Anita Berber and Otto Dix. In: Vile Women: Female Evil in Fact, Fiction and Mythology. Inter-Disciplinary Press, Oxford. ISBN 9781848882881

Reimers, Anne (2013) From fashion icon to priestess of depravity: the dancer Anita Berber in 1920s Berlin. In: Evil, Women and the Feminine, 18-20 May 2013, Prague. Item not available online.

Reimers, Anne (2011) Cool glamour: fashion and identity in Christian Schad's portrait "Sonja" (1928). In: Fashion: Exploring Critical Issues, 3rd Global Conference, 22-25 September 2011, Mansfield College, Oxford University, UK. Item not available online.

Reimers, Anne (2008) The 1st Year Curriculum: Enhancing Motivation and Retention of Creative Arts Students in the Contextual Studies Unit. In: Enhancing Curricula: Using Research and Enquiry to Inform Student Learning in the Disciplines. Centre for Learning and Teaching in Art and Design (CLTAD), London. ISBN 9780956038203 Item not available online.

Reimers, Anne (2001) Ein Holzschnitt von Herzog Phillip dem Guten von Burgund in der Cronycke van Hollandt Zeelandt ende Vrieslandt, Leiden 1517. In: Genie ohne Namen: der Meister des Bartholomäus-Altars / Genius without a Name: The Master of the Bartholomew-Altarpiece. Dumont, Cologne. Item not available online.