Items where Subject is "Television studies"

Article

Weiner, Nathaniel (2018) ‘Put on your boots and Harrington!’: The ordinariness of 1970s UK punk dress. Punk & Post Punk, 7 (2). pp. 181-202. ISSN 20441983

Scalvini, Marco (2020) 13 Reasons Why: Can a TV Show About Suicide Be 'Dangerous?’ What are the Moral Obligations of a Producer? Media, Culture & Society, 42 (7-8). ISSN 1460-3675

Sabin, Roger and Gibb, Jane (2009) Who Loves Ya, David Simon? Notes towards placing The Wire’s depiction of African-Americans in the context of American TV crime drama. Darkmatter. pp. 1-14. ISSN 2041-3254

Sabin, Roger (2011) The Wire: dramatising the crisis in journalism. Journalism Studies, 12 (2). pp. 139-155. ISSN 1461670X/14699699

McGowan, David (2022) ‘I’ll Get You, Tom and Jerry. And That Little Dog, Too!’: Adaptation, Transmedia, and Franchise Management in the Tom and Jerry and Wizard of Oz Crossovers. Adaptation, 15 (2). pp. 149-170. ISSN 1755-0645

McGowan, David (2023) Cinephilia, Take Three?: Availability, Reliability, and Disenchantment in the Streaming Era. Convergence. ISSN 1748-7382

McGowan, David (2019) Monochrome Mickey: Modern Nostalgia Texts and the Animated Star Image. Journal of Popular Film and Television, 46 (4). pp. 219-231. ISSN 1930-6458

McGowan, David (2021) No Longer “As Crappy as Possible”?: Cult Sensibilities and the High-Definition Revisioning and “Unbleeping” of Early Seasons of South Park. New Review of Film and Television Studies, 19 (4). pp. 560-586. ISSN 1740-7923

McGowan, David (2018) Walt Disney Treasures or Mickey Mouse DVDs? Animatophilia, Nostalgia, and the Competing Representations of Theatrical Cartoon Shorts on Home Video. Animation: An Interdisciplinary Journal, 13 (1). pp. 53-68. ISSN 1746-8485

Macdonald, Iain (2014) Cultural Change in the Creative Industries: a case study of BBC Graphic Design from 1990-2011. Visual Communication, 13 (1). pp. 31-49. ISSN 14703572

Hewett, Richard (2021) Book Review: And Now for Something Completely Different: Critical Approaches to Monty Python. Critical Studies in Television, 16 (4). pp. 465-467. ISSN 1749-6039

Hewett, Richard (2021) Book Review: Contemporary British Television Drama. Critical Studies in Television, 16 (3). pp. 330-332. ISSN 1749-6039

Hewett, Richard (2020) Book Review: You’re Nicked: Investigating British Television Police Series. Critical Studies in Television, 15 (3). pp. 321-324. ISSN 1749-6039

Hewett, Richard (2023) Television will archive itself: Channel 4’s role in revalorising ‘old’ TV. Critical Studies in Television. ISSN 1749-6039

Emre Cetin, Berfin (2014) The "Politicization" of Turkish Television Dramas. International Journal of Communication, 8. pp. 2462-2483. ISSN 1932-8036

Eden, Michael (2024) The Abortive Superman: Übermensch as monster in the work of Panos Cosmatos. Film International, 21 (1-2). pp. 76-101. ISSN 2040-3801

Cefai, Sarah and Maria Elena, Indelicato (2011) No Such Thing as Standard Beauty: Intersectionality and Embodied Feeling on America's Next Top Model. Outskirts: Feminisms Along the Edge, 24. ISSN 1445-0445

Betts, Liza (2017) Costuming the Everyday: Interview with James Keast. Film, Fashion and Consumption, 6 (1). pp. 25-48. ISSN 20442823

Betts, Liza (2014) Working Class Masculinity and Fashion: David Beckham, Del Boy and the Representation of Taste. Film, Fashion and Consumption, 3 (3). pp. 211-226. ISSN 2044-2823

Ball, Steven and Elwes, Catherine (2014) David Hall (1937-2014). Moving Image Review & Art Journal MIRAJ, 3 (2). p. 308. ISSN 20456298

Anderson, Sal and Matthews, Peter (2009) Potential clinical insights generated through the process of interdisciplinary science/art collaboration. European Psychiatry: 17th EPA Congress - Lisbon, Portugal, January 2009, Abstract book, 24 (Supp.1). S154-S154. ISSN 0924-9338

Book

October, Dene (2018) Black Archive: Marco Polo. Obverse Books. ISBN 1909031674

October, Dene (2017) Doctor Who and History: Critical Essays on Imagining the Past. McFarland, North Carolina. ISBN 978-1-4766-6656-3

Hardy, Jonathan (2014) Critical Political Economy of the Media: An Introduction. Communication and Society . Routledge, Abingdon, Oxon. ISBN 9780415544849

Hardy, Jonathan (2010) Cross-Media Promotion. Peter Lang, New York. ISBN 978-1-4539-0001-7

Hardy, Jonathan (2008) Western Media Systems. Communication and Society . Routledge, Abingdon, Oxon. ISBN 9780203869048

Book Section

October, Dene (2018) Hit or Miss? Fan Responses to the Regenderation of the Master. In: Doctor Who - Twelfth Night: Adventures in Time and Space with Peter Capaldi. Who Watching . I B Tauris. ISBN 9781788313636

October, Dene (2017) Journeys through Cathay: Remediation and Televisuality in “Marco Polo”. In: Doctor Who and History. McFarland, North Carolina, pp. 13-34. ISBN 978-1-4766-6656-3

October, Dene (2016) "That's Not Right": Television, History and Education in Doctor Who During the Hartnell Era. In: New Worlds, Terrifying Monsters, Impossible Things: Exploring the Contents and Contexts of Doctor Who. PopMatters. ISBN 978-1-4835652-0-0

October, Dene (2017) An adventure in English Space and Time: Sound as Experience in Doctor Who. In: Mad Dogs and Englishness: popular music and English identities. Bloomsbury, London. ISBN 9781501311277

Hewett, Richard (2022) Investigating Morse: detecting innovations in sound and image. In: Moments in Television: Sound/Image. Moments in Television . Manchester University Press, Manchester, pp. 38-59. ISBN 978-1-5261-4919-0

Hewett, Richard (2018) A Young–Old Face: Out with the New and in with the Old in Doctor Who. In: Twelfth Night: Adventures in Time and Space with Peter Capaldi. I.B. Tauris/Bloomsbury, London, pp. 13-27. ISBN 9781788313636

Betts, Liza (2018) Costume in Literature: What do television adaptations of modern literature 'write' on the body via the clothing used as costume? In: Culture, Costume and Dress; Proceedings of the first international conference. Birmingham City University. 10-12 May 2017. Gold Word Publishing, Birmingham/Shanghai, pp. 32-37. ISBN 978-1-909379-26-8

Conference, Symposium or Workshop Item

Sezen, Ege (2014) Analysis of match-related information seeking behaviour during the act of watching football matches on TV. In: ACM TVX2014, 24-26 June 2014, Newcastle-upon-Tyne, UK.

Sezen, Ege (2015) Enhancing watching experience of football matches on TV via modes of interaction and types of visualisation of match-related information on second screen. In: ACM TVX2015, 3-5 June 2015, Brussels, Belgium.

Sezen, Ege (2014) Second Screen and Live TV Football Workshop. In: Fifth Annual Digital Economy All Hands Meeting (DE 2014), 3-5 December 2014, Royal Geographical Society, London, UK.

Sabin, Roger and Gibb, Jane (2009) Wire: ‘Social science fiction’ or genre fiction? In: The Wire as Social Science Fiction Conference, July 2009, Leeds University, UK. (Unpublished)

October, Dene (2018) “A Change of Identity”: The First Doctor, Costume and the Perils of Time Travel. In: Critical Costume 2018, 12-14 September 2018, University of Surrey, Guildford School of Acting.

Mijovic, Nikola (2021) The Polyester Curtain: The Aesthetics of Russophobia in the Anglo-American film and television during the Putin era. In: LCF Cultural & Historical Studies Digital Symposium: What is Radical about Cultural Studies Now? Fashion, Culture and Politics in the Age of the Anthropocene, 11-12 June 2021, London College of Fashion.

Lalioti, Vali and Woolard, Adrian (2003) Mixed Reality Productions of the Future. In: International Broadcasting Convention, 11-15 September 2003, Amsterdam.

Hitchcock, Fenella (2019) "She's a Woman!" Femininity, Reality Television and the Transformational Experience of Drag. In: New Reflections on Fashioning Identities: Lifestyle, Emotions & Celebrity Culture, 14 June 2019, University of Roehampton.

Crowley, Matthew (2013) Screened Resistance: Television, Politics, and the Representation of Working-Class Masculinity in 1980s Britain. In: Raymond Williams, John Logie Baird: Television, Technology and Cultural Form, 18-19 September 2013, University of Brighton, Hastings.

Cardwell, Thomas (2023) 'The Picture Connects All the Dots': The role of art historical image maps in Deadwind Season 3. In: EUPOP 2023 The Darkness Within, 3-5 July 2023, University of Stirling.

Show/Exhibition

Naldi, Pat (2008) 'Search' in Broadcast Yourself: Artists interventions into television and strategies for self-broadcasting from the 1970s to today. [Show/Exhibition]

Thesis

de Selincourt, Chris (2017) Where is the mind of the media editor? An analysis of editors as intermediaries between technology and the cinematic experience. PhD thesis, Cardiff School of Art and Design - Cardiff Metropolitan University.

Sezen, Ege (2017) Visualisations and interaction gestures: enhancing the football watching experience via second screen. PhD thesis, Lancaster University.

Kelland, Dean (2016) Flawed Masculinities: “Rupturing” 1950s/60s/70s British TV Sitcom via a Performance-led Interdisciplinary Arts Practice. PhD thesis, University of the Arts London.

Betts, Liza (2024) Costuming fictional working-class lives: Jimmy McGovern’s The Street (2006-2009, Granada Productions). PhD thesis, University of the Arts London.