Items where Subject is "Television studies"

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Anderson, Sal and Matthews, Peter (2009) Potential clinical insights generated through the process of interdisciplinary science/art collaboration. European Psychiatry: 17th EPA Congress - Lisbon, Portugal, January 2009, Abstract book, 24 (Supp.1). S154-S154. ISSN 0924-9338

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Betts, Liza (2018) Costume in Literature: What do television adaptations of modern literature 'write' on the body via the clothing used as costume? In: Culture, Costume and Dress; Proceedings of the first international conference. Birmingham City University. 10-12 May 2017. Gold Word Publishing, Birmingham/Shanghai, pp. 32-37. ISBN 978-1-909379-26-8

Betts, Liza (2017) Costuming the Everyday: Interview with James Keast. Film, Fashion and Consumption, 6 (1). pp. 25-48. ISSN 20442823

Betts, Liza (2014) Working Class Masculinity and Fashion: David Beckham, Del Boy and the Representation of Taste. Film, Fashion and Consumption, 3 (3). pp. 211-226. ISSN 2044-2823

Betts, Liza (2024) Costuming fictional working-class lives: Jimmy McGovern’s The Street (2006-2009, Granada Productions). PhD thesis, University of the Arts London.

Ball, Steven and Elwes, Catherine (2014) David Hall (1937-2014). Moving Image Review & Art Journal MIRAJ, 3 (2). p. 308. ISSN 20456298

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Crowley, Matthew (2013) Screened Resistance: Television, Politics, and the Representation of Working-Class Masculinity in 1980s Britain. In: Raymond Williams, John Logie Baird: Television, Technology and Cultural Form, 18-19 September 2013, University of Brighton, Hastings.

Cefai, Sarah and Maria Elena, Indelicato (2011) No Such Thing as Standard Beauty: Intersectionality and Embodied Feeling on America's Next Top Model. Outskirts: Feminisms Along the Edge, 24. ISSN 1445-0445

Cardwell, Thomas (2023) 'The Picture Connects All the Dots': The role of art historical image maps in Deadwind Season 3. In: EUPOP 2023 The Darkness Within, 3-5 July 2023, University of Stirling.

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de Selincourt, Chris (2017) Where is the mind of the media editor? An analysis of editors as intermediaries between technology and the cinematic experience. PhD thesis, Cardiff School of Art and Design - Cardiff Metropolitan University.

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Emre Cetin, Berfin (2014) The "Politicization" of Turkish Television Dramas. International Journal of Communication, 8. pp. 2462-2483. ISSN 1932-8036

Eden, Michael (2024) The Abortive Superman: Übermensch as monster in the work of Panos Cosmatos. Film International, 21 (1-2). pp. 76-101. ISSN 2040-3801

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Hitchcock, Fenella (2019) "She's a Woman!" Femininity, Reality Television and the Transformational Experience of Drag. In: New Reflections on Fashioning Identities: Lifestyle, Emotions & Celebrity Culture, 14 June 2019, University of Roehampton.

Hewett, Richard (2021) Book Review: And Now for Something Completely Different: Critical Approaches to Monty Python. Critical Studies in Television, 16 (4). pp. 465-467. ISSN 1749-6039

Hewett, Richard (2021) Book Review: Contemporary British Television Drama. Critical Studies in Television, 16 (3). pp. 330-332. ISSN 1749-6039

Hewett, Richard (2020) Book Review: You’re Nicked: Investigating British Television Police Series. Critical Studies in Television, 15 (3). pp. 321-324. ISSN 1749-6039

Hewett, Richard (2022) Investigating Morse: detecting innovations in sound and image. In: Moments in Television: Sound/Image. Moments in Television . Manchester University Press, Manchester, pp. 38-59. ISBN 978-1-5261-4919-0

Hewett, Richard (2023) Television will archive itself: Channel 4’s role in revalorising ‘old’ TV. Critical Studies in Television. ISSN 1749-6039

Hewett, Richard (2018) A Young–Old Face: Out with the New and in with the Old in Doctor Who. In: Twelfth Night: Adventures in Time and Space with Peter Capaldi. I.B. Tauris/Bloomsbury, London, pp. 13-27. ISBN 9781788313636

Hardy, Jonathan (2014) Critical Political Economy of the Media: An Introduction. Communication and Society . Routledge, Abingdon, Oxon. ISBN 9780415544849

Hardy, Jonathan (2010) Cross-Media Promotion. Peter Lang, New York. ISBN 978-1-4539-0001-7

Hardy, Jonathan (2008) Western Media Systems. Communication and Society . Routledge, Abingdon, Oxon. ISBN 9780203869048

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Kelland, Dean (2016) Flawed Masculinities: “Rupturing” 1950s/60s/70s British TV Sitcom via a Performance-led Interdisciplinary Arts Practice. PhD thesis, University of the Arts London.

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Lalioti, Vali and Woolard, Adrian (2003) Mixed Reality Productions of the Future. In: International Broadcasting Convention, 11-15 September 2003, Amsterdam.

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Mijovic, Nikola (2021) The Polyester Curtain: The Aesthetics of Russophobia in the Anglo-American film and television during the Putin era. In: LCF Cultural & Historical Studies Digital Symposium: What is Radical about Cultural Studies Now? Fashion, Culture and Politics in the Age of the Anthropocene, 11-12 June 2021, London College of Fashion.

McGowan, David (2022) ‘I’ll Get You, Tom and Jerry. And That Little Dog, Too!’: Adaptation, Transmedia, and Franchise Management in the Tom and Jerry and Wizard of Oz Crossovers. Adaptation, 15 (2). pp. 149-170. ISSN 1755-0645

McGowan, David (2023) Cinephilia, Take Three?: Availability, Reliability, and Disenchantment in the Streaming Era. Convergence. ISSN 1748-7382

McGowan, David (2019) Monochrome Mickey: Modern Nostalgia Texts and the Animated Star Image. Journal of Popular Film and Television, 46 (4). pp. 219-231. ISSN 1930-6458

McGowan, David (2021) No Longer “As Crappy as Possible”?: Cult Sensibilities and the High-Definition Revisioning and “Unbleeping” of Early Seasons of South Park. New Review of Film and Television Studies, 19 (4). pp. 560-586. ISSN 1740-7923

McGowan, David (2018) Walt Disney Treasures or Mickey Mouse DVDs? Animatophilia, Nostalgia, and the Competing Representations of Theatrical Cartoon Shorts on Home Video. Animation: An Interdisciplinary Journal, 13 (1). pp. 53-68. ISSN 1746-8485

Macdonald, Iain (2014) Cultural Change in the Creative Industries: a case study of BBC Graphic Design from 1990-2011. Visual Communication, 13 (1). pp. 31-49. ISSN 14703572

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Naldi, Pat (2008) 'Search' in Broadcast Yourself: Artists interventions into television and strategies for self-broadcasting from the 1970s to today. [Show/Exhibition]

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October, Dene (2018) Black Archive: Marco Polo. Obverse Books. ISBN 1909031674

October, Dene (2018) “A Change of Identity”: The First Doctor, Costume and the Perils of Time Travel. In: Critical Costume 2018, 12-14 September 2018, University of Surrey, Guildford School of Acting.

October, Dene (2017) Doctor Who and History: Critical Essays on Imagining the Past. McFarland, North Carolina. ISBN 978-1-4766-6656-3

October, Dene (2018) Hit or Miss? Fan Responses to the Regenderation of the Master. In: Doctor Who - Twelfth Night: Adventures in Time and Space with Peter Capaldi. Who Watching . I B Tauris. ISBN 9781788313636

October, Dene (2017) Journeys through Cathay: Remediation and Televisuality in “Marco Polo”. In: Doctor Who and History. McFarland, North Carolina, pp. 13-34. ISBN 978-1-4766-6656-3

October, Dene (2016) "That's Not Right": Television, History and Education in Doctor Who During the Hartnell Era. In: New Worlds, Terrifying Monsters, Impossible Things: Exploring the Contents and Contexts of Doctor Who. PopMatters. ISBN 978-1-4835652-0-0

October, Dene (2017) An adventure in English Space and Time: Sound as Experience in Doctor Who. In: Mad Dogs and Englishness: popular music and English identities. Bloomsbury, London. ISBN 9781501311277

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Sezen, Ege (2014) Analysis of match-related information seeking behaviour during the act of watching football matches on TV. In: ACM TVX2014, 24-26 June 2014, Newcastle-upon-Tyne, UK.

Sezen, Ege (2015) Enhancing watching experience of football matches on TV via modes of interaction and types of visualisation of match-related information on second screen. In: ACM TVX2015, 3-5 June 2015, Brussels, Belgium.

Sezen, Ege (2014) Second Screen and Live TV Football Workshop. In: Fifth Annual Digital Economy All Hands Meeting (DE 2014), 3-5 December 2014, Royal Geographical Society, London, UK.

Sezen, Ege (2017) Visualisations and interaction gestures: enhancing the football watching experience via second screen. PhD thesis, Lancaster University.

Scalvini, Marco (2020) 13 Reasons Why: Can a TV Show About Suicide Be 'Dangerous?’ What are the Moral Obligations of a Producer? Media, Culture & Society, 42 (7-8). ISSN 1460-3675

Sabin, Roger and Gibb, Jane (2009) Who Loves Ya, David Simon? Notes towards placing The Wire’s depiction of African-Americans in the context of American TV crime drama. Darkmatter. pp. 1-14. ISSN 2041-3254

Sabin, Roger and Gibb, Jane (2009) Wire: ‘Social science fiction’ or genre fiction? In: The Wire as Social Science Fiction Conference, July 2009, Leeds University, UK. (Unpublished)

Sabin, Roger (2011) The Wire: dramatising the crisis in journalism. Journalism Studies, 12 (2). pp. 139-155. ISSN 1461670X/14699699

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Weiner, Nathaniel (2018) ‘Put on your boots and Harrington!’: The ordinariness of 1970s UK punk dress. Punk & Post Punk, 7 (2). pp. 181-202. ISSN 20441983