Polk, Patrick Ian and Edmonds, Tracey and Edmonds, Kenny and Anderson, Larra (2000) Punks. [Art/Design Item]
Hughes, Todd and Anderson, Larra (2001) The New Women. [Art/Design Item]
Smith, Tim (2004) Perception of temporal continuity in discontinuous moving images. In: 26th Annual Meeting of the Cognitive Science Society, 5-7 August 2004, Chicago, U.S..
Smith, Tim (2005) An Attentional Theory of Continuity Editing. PhD thesis, University of Edinburgh.
Smith, Tim and Henderson, John. M (2008) Edit Blindness: The relationship between attention and global change blindness in dynamic scenes. Journal of Eye Movement Research, 2 (2). pp. 1-17. ISSN 1995-8692
Harlan, Jan (2009) Music as a Scripting Tool: How to get a World-Class Film Score for Very Little Money. In: UAL Professorial Platform Series 2008-09, 21 January 2009, London College of Fashion, 20 John Prince's Street, London W1G 0BJ.
Zimmerman, Andrea Luka (2010) The Ramp. [Art/Design Item]
Walsh, Maria (2010) Believable fictions. Art Monthly (342). pp. 11-14. ISSN 0142-6702
Nuthmann, Antje and Smith, Tim and Engbert, R and Henderson, John. M (2010) CRISP: A computational model of fixation durations in scene viewing. Psychological Review, 117 (2). pp. 382-405. ISSN 0033-295X
Zimmerman, Andrea Luka and Johansson, Lasse (2011) I Know It’s Not a Palace. [Show/Exhibition]
Storey, Helen and Mufti, Adam (2011) Primitive Streak: Breathe - film. [Art/Design Item]
Ebersole, David. P and Hughes, Todd and Anderson, Larra (2011) Hit So Hard. [Art/Design Item]
Anderson, Sal, Raw Productions Ltd (2011) What's the time Mr Wolf? [Art/Design Item]
de Selincourt, Chris (2012) The Frame of Attention. In: 2nd WIRAD Symposium for Emerging Art & Design Researchers, 29-30 March 2012, Wales Millennium Centre, Cardiff.
de Selincourt, Chris (2012) Where is the Mind of the Media Editor? In: LUX/ICA Biennial Student Symposium: Contemporary Currents, 27 May 2012, Institute of Contemporary Art, London.
Zimmerman, Andrea Luka and Roberts, David (2012) The Estate in Film - Empty Words build Empty Homes. [Show/Exhibition]
Zimmerman, Andrea Luka and Johansson, Lasse (2012) Swanley’s Hidden Histories. [Art/Design Item]
Smith, Tim (2012) The Attentional Theory of Cinematic Continuity. Projections, 6 (1). pp. 1-27. ISSN 1934-9688
Smith, Tim (2012) Extending AToCC: A reply. Projections, 6 (1). pp. 71-78. ISSN 1934-9688
Zimmerman, Andrea Luka (2013) Towards Estate. [Show/Exhibition]
Vilaro, Anna and Orero, Pilar and Smith, Tim (2013) Time to read, time to watch: Eye movements and information processing in subtitled films. Journal of Eye Movement Research, 6 (3). ISSN 1995-8692
Smith, Tim (2013) Watching You Watch Movies: Using Eye Tracking to Inform Film Theory. In: Psychocinematics: Exploring Cognition at the Movies. Oxford University Press, New York, U.S., pp. 165-191. ISBN 9780199862139
Rughani, Pratap, Kate Adams (2013) The Art of Not Knowing. In: "Anthology" Project Art Works 1997-2012. Project Art Works, Hastings, pp. 204-207.
Higgins, Ceri and Müller, Ray (2013) A Perfect Myth: A Conversation with Ray Müller about Leni Riefenstahl. In: On Perfection. Critical Photography . Intellect, London. ISBN 9781841507101
Noce, Kim and Clark, Shaun, Mewlab (2014) The Key. [Art/Design Item]
Hankir, Ahmed and Zaman, Rashid and Anderson, Sal and Knight, David and McEwan, Chuckie and Evans‐Lacko, Sara (2014) The Wounded Healer: an effective anti‐stigma intervention targeted at the medical profession? In: Royal College of Psychiatrists: Faculty of Perinatal Psychiatry Annual Scientific Meeting, 20 November 2014, Royal College of Psychiatrists, London E1 8BB.
Mackay, Jem (2015) www.swarmtv.net: non-hierarchy through open source approaches to distributed filmmaking. PhD thesis, University of the Arts London and Falmouth University.
Caston, Emily (2015) Not Another Article on the Author! God and Auteurs in Moving Image Analysis; Last Call for a Long Overdue Paradigm Shift. Music Sound and the Moving Image, 9 (2). pp. 145-161. ISSN 1753-0768
Smith, Tim and Martin-Portugues Santacreu, Janet Yvonne (2017) Match-Action: The Role of Motion and Audio in Creating Global Change Blindness in Film. Media Psychology, 20 (2). pp. 317-348. ISSN 1521-3269
Patel, Shreepali and Wallis-Redworth, Maxine and Jackson, Sophie and Rose, Lindsey (2017) Art and Science: Promoting Empathy Through Film. British Journal of Midwifery, 25 (11). pp. 1-7. ISSN 2052-4307
Noce, Kim and Clark, Shaun (2017) Dead bod. [Show/Exhibition]
Ildirar Kirbas, Sermin and Smith, Tim (2017) Action Prediction Across Match-on-Action Cuts in Infancy. In: SCSMI2017 Helsinki, 11-14 June 2017, Helsinki, Finland.
Anderson, Sal (2017) The Wounded Healer. [Art/Design Item]
Veal, Philip and Forsyth, Steven and Brennan, Richard and Acosta, Mike and Davis, Lesley Ann and Procter, Natalie and Wyeld, Mike (2018) Cambridge International AS & A Level Digital Media and Design Student’s Book (1st Edition). Harper Collins, London. ISBN 978-0-00-825100-0
Noce, Kim and Clark, Shaun, Mewlab (2018) Togethereness. [Art/Design Item]
Wyeld, Mike (2019) Listening Ethically: Environmental Crisis, Artist Income and Streaming. In: The (Un)Sound Barrier, 19 June 2019, Royal College of Art.
Taylor, j Milo (2019) Immersive Sound Masterclass. In: Aesthetica Short Film Festival, 2-30 November, York.
Patel, Shreepali (2019) The Crossing: Stopping Loverboys Trading On Hope. [Show/Exhibition]
Patel, Shreepali (2019) Drone Filming: Creativity versus Regulations in Autonomous Art Systems. A Case Study. Media-N, 15 (1).
Ebersole, P David and Hughes, Todd and Anderson, Larra (2019) House of Cardin. [Art/Design Item]
Alamouti, David (2019) The Night the Wind Blew. [Art/Design Item]
Wyeld, Mike, Centre for Screen Cultures, University of St. Andrews (2020) Low Stakes TV; Cleaning Drains, Washing Cars and Long Walks. Centre for Screen Cultures Online Journal.
Uhlirova, Marketa (2020) Excavating fashion film: a media archaeological perspective. Journal of Visual Culture, 19 (3). pp. 340-361. ISSN 1741-2994
Laenen, Ann and Kolgen, Stefan and Patel, Shreepali (2020) Placemaking and (Digital) Storytelling. In: Placemaking, Co-Creation & Storytelling, 7-21 April 2021, Online.
Brown, Lucy (2020) Sound and Cinema: Past, Present and Future. [Show/Exhibition]
Alamouti, David (2020) The digital ethical space: towards a transnational documentary ethics, a filmmaker’s point of view. Transnational Screens, 11 (2). pp. 103-120. ISSN 2578-5273
Hutson, John. P and Magliano, Joseph. P and Smith, Tim and Loschky, Lester. C (2021) “This Ticking Noise in My Head”: How Sound Design, Dialogue, Event Structure, and Viewer Working Memory Interact in the Comprehension of Touch of Evil (1958). Projections, 15 (1). pp. 1-27. ISSN 1934-9688
Rughani, Pratap (2022) Towards Restorative Narrative. In: It’s the Media Stupid! Essays in honour of Brian Winston 2022. Abramis Academic Publishing, Bury St Edmunds, Suffolk, pp. 151-162. ISBN 9781845497965
Naldi, Pat, Wendy Kirkup (2022) The Horror Show! A Twisted Tale of Modern Britain. [Show/Exhibition]
Gibson, Ruth and Roth, Bine and Pollmann, Alexa and Martelli, Bruno (2022) DAZZLE: A Re-Assembly of Bodies. [Show/Exhibition]
Zimmerman, Andrea Luka (2023) Erase and Forget + Andrea Luka Zimmerman and James Mackay in conversation with BFI National Archive curator William Fowler. In: Experimenta, 25 October 2023, British Film Institute.
Patel, Shreepali and Hardin, Marques (2023) Memory and the Value of Life. In: Visible Evidence XXIX, 6-9 September 2023, University of Udine, Italy.
Wyeld, Mike and Berry, Howard (2024) Her Name Was Moviola. [Art/Design Item]
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