Items where Subject is "Modern History 1950-1999"

Wilson, Stephen (2012) Unpainting Collodi’s Fireplace. In: Pinocchio, Puppets and Modernity: The Mechanical Body. Taylor & Francis Group . Routledge, Oxford, pp. 109-135. ISBN 978-0-415-89096-0

Uhlirova, Marketa (2017) Voyage through Space, Time and Utopian Modernism in Ikarie XB-1. In: Czech Cinema Revisited: Politics, Genres, Techniques. National Film Archive, Prague. ISBN 9788070041819

Tynan, Jane (2020) Images of Insurgency: reading the Cuban Revolution through military aesthetics and embodiment. In: Making War on Bodies: militarisation, aesthetics and embodiment in international politics. Advances in Critical Military Studies . Edinburgh University Press, Edinburgh, pp. 213-241. ISBN 978-1-4744-4618-1

Tynan, Jane (2019) Insurgent Trend: the popularity of the keffiyeh. In: Fashion and Politics. Yale University Press. ISBN 9780300238860

Tynan, Jane (2017) Prison clothes and the struggle in Maze/Long Kesh in Northern Ireland. In: Objects in and after Hostilities, 30 March 2017, Newcastle University, UK.

Tynan, Jane (2017) Status. In: A Cultural History of Dress and Fashion in the Modern Age. A Cultural History of Dress and Fashion, 6 . Bloomsbury, London, pp. 131-150. ISBN 978-0-85785-602-9

Tynan, Jane (2019) Utility Chic: Where fashion and uniform meet. In: Uniform: Clothing and Discipline in the Modern World. Bloomsbury, London, pp. 221-236.

Thompson, Gareth (2017) The 1952 Memorandum of Government Publicity. In: International History of Public Relations Conference, 2-3 July 2014, Bournemouth University.

Steeds, Lucy and Lafuente, Pablo and Esche, Charles (2010) Exhibiting the New Art: 'Op Losse Schroeven' and 'When Attitudes Become Form' 1969. Exhibition Histories, 1 . Afterall, London, UK. ISBN 9783865608598/9781846380747

Steeds, Lucy (2013) Making Art Global (Part 2): 'Magiciens de la Terre' 1989. Exhibition Histories, 4 . Afterall, London. ISBN 9781846381188; 9783863352585

Raposo, Ana and Sabin, Roger (2018) New Visual Identities for British Neo-Fascist Rock (1982-1987). In: 'Tomorrow Belongs to Us': The British Far Right since 1967. Fascism and the Far Right Series . Routledge, London and New York, pp. 132-150. ISBN 978-1-138-67516-2 (hbk)

October, Dene (2017) Doctor Who and History: Critical Essays on Imagining the Past. McFarland, North Carolina. ISBN 978-1-4766-6656-3

Melvin, Jo (2014) Peter Townsend, Studio International and Phillip Leider, Art Forum: Tactics to Define New Critical Paradigms in Editorial Strategies. In: Art-Information: Editorial Strategies, Text-based Formats, Publishing Contexts, 26 April 2014, Institute of Contemporary Arts, London.

Melvin, Jo (2014) When actions speak louder than words: productive exchanges between Peter Townsend and Seth Siegelaub in Studio International. In: Siegelaub et caetera, archive, art conceptuel, textile, 26 May 2014, Institute nationale De L'historie de l'art de France, Paris.

McDowell, Felice (2015) Fact, fiction and fashion: reading the life-writings of models, journalists, editors, educators and designers. In: Textual Fashion: Representing fashion and clothing in word and image, 8th July - 10th July 2015, University of Brighton, East Sussex, UK.

McDowell, Felice (2012) Fashioned Images of Art in Magazines:"So what? What does it matter?". In: AAH New Voices: Art and its Hierachies, 24th November 2012, University of Nottingham.

McDowell, Felice (2017) "I know I am posing"...Feeling the Pose in Post-war Fashion Modeling. Fashion Theory: The Journal of Dress, Body and Culture, 21 (2). pp. 157-173. ISSN 1362-704X

McDowell, Felice (2015) “The Influence of Anthony Denney”: Authorship in the Production and Consumption of British Fashion Media in the Late 1950s. Photography and Culture, 8 (3). ISSN 1751-4517

McDowell, Felice (2016) A Life of Fashion and A Fashionable Life: Alison Settle’s Clothes Line (1937). In: Revision, Revival, Rediscovery...The 'Re' Word in British Women's Writing between 1930 and 1960, 24 June 2016, University of Hull, UK.

McDowell, Felice (2013) Model British Citizen. In: Gender, Race, and Representation in Magazines and New Media, 25th - 27th October 2013, Cornell University, New York, USA.

McDowell, Felice (2016) 'Photographed at the Royal Festival Hall'...discursive constructions of dress, time and space in post-war British fashion media. Clothing Cultures, 3 (1). pp. 7-22. ISSN 2050-0742

McDowell, Felice (2015) The Truth About Modelling: Fashion Models and Mannequins in print and in their own words. In: Consuming/Culture: women and girls in print and pixels, 5−6 June 2015, Oxford Brookes University.

McDowell, Felice (2011) The Visual Consumption of Dress and Culture in Post-war British Fashion Magazines: 'Texture and Form: The Fabric is...'. In: Developments in Dress History, 8-10 December 2011, Brighton.

McDowell, Felice (2016) Writing about Posing: myths and narratives of post-war fashion modelling. In: Posing the Body: Stillness, Movement, and Representation, 6 - 7 May 2016, The Courtauld Institute of Art, Somerset House, Strand, London WC2R 0RN / University of Westminster, Regent Street Cinema, 309 Regent Street, London W1B 2UW.

McDowell, Felice (2017) ‘how to get the London model-girl look’: democratizing and disciplining female citizens in post-war Britain. In: The Costume Society Conference - Fashion and Democracy?, July 8 - July 10 2016, Whitworth Gallery, Manchester.

McDowell, Felice (2015) “Old” Glossies and “New” Histories: Fashion, Dress and Historical Space. Fashion Theory: The Journal of Dress, Body and Culture. ISSN 1362-704X

McDowell, Felice (2013) Photographed at...Locating Fashion Imagery in the Cultural Landscape of Post-War Britain 1945-1962. PhD thesis, University of the Arts London.

Mahon, Kieran (2021) Transactive Environments: The Architecture of Progressive Education at Dartington Hall School. PhD thesis, University College London.

Mahawatte, Royce (2018) ‘Self and Society’. In: A Cultural History of Hair in the Modern Age. Bloomsbury, London. ISBN 9781474232128

Leick, Gwendolyn (2014) Tombs of the Great Leaders. A Twentieth Century Guide. Reaktion Books, London. ISBN 97811780232003

Eden, Michael (2018) Postmodernism: Anti-Art reflecting a knowing society. Trebuchet Magazine.

Crowley, Matthew (2019) Angry Young Men? A Product of Their Time. In: The 1950s: A Decade of Modern British Fiction. The Decades Series . Bloomsbury, London, pp. 53-79. ISBN 978-1-3500-1151-9

Costantino, Maria (2015) The Contemporary Fitted Kitchen: Object, Space, and Sign. Scroope (24). pp. 157-175. ISSN 0966.1026

Chesher, Andrew (2024) A Denounced Tautology: On Une Seconde d’éternité (D’après une idée de Charles Baudelaire) (1970). In: Marcel Broodthaers and Film: A Second of Eternity. Leuven University Press, Netherlands, pp. 125-145. ISBN 9789461666208 (In Press)

Chesher, Andrew (2020) Desublimating the Gestalt: Towards an Archaeology of Robert Morris's Anti Form. In: Sublimation/Sublimierung: Redefining Materiality in Art after Modernism / Neubestimmungen von Materialität in der Kunst nach dem Modernismus. Felix Meiner Verlag, Hamburg, pp. 331-360. ISBN 978-3-7873-3952-5

Chesher, Andrew (2024) ‘Written Honour’: Wagner, Beuys and Stendhal in Marcel Broodthaers’s Magie: art et politique. In: Cases of Citation: On Literature in Art. Manchester University Press, Manchester, pp. 134-151. ISBN 9781526173188 (In Press)

Butchart, Amber (2015) Flamboyant masculinity in coastal cultures: The Lowestoft fisherlads of the 1960s. In: Fashion, the 84th Anglo-American Conference of Historians, 2-3 July 2015, Institute of Historical Research, University of London/Victoria and Albert Museum, London.

Baines, Jess (2015) Not a Cupcake Class in Sight. [Show/Exhibition]

Baines, Jess (2014) Radical Print Revolution? Objects Under Capitalism. STRIKE! (8). pp. 20-21. ISSN 2051-6606