Minkin, Louisa (2016) starsealwoman tries to communicate with two piece reclining figure no. 3. [Art/Design Item]
Westwood, Martin (2017) Technology, time, transposition. Journal of Visual Art Practice, 15 (2 & 3). pp. 214-226. ISSN 1470-2029 (Print), 1758-9185 (Online)
Vormittag, Luise and Black, Stephanie (2023) Introduction. Colouring In: The Past, 3. ISSN 2752-9533
Minkin, Louisa and Reilly, Paul and Dawson, Ian and Meirion Jones, Andrew (2022) Temporal Frankensteins and Legacy Images. Digital, 2 (2). pp. 244-266. ISSN 2673-6470
Minkin, Louisa and Dawson, Ian and Reilly, Paul and Meirion Jones, Andrew and Back Danielsson, Ing-Marie (2022) Diffracting Digital Images in the Making. Visual Resources. ISSN 0197-3762
Minkin, Louisa and Dawson, Ian and Beale, Nicole and Beale, Gareth (2013) Making Digital: Visual Approaches to the Digital Humanities. Journal of Digital Humanities, 2 (3). ISSN 2165-6673
Minkin, Louisa and Dawson, Ian (2014) Object lessons: copying and reconstruction as a teaching strategy. Art, Design & Communication in Higher Education, 13 (1). pp. 197-29. ISSN 1474-273X
Minkin, Louisa (2017) Out of Our Skins. Journal of Visual Art Practice, 15 (2-3). pp. 116-126. ISSN 1470-2029
Minkin, Louisa (2017) Raised Eyebrows. Cambridge Archaeological Journal. ISSN 0959-7743
Meirion Jones, Andrew and Cochrane, Andrew and Carter, Chris and Dawson, Ian and Díaz-Guardamino, Marta and Kotula, Eleni and Minkin, Louisa (2015) Digital Imaging and Prehistoric Imagery: a new analysis of the Folkton Drums. Antiquity, 89 (347). pp. 1083-1095.
Goh, Annie (2017) Sounding Situated Knowledges - Echo in Archaeoacoustics. Parallax, 23 (3). pp. 283-304. ISSN 1353-4645
Dakers, Caroline (2018) Fonthill Recovered A Cultural History. UCLPress, London. ISBN 978-1-78735-046-5
Bryniarska, Joey and Westwood, Martin (2020) DD u MM YYYY. VAN EYCK, Maastricht, Netherlands. ISBN 978-90-830159-1-0
Westwood, Martin and Bryniarska, Joey (2018) Considering the Network of Heritage and Historical Value in Archaeology and Art. In: The Materiality of the Invisible. Pro Materia/Culture Lab Editions, Brussels, Belgium, pp. 40-45.
Minkin, Louisa and Dawson, Ian (2017) Grave Goods / Objetos funerarios. In: Más allá del texto. Cultura digital y nuevas epistemologías. Editorial Itaca, Universidad de las Américas Puebla Ex hacienda Santa Catarina Mártir, 72810 San Andrés Cholula, Puebla, México, pp. 205-221. ISBN 978-607-97448-6-1
Minkin, Louisa (2020) Parts and Holes. In: Images in the Making: Art, Process, Archaeology. Manchester University Press, Manchester.
Minkin, Louisa (2019) Terminal Hut. In: Making a Mark: Image and Process in Neolithic Britain and Ireland. Oxbow Books, Oxford, UK. ISBN 978-1789251883
Leister, Wiebke, Max-Planck-Institut für Kunstgeschichte, Deutsches Archäologisches Institut Rom, Bibliotheca Hertziana (2021) Duchenne’s Frontispiece: Idealised Facticity and the Politics of Photographic Double Portraiture. In: Faktizität und Gebrauch früher Fotografie – Factuality and Utilization of Early Photography. Harrassowitz Verlag, Wiesbaden, pp. 225-241. ISBN 978-3-447-11637-4
Goh, Annie and Rizvi, Uzma Z. (2022) Science Fiction, Speculative Feminism, and the Violence of Colonialism: Listening to an Extremely Grainy Photograph. In: Coming to Know. Archive Books, Truccazano, Milan, Italy, pp. 54-65. ISBN 978-3-948212-58-2
Dunn, Stuart and Taylor, j Milo and Woolford, Kirk and Barker, Leon and Norman, Sally Jane and White, Martin and Hedges, Mark and Bailey, Helen and Fulford, Michael and Clarke, Amanda (2011) Motion in Place: a Case Study of Archaeological Reconstruction Using Motion Capture. In: Revive the Past. Computer Applications and Quantitative Methods in Archaeology (CAA). Proceedings of the 39th International Conference. Pallas Publications, Beijing, pp. 98-106.
Westwood, Martin (2018) Gilbert Simondon's Ecumenicism and the Transdisciplinary Shadow. In: Itching Powder or "How Much Harmony?", 2-4 May 2018, Jan Van Eyck Academie.
Minkin, Louisa and Reilly, Paul and Dawson, Ian (2023) Multiple Viewpoints and Other Digital Collaborators. In: CAAUK 2023, 24 November 2023, Edinburgh, Scotland.
Minkin, Louisa and Dawson, Ian and Meirion Jones, Andrew and Shouting, Melissa and Heavy Head, Danielle and Clark, Christine and Brown, Alison K. and Allison, Thomas (2022) Objects as Curricula: rethinking the capacities and affects of Blackfoot material artefacts. In: Affective Archaeology, Theory and Practice Session, Nordic TAG, 21-23 April 2022, University of Oslo, Norway.
Minkin, Louisa and Dawson, Ian and Allison, Thomas and Clark, Christine and Shouting, Melissa and Mills, Josephine and Heavy Head, Danielle and Reilly, Paul (2021) Concepts That Bite Through Time: Blackfoot Objects as Curriculum. In: Indigenous Mobilities: Travellers through the Heart(s) of Empire, 15-18 June 2021, Online.
Minkin, Louisa and Dawson, Ian (2013) Art & Archeology: Figure and Ground. In: Theoretical Archaeology Group Annual Conference 2013, 16-18 December 2013, Bournemouth University.
Minkin, Louisa and Dawson, Ian (2014) Grave Goods. In: Archaeologies of Media and Film, September 3, 2014 – September 5, 2014, University of Bradford and National Media Museum.
Minkin, Louisa and Dawson, Ian (2014) Spectres and Fossils. In: Beyond the text form: digital culture and new epistemologies, 25 - 26 September 2014, Universidad de las Americas, Puebla, Mexico.
Minkin, Louisa (2019) Concepts Have Teeth. In: Archaeology Digital Research Seminar, Nov 6 2019, Boyd Orr Lecture Theatre, University of Glasgow.
Minkin, Louisa (2023) Concepts Have Teeth, And Teeth That Bite Through Time: digital imaging and Blackfoot material culture in UK museums. In: Department of Archaeology and Classical Studies Seminar, 3 May 2023, Department of Archaeology and Classical Studies, Stockholm University, Sweden.
Minkin, Louisa (2016) Druids in the Crash Zone: a campfire story of time zones and frame rates. In: Theoretical Archaeology Group Annual Conference 2016, 19-21 December 2016, University of Southampton.
Minkin, Louisa (2017) Freeze updates to world: pause everything. In: Pictures Not Homes: Symposium, 26 January 2017, Winchester School of Art, University of Southampton.
Minkin, Louisa (2021) Isttoán – Knife. In: Diffracting Digital Images, 26 March 2021, Online.
Minkin, Louisa (2016) Out of Our Skins. In: Arts Club Charitable Trust/Abbey Rome Lecture, 8 April 2016, British School at Rome, Via Gramsci 61, 00197 Roma.
Meirion Jones, Andrew and Minkin, Louisa (2024) Objects as Curricula - learning with museum artefacts through art/archaeology practice. In: RAI 2024: Anthropology & Education, 25-28 June 2024, Senate House, UCL.
Goh, Annie (2019) Sonic Knowledge Production in Archaeoacoustics – Theorising an ‘Aural Gnoseology’. In: Archaeologies of Media and Technology (AMT), 10 May 2019, Winchester School of Art, Southampton University, UK.
Goh, Annie (2024) Echoes of Elsewhere. In: AuralPluralities: Distortion and Resonance, 28 June 2024, Conway Hall, London.
Goh, Annie (2024) Echoes of elsewhere? From Archaeoacoustics to Sonic Cyberfeminisms. In: Whiteness and Sound Studies, 9 April - 8 May 2024, Online.
Minkin, Louisa and Wright, Elizabeth A (2017) Annihilation Event ☄. [Show/Exhibition]
Minkin, Louisa and Wright, Elizabeth A (2017) Annihilation Event // Prototype. [Show/Exhibition]
Melvin, Jo and Bonifati, Vittoria (2018) ARCHEOLOGI Archeology of the mind: the metadata of Villa Lontana. [Show/Exhibition]
Melvin, Jo and Bonifati, Vittoria (2019) Machismo. [Show/Exhibition]
Melvin, Jo and Bonifati, Vittoria (2018) Sculptureless Sculpture. [Show/Exhibition]
Louisa, Minkin and Ian, Dawson (2017) Pictures Not Homes. [Show/Exhibition]
Leister, Wiebke (2018) Echoes and Object Alliances. [Show/Exhibition]
Goh, Annie (2020) Sonic Knowledge Production in Archaeoacoustics: Echoes of elsewhere? PhD thesis, Goldsmiths University of London.
Carpenter, J.R. (2015) Writing Coastlines: Locating Narrative Resonance in Transatlantic Communications Networks. PhD thesis, University of the Arts London and Falmouth University.
Benalcazar Vega, Diego Eduardo (2024) Ancestral sound. Archive and study of pre-hispanic Ecuadorian sound objects. PhD thesis, Universidad de Oviedo.
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