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UAL Research Online

Items where Subject is "Historical and Philosophical studies not elsewhere classified"

Group by: Date | Creators | Type of Research | No Grouping
Jump to: A | D | F | H | S | W
Number of items at this level: 19.

A

Armstrong, Esther (2016) Blue Ball Tyranny. In: Handbook of the Unknowable. TEKS, Trondheim. ISBN 978-82-998211-5-5

Albano, Caterina (2014) Exhibition. In: Encyclopedia of Aesthetics. Oxford University Press, Oxford and New York, pp. 533-538. ISBN 978-0-19974710-8; 978-0-19-937031-3

Albano, Caterina (2016) Memory, Forgetting and the Moving Image. Memory Studies . Palgrave MacMillan, Basington, UK. ISBN 978-1-137-36587-3

D

Dakers, Caroline (2012) James Morrison 1789-1857 a model millionaire? In: Hard Cash: money, property, economics and the marketplace in Victorian Popular Culture, 11-12 July 2012, Institute for English Studies, University of London (Victorian Popular Fiction Association).

F

Francis, Mary Anne (2008) Editorial. Journal of Visual Art Practice, 7 (3). pp. 199-204. ISSN 1470-2029

H

Hernández Velázquez, Yaiza María (2019) The Art World as Cosmos. In: Institutions, Borders and Politics in the Contemporary Art World, 9 May 2019, Edinburgh College of Art.

Hernández Velázquez, Yaiza María (2019) Cortocircuitos del museo y la autonomía. In: ¡Autonomía! ¡Autonomización! TEA, Tenerife Espacio de las Artes, Santa Cruz de Tenerife, pp. 126-142. ISBN 978-84-947065-9-2

Hernández Velázquez, Yaiza María (2019) Imagining Curatorial Practice After 1972. In: Curating After the Global. Roadmaps for the present. The MIT Press, Massachusetts, pp. 252-271. ISBN 9780262537902

Hernández Velázquez, Yaiza María (2017) Museos y Democracia. In: Museos y Democracia, 27 February 2017, Monumento al campesino.

S

Steeds, Lucy (2015) 當代藝術、策展實踐與多元文化脈絡下的多重展覽史 (‘Contemporary Art, Curating and Exhibition Histories’). Art Critique of Taiwan | ACT 藝術觀點 (64). ISSN 1561-1493

Steeds, Lucy (2017) Exhibitability and Cult Value. Aroop, 2 (1).

Steeds, Lucy (2013) Making Art Global (Part 2): 'Magiciens de la Terre' 1989. Exhibition Histories, 4 . Afterall, London. ISBN 9781846381188; 9783863352585

W

Walsh, Maria (2019) Amodal Perception and “la jouissance du voir”: News From Home The Redux Version. Moving Image Review & Art Journal, 8 (1 & 2). pp. 28-38. ISSN 20456298

Walsh, Maria (2014) Dissonant Continuity in Omer Fast’s '5000 feet is the best'. In: Film-Philosophy International Conference: Thinking Reality and Time Through Film, 6-10 May 2014, Lisbon University.

Walsh, Maria (2013) I Object. Art Monthly (371). pp. 9-12. ISSN 0142-6702

Walsh, Maria (2013) Image narration in a digital era: between the cut-up and the sequence. In: Misdirect Movies. Cornerhouse, Manchester, pp. 12-15. ISBN 9780956957153

Walsh, Maria (2013) Oscillations Between Disciplinary and Productive Subjectivity in James Coupe’s Auto-Generative Online Film Project Today, too, I experienced something I hope to understand in a few days (2010). In: On the Verge of Photography: Imaging Beyond Representation. Article Press, Birmingham, pp. 171-190. ISBN 9781873352021

Walsh, Maria (2020) Therapeutic Aesthetics: Performative Encounters in Moving Image Artworks. Radical Aesthetics . Bloomsbury, London and New York. ISBN 978-1-350-09315-7

Walsh, Maria (2013) Tracing a Maternalised Optics. In: Rebecca Fortnum: Self-Contained. RGAP (Research Group for Artists), Sheffield, pp. 69-76. ISBN 9780956902467

This list was generated on Wed Nov 6 22:48:59 2024 GMT.