Items where Subject is "Musicianship/Performance studies"

A

Algar, Lucy (2016) The Seasons. [Performance]

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Birch, Anna (2004) Staging and Citing Gendered Meanings: A practice-based study of representational strategies in live and mediated performance. PhD thesis, University of the Arts London.

Bestley, Russ (2011) From 'London’s Burning' to 'Sten Guns in Sunderland'. Punk & Post Punk, 1 (1). pp. 41-71. ISSN 20441983

Ball, Steven (2011) Conditions of music: contemporary audio-visual spatial performance. In: Expanded Cinema: Art, Performance and Film. Tate Publishing, London, pp. 267-275. ISBN 9781854379740

Ball, Steven (2011) Expanded cinema: art, performance and film. Tate Publications, London. ISBN 9781854379740

C

Conran, Maia and Hill, Yannick and Taylor, Rachel Emily (2016) This Island, and its buildings, is our private paradise (web version). [Show/Exhibition]

Collins, Jane and Anandhakrishnan, B. (2018) Against a hierarchy of expressive means; arguments for new pedagogies in performer education in India and the UK. Studies in Theatre and Performance. ISSN 2040-0616 online Print 14682761

Cole, Sarah, Mark Storor, Julian Walker, Jules Maxwell, Rachel Anderson, Helen Lowe, Siobhan O'Neill (2008) NEST. [Show/Exhibition]

Cole, Sarah (2014) Slight Discrepancy. [Performance]

Cobbing, William and Cooper, Rosie (2015) 'Boooook Laaaaaaunch' evening of performances at the ICA Theatre, London. [Performance]

Cobbing, William (2015) 'What Are Words Worth?'. [Performance]

Clarke, Ciaran (2022) Reviver Voce: The Voice, Technology, and Death. PhD thesis, Falmouth University.

Chicau, Joana (2021) Expositions. In: Live Coding: A User's Manual. MIT Press, pp. 62-63. ISBN 9780262372633

Cardwell, Thomas (2023) Re-forming the Chasuble: Links Between Heavy Metal Clothing and Priestly Garments. In: Metal and Transgression: Scenes, Politics, and Religion, 6-7 September 2023, Masaryk University, Brno, Czechia.

D

Doruff, Sher (2006) The Translocal Event and the Polyrhythmic Diagram. PhD thesis, University of the Arts London.

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Fortin, Berthe (2022) Phenomenological costume-making: an embodied approach to movement and materiality in the making of performance wearables. PhD thesis, University of the Arts London.

Finney, Rachael (2019) Braided Sound #018: London. [Performance]

Finney, Rachael (2018) Can I Just Say Something. [Performance]

Finney, Rachael (2017) In My Hands and At My Feet (2017). [Performance]

G

Gray, Louise (2024) Beyond the Audible: Éliane Radigue’s OCCAM works and Inter/Listening. Contemporary Music Review. pp. 1-16. ISSN 0749-4467

Gardner, Thomas (2005) Lipsync. [Art/Design Item]

Gardner, Thomas (2011) The rehabilitation of schizophonia:  social interaction, sound and media in the Automatic Writing Circle. In: The Embodiment of Authority: Perspectives on Performances, 10–12 September 2010, Department of Doctoral Studies in Musical Performance and Research, Sibelius Academy, Helsinki, Finland.. (Unpublished)

H

Hitchcock, Fenella (2018) Drag Performance, Community and Resistance. In: Queer Media, Culture and Heritage Seminar Series, 1 August 2018, University of Newcastle.

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Kirke, Alexis and Miranda, Eduardo and Chiaramonte, Antonino and Troisi, Anna and Matthias, John and Fryer, Nic (2013) Cloud Chamber: A Performance with Real-Time Two-Way Interaction between Subatomic Particles and Violinist. In: XXVI International Symposium on Lepton Photon Interactions at High Energies, 24-29 June 2013, SLAC National Accelerator Laboratory.

Kirke, Alexis and Miranda, Eduardo and Chiaramonte, Antonino and Troisi, Anna and Matthias, John (2013) Cloud Chamber: A Performance with Real Time Two-Way Interaction between Subatomic Particles and Violinist. Leonardo, 46 (1). pp. 84-85. ISSN 0024-094X

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Leister, Wiebke and Anderson, Joel (2019) The Theatre of Photography / Le Théâtre de la Photographie. Revue Sens Public. ISSN 2104-3272

Leister, Wiebke (2019) Echoes and Callings (film). [Art/Design Item]

Leister, Wiebke (2017) Gesture, Trace and Performance. [Show/Exhibition]

Leister, Wiebke (2008) Performing Laughter: Duchenne's Smile in the Light of Photographic Practice. About Performance, 8. pp. 209-228. ISSN 1324-6089

Layzell, Richard (2003) Eleanor's Falcon. [Performance]

Lane, Kate and Ceschi, Valentina and Jaruševiciute, Guoda (2014) Utopia. [Performance]

Lane, Kate and Ceschi, Valentina (2019) Echos of Greenham. [Art/Design Item]

Lane, Kate and Ceschi, Valentina (2021) Greenham: Costume, memory and activism in outdoor performance. Studies in Costume & Performance, 6 (2). pp. 233-252. ISSN 2052-4021

Lane, Kate and Ceschi, Valentina (2022) Greenham: Memory, Costume and Activism in site-responsive performance. In: Nordic Forum for Dance Research, 5-8 July 2022, The Danish National School for the Performing Arts.

Lane, Kate (2017) Axiom. [Performance]

Lane, Kate (2017) Brave New Worlds in Taipei. Blue Pages, 2 (17). ISSN 2515-9879

Lane, Kate (2022) Connecting Memories. [Art/Design Item]

Lane, Kate (2016) Trinity in Vilnius. Blue Pages, 4 (16). pp. 12-13. ISSN 2515-9879

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Noce, Kim, Mewlab (2015) Hunters Downstream. [Show/Exhibition]

Newman, Hayley (2005) MiniFlux. [Art/Design Item]

Namazi, Mohammad (2023) Process As Work. In: Transacting as Art, Design and Architecture: A Non-Commercial Market. Intellect Books, pp. 135-136. ISBN 978-1-78938-443-7

Naldi, Pat, Wendy Kirkup (2022) The Horror Show! A Twisted Tale of Modern Britain. [Show/Exhibition]

O

Orr, Susan and Richmond, David and Dory Richmond, Jules (2010) Reflect on This! Journal of Writing in Creative Practice, 3 (3). pp. 197-210. ISSN 17535190

Orr, Susan (2010) Collaborating or fighting for the marks? Students' experiences of group work assessment in the creative arts. Assessment and Evaluation in Higher Education, 35 (3). pp. 301-313. ISSN 0260-2938

Oki, Michiko (2024) What the Hell? Performing the extraordinary: Pandemonium, parade and vengeance. In: PSi #29 - Assemble!, 20-23 June 2024, Senate House, London.

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Pilgrim, Geraldine (2005) Deep End. [Performance]

Pilgrim, Geraldine (2003) Spa: Site-Specific Performance. [Performance]

Pastor, Eugénie (2022) Caring with, Voice and Under-Represented Expressions of Love in and through The Undefinable by She Goat: An Artist-Researcher's Perspective. In: Love and the Politics of Care: Methods, Pedagogies, Institutions. Bloomsbury Academic, pp. 107-126. ISBN 9781501387647

Parry, Owen G. (2021) After Trash: When Underground Sex Cults become Surveillance Theatres, where do we go? In: Agitation, super-saturation and trash: Adam Alston and Owen Parry, 23 March 2021, Online, The Performance Research Forum at Goldsmiths and Staging Decadence.

Parry, Owen G. (2018) 진짜 Ah...Jinjja! In: 예술가들의 놀이터 / Artists' Playground: International Performing Arts Residency. Tutbat Arts Farm / Performance Group Tuida, Hwacheon, South Korea, pp. 118-123.

Parry, Owen G. (2019) A Performance Hangout. In: ECHIC Conference 2019: Humanities and the Arts, Creative Industries and Cultural Democracy, 4-5 April 2019, The Byzantine Museum, Athens, Greece.

Parry, Owen G. (2018) Yoko Ono Fanfiction. In: The Creative Critic: Writing As/About Practice. Routledge, London and New York, pp. 95-102. ISBN 978113867482

Parry, Owen G., Medeber Teatro (2017) fic.the.sky. [Performance]

Parry, Nye (2012) Kontexte für eine Reise durch Zeit und Raum Zum künstlerischen Schaffen von Peter Vogel (Peter Vogel: Contexts for a journey in space and time). Neue Zeitschrift für Musik, 2012 (3).

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Revell, Irene (2022) Live Materials: Womens Work, Pauline Oliveros & the feminist performance score. PhD thesis, University of the Arts London.

Raskob, Evan S. (2022) Working Performatively with Interactive 3D Printing: An artistic practice utilising interactive programming for computational manufacturing and livecoding. PhD thesis, Goldsmiths, University of London.

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Serbanescu, Diana and de Lahunta, Scott and Krawczyk, Ilona and Ryan, Kate and Satomi, Mika (2024) Embodied Voice and AI: a Techno-Social System in Miniature. In: Artificial Intelligence - Intelligent Art? Human-Machine Interaction and Creative Practice. transcript Verlag, Bielefeld, pp. 79-96. ISBN 978-3-8394-6922-4

Serbanescu, Diana (2021) Dancing at the Edge of the World. [Performance]

Serbanescu, Diana (2022) Final Report: The Shape of Things to Come – Rehearsing Future Societies with AI and Performing Arts. Project Report. Diana Alina Serbanescu. (Unpublished)

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Toop, David (2016) Into the Maelstrom: Music, Improvisation and the Dream of Freedom, Volume 1. Bloomsbury Academic, New York, London, New Delhi, Sydney. ISBN 9781628927696

Toop, David (2009) Sound Traces : The LMC Archive. [Show/Exhibition]

Tlalim, Tom (2019) Phantom Resonances: A Site Specific installation exploring Tinnitus. [Show/Exhibition]

Tlalim, Tom and Zaides, Arkadi (2014) Archive. [Performance]

Thomas, Helen and Tarr, Jen (2009) Dancers' Perceptions of Pain and Injury: Positive and Negative Effects. Journal of Dance Medicine & Science, 13 (2). pp. 51-59. ISSN 1089-313X

Thomas, Helen (2013) The Body and Everyday Life. The New Sociology . Routledge, London. ISBN 9780415331111, 9780415331128

Taylor, j Milo (2006) Non-Ferrous Prostitution. In: ev+a 2006. Gandon Editions, Limerick, Ireland, p. 227. ISBN 0946846928

Tarr, Jen and Thomas, Helen (2020) Good Pain, Bad Pain: Dancers, Injury, and Listening to the Body. Dance Research, 39 (1). pp. 53-71. ISSN 1750-0095

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Voss, Georgina (2023) Blue! Probably? [Art/Design Item]

Voegelin, Salomé and Gardner, Thomas (2016) Colloquium: Sound Art - Music. Zero Books, John Hunt Publisher, UK and US. ISBN 978-1-78279-895-8