Mirodan, Vladimir (1997) The Way of Transformation (The Laban-Malmgren System of Dramatic Character Analysis). PhD thesis, Royal Holloway, University of London.
Kear, Adrian (1999) Cooking Time with Gertrude Stein. Performance Research: A Journal of the Performing Arts, 4 (1). pp. 44-55. ISSN 13528165/14699990
Kear, Adrian and Kelleher, Joe (2000) The Wolf-Man. Performance Research: A Journal of the Performing Arts, 5 (2). pp. 82-91. ISSN 13528165/14699990
Anderson, Sal, Raw Productions Ltd (2011) What's the time Mr Wolf? [Art/Design Item]
Hosea, Birgitta (2012) Substitutive bodies and constructed actors: a practice-based investigation of animation as performance. PhD thesis, University of the Arts London.
Minkin, Louisa (2013) Yes to Life. [Art/Design Item]
Hewett, Richard (2013) Acting in the New World: Studio and Location Realism in Survivors. The Journal of British Cinema and Television, 10 (2). pp. 321-339. ISSN 1755-1714
Hewett, Richard (2013) Who is Matt Smith?: Performing the Doctor. In: Doctor Who: The Eleventh Hour: A Critical Celebration of the Matt Smith and Steven Moffat Era. I.B Tauris, London, pp. 13-30. ISBN 9781780760186
Allen, Richard (2013) The Object Animates: Displacement and Humility in the Theatre of Philippe Quesne. Performance Research, 18 (3). pp. 119-125. ISSN 1469-9990
Spencer, Michael (2014) the other hamlet. [Performance]
Hewett, Richard (2014) Spaces of Preparation: The ‘Acton Hilton’ and Changing Patterns of Television Drama Rehearsal. The Historical Journal of Film, Radio and Television, 34 (3). pp. 331-344. ISSN 0143-9685
Gitton, Esteban and Shade, Aza (2014) Tek. [Art/Design Item]
Britten, Bill (2014) From Stage to Screen: a theatre actor's guide to working on camera. Bloomsbury Methuen, Bloomsbury Methuen. ISBN 978-1 4081-8546-9
Mirodan, Vladimir (2015) Acting the metaphor: the Laban–Malmgren system of movement psychology and character analysis. Theatre, Dance and Performance Training, 6 (1). pp. 30-45. ISSN 1944-3927 (Print), 1944-3919 (Online)
Hewett, Richard (2015) The changing determinants of UK television acting. Critical Studies in Television, 10 (1). pp. 73-90. ISSN 1749-6039
Creamer, Anne-Marie (2015) The Dilemmas of Adaptation: Making Treatment for Six Characters. Pirandello Studies, 35. pp. 106-115. ISSN 1471-9363
Collins, Jane (2015) Introduction to Aesthetics of Absence, Texts on Theatre by Heiner Goebbels. In: Aesthetics of Absence: Texts on Theatre. Routledge, Abingdon, Oxon and New York. ISBN 9780415831048
Collins, Jane (2015) Report from the Edinburgh International Festival August 2015. Theatre and Performance Design, 1 (3). pp. 256-267. ISSN 2332-2551
McGowan, David (2016) Nicolas Cage – good or bad? Stardom, performance, and memes in the age of the Internet. Celebrity Studies, 8 (2). pp. 209-227. ISSN 1939-2400
Askew, Benjamin (2016) Motion in Poetry: A Psychophysical, Action-Based Approach to the Composition and Analysis of Metrical Dramatic Verse. PhD thesis, University of the Arts London.
Jackson, David M (2017) Stanislavski, emotion and the future of the UK conservatoire. Stanislavski Studies, 5 (1). pp. 75-83. ISSN 2056-7790
Hewett, Richard (2017) The Changing Spaces of Television Acting: From Studio Realism to Location Realism in BBC Television Drama. Manchester University Press, Manchester. ISBN 978-1-7849-9298-9
Askew, Benjamin (2017) The action to the verse: Shakespeare, Stanislavski, and the motion in poetry metaphor. Stanislavski Studies, 5 (2). pp. 141-157. ISSN 2056-7790
Rowe, Lois (2018) The Haptic Collective - Acts Reacts, VaporTate. [Performance]
Jackson, David M (2018) The Samovar and the Steam Train: An Interview with Albert Filozov. Theatre Dance and Performance Training, 9 (1). pp. 99-113. ISSN 1944-3919
Hewett, Richard (2018) Performing Sherlock: A Study in Studio and Location Realism. In: Exploring Television Acting. Methuen Drama . Bloomsbury, London, pp. 15-28. ISBN 9781474248587
Zimmerman, Andrea Luka (2019) Hear for Life.
Kuc, Kamila and Adema, Janneke (2019) Unruly Gestures. [Art/Design Item]
Hewett, Richard (2020) Pinter as Performer. The Historical Journal of Film, Radio and Television, 40 (3). pp. 499-515. ISSN 0143-9685
Uddoh, Rosa-Johan (2021) Practice Makes Perfect. [Show/Exhibition]
Thornton, Vicki and Yurov, Pavlo (2021) Antratsyt: Perseverance Day. [Performance]
Komporaly, Jozefina (2021) Decomposed Theatre. [Performance]
Hewett, Richard (2021) Belittling Ern: the changing performance dynamic of Morecambe and Wise. Comedy Studies, 12 (2). pp. 203-214. ISSN 2040-610X
October, Dene (2022) David Bowie Is … Actor, Star and Character: Entangled Agencies in The Man Who Fell to Earth. In: I’m Not a Film Star: David Bowie as Actor. Bloomsbury Academic, pp. 53-71. ISBN 9781501368684
Kear, Adrian (2022) In Memoriam: Professor Mike Pearson. Theatre and Performance Design, 8 (1-2). pp. 142-148. ISSN 2332-2551
Hewett, Richard (2022) Kevin McNally: Recreating classic sitcom performances. The Journal of British Cinema and Television, 19 (1). pp. 87-105. ISSN 1755-1714
Alston, Adam and Parry, Owen G. (2022) Staging Decadence documentary. [Art/Design Item]
Riddler, Dominik and Pennington, Lou and Capps, Alex and Christian, Toby (2023) Stressing Commuters. [Performance]
Allen, Richard (2023) Kerala International Festival of Theatre Schools (IFTS) 2023. Theatre and Performance Design, 9 (1). pp. 112-119. ISSN 2332-2551
Poster-Su, Tobi (2024) The Lonesome Death of Eng Bunker. [Performance]
Kear, Adrian (2024) Acting Politically: Making performance in the eye of history. In: Theatre, activism, subjectivity: Searching for the Left in a fragmented world. Manchester University Press, Manchester. ISBN 978-1-5261-7856-5
Jones, Kamaira Robinson (2024) Fashioning the Hip-Hop Dancing Body: An Actor-Network Theory Approach to “Fresh” Performance Practice. PhD thesis, University of the Arts London.
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