Layzell, Richard (2016) It's Time for Da. [Art/Design Item]
Troisi, Anna (2018) OB-scene, a Live Audio/Visual Performance for Photoplethysmograph and Female Body. Organised Sound, 23 (3). pp. 270-276. ISSN 1469-8153
Swami, Viren and Pickering, Mark and Barron, David and Patel, Shreepali (2018) The Impact of Exposure to Films of Natural and Built Environments on State Body Appreciation. Body Image, 26. pp. 70-73. ISSN 1873-6807
Stephens, Tim (2021) A meditative enquiry into presence: Unmaking the autoethnographic self. Journal of Writing in Creative Practice, 14 (2). pp. 161-178. ISSN 1753 5190
Rubinstein, Daniel (2009) Digitally Yours; The Body in Contemporary Photography. The Issues in Contemporary Culture and Aesthetics, 2&3. pp. 181-195. ISSN 0955003725
Peng, Friendred (Youhong) (2024) Transforming spectator into collaborator during a digitalised dance performance. Multimodality & Society, 4 (1). pp. 108-116. ISSN 2634-9809
October, Dene (2013) The Day my Doctor Died: a Child’s Experience of the First 'Regeneration'. fbi-spy.com.
Behr, Bernd (2016) Akeley inside the elephant: Trajectory of a taxidermic image. Philosophy of Photography, 7 (1-2). pp. 43-61. ISSN 2040-3682
Behr, Bernd (2016) Photographic indexicality: Once more, with feeling. Philosophy of Photography, 7 (1-2). pp. 3-10. ISSN 2040-3690
Tulloch, Carol (2004) Black Style. V&A Publications, London. ISBN 1851774246
Thomas, Helen (2003) The Body, Dance and Cultural Theory. Palgrave Macmillan. ISBN 9780333724323
Marenko, Betti (2018) Tattooing 2.0. In: Body of Reverbs. New Rituals for Contemporary Bodies. Galleria Varsi, Roma, pp. 21-25.
Behr, Bernd (2016) Phantom Limbs. In: Sprachen des Sammelns: Literatur als Medium und Reflexionsform des Sammelns. Wilhelm Fink Verlag, Paderborn, pp. 124-129. ISBN 978-3-7705-6097-4
Palestra, Camilla, The Weathering Collective (2022) A Field Guide for Weathering in the Amazon. In: A Field Guide for Weathering in the Amazon, 7 September 2022, LabVerde, Amazon Rainforest, Manaus, Brazil.
Noce, Kim (2016) Image and word: a talk about the making of "Love in Idleness". In: Still Shakespeare, 20 October 2016, Nash Lecture Theatre King's Building, Strand Campus King's College London London WC2R 2LS.
Cole, Sarah (2015) Reflecting In Kind. In: Public Wisdom Symposium 2015: Ageing, Creativity and the Public Realm, 26th March 2015, Conway Hall, 25 Red Lion Square, London, WC1R 4RL.
Broadhead, Caroline (2011) Jewellery and memory. In: Jewellery and Memory, 6th May 2011, Kolding School of Design. (Unpublished)
Barnett, Heather (2015) Being Slime Mould: a participatory experiment exploring bodies of intelligence. In: Open Embodiments: Locating Somatechnics in Tucson, 15-18 April 2015, Tucson, Arizona.
Barnett, Heather (2016) The Physarum Experiments (and Being Slime Mould). In: Collective Motion 2016: Math, biology, physics and engineering come together, 8-10 June 2016, Uppsala University, Sweden.
Barker, Ned and Burd, Joana and Peng, Friendred (Youhong) and Janowicz, Magdalena (2023) Our Hybrid Bodies: A Sociological Experimental Film. In: The 11th International Conference on Multimodality (ICOM-11), 27-29 September 2023, London.
Rowe, Lois (2018) The Haptic Collective - Acts Reacts, VaporTate. [Performance]
Tulloch, Carol and Cole, Shaun (2001) Day of Record, Nails, Weaves and Naturals: Black British Hairstyle and Nail Art. [Show/Exhibition]
Broadhead, Caroline and Woodhouse, Angela (2011) Between. [Show/Exhibition]
Broadhead, Caroline and Woodhouse, Angela (2009) Sighted. [Show/Exhibition]
Broadhead, Caroline (2011) Under that cloud. [Show/Exhibition]
Barnett, Heather (2014) In Visible Substance. [Show/Exhibition]
Rees, Katherine (2022) Somatosensory wearable technology in the dance making process: investigating digital touch in the formation of creative movement and kinaesthetic awareness. PhD thesis, University of the Arts London.
Jones, Kamaira Robinson (2024) Fashioning the Hip-Hop Dancing Body: An Actor-Network Theory Approach to “Fresh” Performance Practice. PhD thesis, University of the Arts London.