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Voelcker, Becca (2021) Field Work: Ogawa Productions as Farmer-Filmmakers. Moving Image Review & Art Journal (MIRAJ), 10 (1/2). pp. 50-71. ISSN 2045-6298
Mey, Adeena (2019) Michelle Henning, Photography. The Unfettered Image, 2019. Transbordeur (3). pp. 208-209. ISSN 2552-9137
Lowe, Paul (2019) Framing the Perpetrators: Lee Miller's Photography of the Liberation of Dachau. Journal of Perpetrator Research, 2 (2). pp. 216-223. ISSN 2514-7897
Kutesko, Elizabeth (2016) Fashioning Brazil: National Identity and the Politics of Globalisation in Contemporary Brazilian Fashion Photography. Photoworks Annual, 23. pp. 220-231.
Evans, Caroline and Parikka, Jussi (2020) Introduction: Touch, Click, and Motion: Archaeologies of Fashion Film After Digital Culture. Journal of Visual Culture, 19 (3). pp. 1-17. ISSN 1470-4129
Cole, Shaun and Rousseau, Paul (2016) Or is it Bacon in drag?: How to find an unknown sitter's identity. Fashion, Style and Popular Culture, 3 (2). pp. 209-224. ISSN 2050-0726
Behr, Bernd (2016) Akeley inside the elephant: Trajectory of a taxidermic image. Philosophy of Photography, 7 (1-2). pp. 43-61. ISSN 2040-3682
Behr, Bernd (2016) Photographic indexicality: Once more, with feeling. Philosophy of Photography, 7 (1-2). pp. 3-10. ISSN 2040-3690
Al-Ani, Jananne and Muller, Nat (2014) Technologies of History. Jananne Al-Ani in conversation with Nat Muller. Ibraaz: Contemporary visual culture in North Africa and the Middle East..
Teverson, Andrew (2019) The Fairy Tale World. Routledge Worlds . Routledge, London and New York. ISBN 9781138217577
Rubinstein, Daniel (2022) How Photography Changed Philosophy. Routledge History of Photography . Routledge, UK. ISBN 9780367694227
Mey, Adeena and Bovier, François (2015) Cinema in the Expanded Field. Documents . JRP|Editions, Zurich. ISBN 978-3-03764-433-1
Mey, Adeena and Bovier, François (2015) Exhibiting the Moving Image. Documents . JRP|Editions, Zurich. ISBN 978-3-03764-388-4
Kuc, Kamila (2015) Boro, l'Île d'Amour: The Films of Walerian Borowczyk. Berghan Books, New York. ISBN 978-1782387015
Bovier, François and Taieb, Hamid and Ross, Christine and During, Elie and Portmann, Sylvain and Lewis, Mark (2016) im/possible films. Mētis Presses. ISBN 978-2-94-0406-51-7
Williams, Val (2016) Janet and Kathleen 1967-1969. In: Janet Mendelsohn Varna Road. Ikon Gallery, Birmingham, pp. 60-65. ISBN 978-19048644998
Voelcker, Becca (2021) Landscape Theory in Post-War Japanese Cinema: Fūkeiron in Adachi Masao’s A.K.A. Serial Killer. In: Penser l’espace avec le cinéma et la littérature. Film Cultures, 10 . Peter Lang, New York. ISBN 9781433176289
Steeds, Lucy (2019) Exposability: On the Taking-Place in Future of Art. In: Theater, Garden, Bestiary: A Materialist History of Exhibitions. The MIT Press, pp. 75-84. ISBN 9783956794551
Rubinstein, Daniel and Sluis, Katrina (2013) The Digital Image in Photographic Culture; Algorithmic Photography and the Crisis of Representation. In: The Photographic Image in Digital Culture. Routledge, London, UK, pp. 22-40. ISBN 9780415535298
Rubinstein, Daniel (2013) The Grin of Schrödinger's Cat; Quantum Photography and the limits of Representation. In: On the Verge of Photography: Imaging Beyond Representation. ARTicle Press, Birmingham, pp. 33-48. ISBN 9781873352021
Leister, Wiebke (2009) Apropos Laughter in Photography. In: Fotografie im Diskurs performativer Kulturen. Kehrer Verlag, Heidelberg, pp. 52-67. ISBN 978-3-939583-42-4
Church Gibson, Pamela (2006) Creating the Fashion City on Film 1953-1961. In: Fashion's World Cities. Cultures of Consumption . Berg Publishers. ISBN 9781845204136
Church Gibson, Pamela (2006) Myths of the Swinging City: the media in the 1960s. In: Swinging Sixties. V & A Publications, pp. 80-100. ISBN 9781851774845
Behr, Bernd (2016) Mining Images. In: What is Photographic Research? London: Camberwell Press, pp. 17-22. ISBN 978-1-908971-54-8
fitzPatrick, Edwina (2017) A Mediated Forest. In: Mediated Landscapes: The Use of Photography, Film, and Television in Land Art, 15-18 February 2017, New York.
Uhlirova, Marketa (2014) The Lure of the Archive. In: Fashioning the Archive, 25 June 2014, Royal College of Art.
Uhlirova, Marketa (2016) Theatre of Poses: Framing the Fashionable Body in the Early Studio Film. In: Posing the Body: Stillness, Movement, and Representation, 6 - 7 May 2016, The Courtauld Institute of Art, Somerset House, Strand, London WC2R 0RN / University of Westminster, Regent Street Cinema, 309 Regent Street, London W1B 2UW.
Minkin, Louisa and Dawson, Ian (2014) Grave Goods. In: Archaeologies of Media and Film, September 3, 2014 – September 5, 2014, University of Bradford and National Media Museum.
Mey, Adeena (2015) Institutional Critique and Experimental Cinema: Historiographical Revisions. In: SCMS 2015, 25-29 March 2015, Fairmont Queen Elizabeth, Montreal.
Mey, Adeena (2019) The Moving Image in the Museum in the Era of Late Capitalism: Thinking Film Exhibitions with and after Annette Michelson. In: Annette Michelson, une américaine à Paris Conférences et projections, 23-25 Oct 2019, Centre Pompidou, Paris.
Mey, Adeena (2020) Return to the Kinomuseum. In: Limit as Material, 11-12 December 2020, Online.
Melvin, Jo and Dobai, Sarah and McCarthy, Tom and Campany, David and Dobai, Sarah (2015) The Copyists. In: The Copyists, 20 March 2015, Institute of Contemporary Art London.
Kuc, Kamila (2022) What We Shared: Towards the Politics of Empowerment. In: Visible Evidence: Images of History, 5-11 August, Gdansk, Poland.
Behr, Bernd (2018) An Archaeology of Virtual Light. In: Exploring Design, Arup, 13 Fitzroy Street, London W1T 4BQ.
Behr, Bernd (2017) Auto-Vision. In: Collaborations between Arts & Sciences and their Role for Europe, 11-12 October 2017, L'Atelier Arts Sciences, Grenoble, France.
Behr, Bernd (2022) A Camera on Wheels: Situating the Self-driving Car within a Photographic Teleology. In: Camera-Centered Histories of Photography, 2 December 2022, California Museum of Photography, UCR Arts, University of California Riverside, USA & Online.
Behr, Bernd (2017) Digging Horizontally. In: NEARCHING Factory: New Scenarios for Archaeology, 30 January – 1 February 2017, Santiago de Compostela, Spain.
Behr, Bernd (2018) The Esper Syndrome. In: Neretva Recollections Lab, 17-18 September 2018, Faculty of Architecture and the Built Environment, TU Delft, Netherlands.
Behr, Bernd (2022) Esper Syndrome: Tracing Forensic Imaginaries and Spatial Pathologies in Blade Runner’s Photographic Apparatus. In: Blade Runner @40: Origins and Legacies, 6-7 June 2022, Bangor University, Wales & Online.
Behr, Bernd (2016) Mining Images. In: UAL Photography Research Symposium, 7 December 2016, Camberwell College of Art, University of the Arts London.
Behr, Bernd (2017) The Paranoiac-Critical Method of Reflectance Transformation Imaging. In: Annihilation Event, 22-29 March 2017, Lethaby Gallery, Central Saint Martins, University of the Arts London.
Behr, Bernd (2019) The Paranoiac-Critical Method of Reflectance Transformation Imaging. In: Transactions: Imaging/Art/Science, 26 April 2019, University of Westminster.
Behr, Bernd (2022) The Unknown Knowns of Machine Vision, or, How to Explain Pictures to a Self-driving Car. In: Aesthetics of Machine Vision, 15-16 September 2022, University of Southern Denmark, Odense, Denmark.
Al-Ani, Jananne (2010) The Aesthetics of Disappearance: A Land Without People. In: Sexuate Subjects: Politics, Poetics and Ethics, 3rd-5th of December 2010, UCL, London. (Unpublished)
Rae, Nicola and Rae, Douglas (2015) 'Re-Focus' at PERDUTO PADRE/LOST FATHER. [Show/Exhibition]
Naldi, Pat (2003) 'Search' in A Century of Artists' Film in Britain. [Show/Exhibition]