Items where Author is "Mey:Adeena::"

Mey, Adeena (2024) Method and Metaphor: Dinh Q. Lê’s Untitled (Soldiers at Rest) (2003). post. notes on art in a global context.

Mey, Adeena (2024) Sanja Ivekovic at the VideoArt Festival Locarno. Between Medium and Politics. In: Sanja Iveković. Make Up – Make Down. A Video retrospective. Oaza Books; Museum of Modern and Contemporary Art Rijeka, Zagreb, pp. 197-202. ISBN 978-953-8107-44-3 Item availability restricted.

Mey, Adeena (2024) 침묵시키지 않기: 임흥순의 캄보디아 [Not Silencing. Im Heung-soon’s Cambodia]. In: 임흥순 콤플렉스-IM Heung-soon Complex. Arts Council Korea: Artist Survey, Research, and Criticism . Downlight Artbooks, Seoul, pp. 149-158. ISBN 979-11-987973-4-6

Mey, Adeena (2024) Afterall at 25. In: Check-In 2024. Art & Market, Singapore, pp. 188-194. ISBN 978-981-94-0340-0

Mey, Adeena (2024) The Hollow Man: Adeena Mey on Hu Yun. In: Lecture, 15 June 2024, Rockbund Art Museum, Shanghai.

Mey, Adeena (2024) Studio Visit: Hyekyung Son – Sculptural Marxism. Delfina Foundation: Platform.

Adami, Elisa and Mey, Adeena (2024) Foreword. Afterall: A Journal of Art, Context and Enquiry, 57. pp. 3-5. ISSN 2156-4914

Mey, Adeena (2024) 'Qoede Lee'; 'Evelyn Taocheng Wang'. In: Foreigners everywhere = Stranieri ovunque : Biennale Arte 2024. La Biennale di Venezia, Venezia. ISBN 9788836657735

Mey, Adeena (2024) Divided Desire. Notes on Youngjoo Cho’s Full time-double, Writing my body, and Three breaths. In: Cho 0 Joo — 조 0 주. Artist Research-Study-Critique Support Project . Arts Council Korea, 한국문화예술위원회; Gyeongbokgung Collabo, Seoul, pp. 170-172. ISBN 979-11-981028-1-2 (95600)

Mey, Adeena (2023) Foreword. Afterall. A Journal of Art, Context and Enquiry (55–56). p. 5. ISSN 1465-4253

Adami, Elisa and Bikoko, Baudouin and Crichlow, Warren and Mey, Adeena (2023) Framing & Reframing Kinshasa: Baudouin Bikoko’s Expanded Photographic Practice. In: Photography Network Virtual Symposium: Photography’s Frameworks, 14 October 2023, Western Cape, South Africa, Online.

Mey, Adeena (2023) Exposer le film structurel? Annette Michelson: entre critique et pratique curatoriale. In: L'histoire d'une histoire du cinéma. Paris Expérimental – Éditions du Centre Pompidou, Paris, pp. 31-41. ISBN 978-2-912539-57-1

Mey, Adeena (2023) Curating’s Technological Unconscious: The History of Cybernetics and the Gaian Transformation of Curation. In: The Helsinki Biennial Art Mediation Forum 2023: An Anthology. HAM Helsinki Art Museum Publication (156). HAM Helsinki Art Museum, Helsinki, pp. 35-48. ISBN 978-952-5939-45-3

Mey, Adeena (2023) Mold and Milieu / 곰팡이와 환경. In: Park Jeehee–Drawing Elliptical Orbit. Arts Council Korea. ART & TECH, Seoul, pp. 122-126.

Mey, Adeena (2023) Media Pluralism. Kim Woong Yong's Post-Cinema. In: 2022 NANJI. seMA NANJI RESIDENCY . Seoul Museum of Art, Seoul, pp. 52-66. ISBN 979-11-88619-98-6

Mey, Adeena (2023) The Cybernetisation of the Exhibition. From Cybernetic Serendipity (1968) to lumbung (2022). In: System Shifts: Politics of Artistic Form in 'Post' - Imperial Britain, 25 January 2023, Whitworth Art Gallery Study Centre, Manchester.

Mey, Adeena (2022) Curating’s technological unconscious: the history of cybernetics and the Gaian transformation of curation. In: Helsinki Biennial 2023 Symposium, 9 December 2022, HAM Helsinki Art Museum.

Mey, Adeena (2022) The Slave Trade and Contemporary Art in the Museum. ‘Uncomfortable Truths’ at the V&A. Afterall

Mey, Adeena and Hui, Yuk (2022) The Exhibition as Medium: Some Observations on the Cybernetisation of the Institution and the Exhibition. Afterall. A Journal of Art, Context and Enquiry (53). pp. 74-91. ISSN 1465-4253

Mey, Adeena and Adami, Elisa and Haloba, Anawana (2022) On African Opera: A Conversation with Anawana Haloba. Afterall: A Journal of Art, Context and Enquiry (53). pp. 102-115. ISSN 1465-4253

Mey, Adeena (2022) mubing imiji jeonsihagi. [Show/Exhibition]

Mey, Adeena (2022) Foreword. Afterall: A Journal of Art, Context and Enquiry (52). pp. 3-6. ISSN 1465-4253

Mey, Adeena (2021) Foreword. Afterall: A Journal of Art, Context and Enquiry (51). pp. 3-7. ISSN 1465-4253

Mey, Adeena and Delarue, Chloe (2021) Tafaa - Random activity (...). [Art/Design Item]

Mey, Adeena (2021) Exhibitionary Feedback. On 'Cybernetic Serendipity'. In: Nouveaux médias: mythes et expérimentations dans les arts. DFK Paris, NAIMA Editions, pp. 51-65. ISBN 978-3-98501-002-8

Mey, Adeena (2021) A Viewing Room. [Show/Exhibition]

Mey, Adeena and Yu, Qiumei (2021) Reputation Meets Opportunity. Ying Xiang (1).

Mey, Adeena (2020) Ecart, Film et Intermédia. Notes sur Re-Constructing the Missing Photograph d'Anthony McCall. In: Almanach Ecart. Une archive collective, 1969–2019, nouvelle édition. art&fiction, Geneva, pp. 406-412. ISBN 978-2-88964-010-2

Mey, Adeena (2020) Return to the Kinomuseum. In: Limit as Material, 11-12 December 2020, Online.

Mey, Adeena (2020) Repurpose and Remake. Afterall. A Journal of Art, Context and Enquiry (50). pp. 132-149. ISSN 1465-4253

Morris, David and Mey, Adeena (2020) In Real Life – A Reflection on the “Online Exhibition”. Critique d'art (55). pp. 189-199. ISSN 1246-8258

Mey, Adeena (2020) Projection between exhibition and information: experimental and artists' film at 'Sonsbeek 71'. In: Practices of Projection. Oxford University Press, pp. 211-236. ISBN 9780190934118

Mey, Adeena (2020) Exhibiting Structural Film? Annette Michelson, Between Criticism and Curating. In: Minor Cinema: Experimental Film in Switzerland. JRP|Editions, Zurich, pp. 228-245. ISBN 978-3-03764-550-5

Mey, Adeena and Bovier, François and Schärer, Thomas and Truniger, Fred (2020) Minor Cinema. Experimental Film in Switzerland. Documents . JRP|Editions, Zurich. ISBN 978-3-03764-550-5

Mey, Adeena and Roh Bannwart, Kyung (2020) Neo Geography 네오지오그래피. CAN, Centre d'art Neuchâtel and Les presses du réel, Neuchâtel and Dijon. ISBN 978-2-8399-2651-5

Mey, Adeena (2020) Aldo Tambellini's 'Black Film Series'. In: Black Film Series Les films d'Aldo Tambellini en 16 mm et en présence d'Adeena Mey, 17 January 2020, Oblo Cinema, Lausanne, Switzerland.

Mey, Adeena and Bovier, François (2019) 무빙 이미지 전시하기:다시 본 역사. Mediabus, Seoul. ISBN 979-11-966934-3-5

Mey, Adeena (2019) The Moving Image in the Museum in the Era of Late Capitalism: Thinking Film Exhibitions with and after Annette Michelson. In: Annette Michelson, une américaine à Paris Conférences et projections, 23-25 Oct 2019, Centre Pompidou, Paris. Item not available online.

Mey, Adeena and Bovier, François (2019) VideoArt Festival Locarno: A Prospective. [Show/Exhibition]

Mey, Adeena (2019) Positive Feedback. On Chloé Delarue’s TAFAA / Rétroactions positives. Sur Chloé Delarue et TAFAA. In: Chloé Delarue. Collection Cahiers d’Artistes 2019 (XIV). Pro Helvetia-Swiss Arts Council and Edizioni Periferia, Zurich and Luzern, pp. 41-52. ISBN 978-3-906016-98-6

Mey, Adeena (2019) Textures of In/visibility. Maya Schweizer's Exhibitionary Cinematism. In: Maya Schweizer, Where Ivy Cracks the Wall. Naima and Les presses du réel, Berlin, pp. 73-89. ISBN 978-2-37440-086-0

Mey, Adeena (2019) Michelle Henning, Photography. The Unfettered Image, 2019. Transbordeur (3). pp. 208-209. ISSN 2552-9137

Mey, Adeena (2018) Hylétique/Helvétique/Cinématique. [Show/Exhibition]

Mey, Adeena (2018) Media Mass-Age in Monte Verità. René Berger’s Media Theory. In: Media History from the Margins, 19-24 August 2018, Monte Verità, Switzerland. Item not available online.

Mey, Adeena and Bovier, François (2018) Film Implosion! [Show/Exhibition]

Mey, Adeena and Higashino, Yuki (2018) Yuki Higashino: Perspectives. [Show/Exhibition]

Mey, Adeena and Roh Bannwart, Kyung (2017) Neo Geography II 네오지오그래피 II. [Show/Exhibition]

Mey, Adeena (2017) On New Forms in Film and Other Exhibitions. A conversation with Annette Michelson. In: Early Video Art and Experimental Films Networks. ECAL and Les presses du réel, Lausanne and Dijon, pp. 217-220. ISBN 978-2-9701157-0-0

Mey, Adeena and Hui, Yuk (2017) L’exposition comme médium. Quelques observations sur la cybernétisation de l’institution et de l’exposition. Appareil (18).

Mey, Adeena and Roh Bannwart, Kyung (2017) Neo Geography I 네오지오그래피 I. [Show/Exhibition]

Mey, Adeena and Thorel, Benjamin (2016) Tell'n'Talk 02. In: Labor Zero Labor, 26-28 August 2016, Triangle France, Friche la Belle de Mai, Marseille.

Mey, Adeena (2016) “The Entire Country as Field of Operation”: Sonsbeek 71, Communication and the Film/Exhibition Apparatus. In: NECS Conference 2016, 28-30 July 2016, University of Potsdam.

Mey, Adeena (2016) 전기 집필로서의 큐레이팅. 영화의 물질적 일대기에 대해 Curating as Biographing. On the Material Life of a Film. In: Practice by Curators. Gallery Factory, Seoul, pp. 30-45. ISBN 978-89-964340-9-2

Mey, Adeena (2016) The milieu of poetry: Yuri An’s ‘The Unharvested Sea’ and ‘Sailing Words’. NECSUS.EuropeanJournalof Media Studies, 5.

Mey, Adeena (2015) Expanded Cinema, by Other Means. In: The Audiovisual Breakthrough. fluctuating images. contemporary media art e.V., Berlin, pp. 42-61. ISBN 978-3-00-051072-4

Mey, Adeena and Bovier, François (2015) Cinema in the Expanded Field. Documents . JRP|Editions, Zurich. ISBN 978-3-03764-433-1

Mey, Adeena and Bovier, François (2015) Exhibiting the Moving Image. Documents . JRP|Editions, Zurich. ISBN 978-3-03764-388-4

Mey, Adeena (2015) Kunsthalle Archaeology / 쿤스트할레 고고학. [Show/Exhibition]

Mey, Adeena (2015) Materiality and Exhibitionality in Contemporary Art Practice: Mark Leckey, Simon Starling, Rosa Barba / 현대 예술에서의 물질성과 전시성. In: Materiality and Exhibitionality in Contemporary Art Practice: Mark Leckey, Simon Starling, Rosa Barba, 4 September 2015, Cheongju Art Studio/Cheongju Museum of Art, South Korea.

Mey, Adeena (2015) By Other Means or not at All: Experimental Moving Image Practices in Switzerland 1960 – 1970. In: EXIS-Experimental Film & Video Festival in Seoul, 19-26 August 2015, Audio Visual Pavilion - 시청각.

Mey, Adeena (2015) E.A.T. and the Moving Image. A conversation with Barbara Rose. OEI (69-70). pp. 339-341.

Mey, Adeena and Bovier, François (2015) Exhibited Cinema/Cinéma Exposé. Les presses du réel and ECAL, Dijon and Lausanne. ISBN 978-2-8399-1404-8

Mey, Adeena (2015) Dialogue avec Monologue. Notes sur Vandy Rattana et la question de l’art contemporain au Cambodge. Le magazine du Jeu de Paume.

Mey, Adeena (2015) Institutional Critique and Experimental Cinema: Historiographical Revisions. In: SCMS 2015, 25-29 March 2015, Fairmont Queen Elizabeth, Montreal.

Mey, Adeena and Bovier, François (2014) René Berger. L'art vidéo. Documents . JRP|Editions, Zurich. ISBN 978-3-03764-389-1

Mey, Adeena (2014) Mobility and Event: Fragments towards an Archaeology of the Ambulant Spectator. In: SCMS (Society for Cinema and Media Studies) Conference 2014, 19–23 March 2014, Sheraton Seattle Hotel.

Mey, Adeena (2013) New Khmer Architecture, New Khmer Architecture. NERO (32). pp. 116-127.

Mey, Adeena (2013) Rancière as Foucauldian? On the Distribution of the Sensible and New Forms of Subjectivities. In: Foucault, Biopolitics, and Governmentality. Södertörn Philosophical Studies (14). Södertörn University, Stockholm, pp. 175-183. ISBN 978-91-86069-59-9

Mey, Adeena (2013) Listening and Looking beside. On the ‘Parasonic’ and the ‘Paracinematic’. In: Art History and Sound, Workshop series: The Listening Art Historian, 14 March 2013, The Courtauld Institute of Art.

Mey, Adeena (2012) Art contemporain et paracinéma : Rosa Barba, Juliana Borinski et David Maljkovic. Décadrages: Cinéma, à travers champs (21-22). pp. 108-121.

Mey, Adeena and Bovier, François and Le Grice, Malcolm (2012) “Discourse” versus “medium”: interview with Malcolm Le Grice. Décadrages. Cinéma, à travers champs, 21-22. pp. 52-59.

Mey, Adeena (2010) Maria Taniguchi: Y’a le feu au lac. [Show/Exhibition]

Mey, Adeena (2008) Christian Marclay’s Christmas Tales. Helvetic Centre, London.